Tag Archives: Scotland

Sense of Place: Aye Write Festival Glasgow 2018

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When I left Glasgow in January after another excellent Celtic Connections Festival (see previous blog post) I was looking for a reason to return sometime soon. Luckily, Aye Write, which I’d had my eye on for quite a while, was taking place from 15-25 March 2018, so it was the perfect excuse to hop on a train back to Scotland.

I only had a couple of days to get a taste of the festival, but it was well worth it. All events I attended were fantastic with intriguing guests and cheerful, helpful staff and volunteers at every venue. Glasgow is one of the friendliest cities in the UK, so you’ll have a great time no matter whether you’re travelling on your own or with friends. Plus, all the city centre festival venues are walking distance from each other and you can do some sightseeing before or after the events.

Orain Ileach cover pic

The first session I attended was in the Strathclyde Suite of the Royal Concert Hall. It was a celebration of Orain Ileach: Gaelic Songs of Islay, a brand new collection of songs from the Scottish island. The large room had more of a conference venue feel to it, but as soon as the two choirs, including the Glasgow Islay Gaelic Choir, and various solo singers got up on stage, it was almost like being back at Celtic Connections. Speakers included Ishbel MacTaggart from Islay, Kenneth Thomson, the conductor of Scotland’s oldest Gaelic choir, Ceòlraidh Ghàidhlig Ghlaschu, and Lynn McDonald, the editor of the book. I absolutely loved learning more about how musical traditions are actively being kept alive on the Scottish islands and are actually thriving through community efforts and engaging the younger generations as well.

The event which followed was completely different, but equally intriguing. Sarah Winman, author of Tin Man, who I’d last seen at a reading in Vancouver several yeas ago when she was promoting her bestselling first novel, When God Was A Rabbit, and Gail Honeyman, who lives in Glasgow and whose first novel Eleanor Oliphant Is Completely Fine was an instant success. The two novelists were interviewed by another author, Zoe Venditozzi, and the hour allotted for their conversation just flew by. I was particularly intrigued by Gail mentioning that she wanted her novel to be set in Glasgow as she felt it is an immensely kind city, but often isn’t portrayed that way, which really struck a chord with me as I’ve also come to love Glasgow for that very reason.

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On Tuesday night I headed down to the Glasgow Film Theatre, a beautiful historic cinema in the heart of the city for a talk by Nick Triplow, author of Getting Carter, followed by a screening of the classic 1971 British crime movie. While the film had been a cult classic since the 1970s, the author of the book it was based on (Jack’s Return Home), Ted Lewis, remained an elusive character with a mostly troubled and tragically short life. I was in the minority of people on the night who had not seen the film before and must admit, it will not become one of my all time favourites. I can see its appeal to others, however, and very much enjoyed the interview with Nick Triplow, who had to overcome various obstacles in order to get this fascinating life story researched and published.

My last day at the festival also included lots of crime writing. I was at the Mitchell Library for two sessions, which each featured three crime writers, all new to me, and, as it turned out, all with very different writing styles and subject matters. I’m not a reader of crime novels ( just yet), but have been a big fan of crime drama since someone recommended ‘Shetland’ to me a few years ago, so was looking forward to getting an overview of the latest publications.

Both talks on the night included short readings from all authors, which gave us a real flavour of their style, subject matter and sense of humour. The main thing all of them had in common was how much real life influenced a lot of their writing. Either things that had happened to them personally or to people close to them or issues they deeply cared about. Ex-police woman Clare Mackintosh writes about ordinary people who deal with extraordinary circumstances in their lives, for instance an apparent suicide of both parents of the main character in her latest book Let Me Lie. Former news reporter and political correspondent Sarah Vaughan wrote Anatomy of a Scandal centering around a husband being accused of a terrible crime while serial killers and obsessive personalities are the topics ex-journalist Fiona Cummins successfully focuses on.

Aye Write Crime Authors 2018

The last session with Claire MacLeary, whose two female detectives ‘of a certain age’ are definitely some of the most quirky characters you will come across in the world of crime fiction, as well as Owen Mullen and academic and former solicitor Angus MacAllister centered around a sense of place and a connection to Glasgow. All three authors are either from the Scottish city or have lived there at some point and wrote books set there and had lots of fascinating anecdotes on their research and writing process for their novels.

During my whole time at the festival I tried to avoid sneaking a look at the pages in the programme with all the many tempting sounding events I was inevitably missing and everyone I met seemed to have a great time at the readings they attended. Apart from the main programme, Aye Write also includes a children’s festival, Wee Write, with lots of exciting events for all ages, as well as a number of complementary sessions, such as creative writing classes. It’s a book festival which reflects the city it takes place in: it’s down to earth and warm-hearted with a great sense of humour!

Disclaimer: Life is a Festival was provided with review tickets for select events. Opinions expressed are those of the author. Photography used in this blog post was taken by Life is a Festival with the exception of the Orain Ileach book cover photo. 

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25 Years of Celtic Connections – The Anniversary Festival 2018

This year was the 25th anniversary of Celtic Connections in Glasgow (18 January – 4 February 2018) and the festival has come a long way from its humble beginnings. Year after year it attracts a huge number of visitors not just from Scotland and the UK, but also from other parts of Europe and further afield. As most of the concerts happen in the evenings, lots of visitors use the festival as an excuse to explore other parts of Scotland on day trips, which are easily accessible by train or bus from the city. Celtic Connections also always manages to get a lot of fantastic musicians together on stage for special collaborations, e.g. various tribute nights (Tom Petty, Songs of the Gael, Scotland Sings Canada), usually with an impressive all star line-up.

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This year I’d also decided to make it a proper holiday and stayed eight nights in total. I was a volunteer artist liaison for three concerts on three consecutive days right after I arrived, which kept me busy pretty much 24/7. My first concert was a night of outstanding traditional music with The Fretless (pic below), a Juno award-winning quartet from Canada with support from Scottish musician Ewan Robertson and friends at St. Andrews in the Square church. Glasgow has quite a few churches turned music venues and this one is one of the nicest. The next day I looked after Corb Lund from Canada and Hayes Carll from Texas, both country music artists. They shared the stage for their performance in another beautiful former church, St. Luke’s near the Drygate Brewery, north east of the city centre and it was a great night of Americana intersected with brilliantly funny banter.

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Most people don’t realise when they are attending shows as an audience member just how much work goes into putting on live music events. From pre-planning it months in advance, sorting out accommodation, transport and food to dealing with tech issues, merch logistics and all sorts of other bigger and smaller last-minute requests, like unexpected schedule changes (e.g. additional performances at the festival club on the night of the concert), lots of things can happen, which might require a change of plan.

The artists themselves might have just flown in from another continent, jet lagged and maybe missing parts of their equipment, having to do interviews with various radio stations and journalists on the go. So we’re always trying to give them the best experience and make things as easy for them as possible. If all goes smoothly, the artists will step on stage with a smile on their face, a perfectly tuned instrument in their hands and everyone will have an enjoyable night. And as a volunteer, you breathe a big fat sigh of relief that all your efforts and those of the festival staff have been worthwile!

My third concert as an artist liaison was Cara Dillon with support by The Fretless, in the New Auditorium right in the Royal Concert Hall. I had only seen Cara at Cambridge Folk Festival once before and it was fantastic to experience her beautiful, moving songs in a hall with great acoustics for a change. Her excellent band on the night included Sam Lakeman, John Smith and, for a few songs, The Fretless as well.

The RCH is a huge multi-space venue in the centre of Glasgow with a large, confusing web of hallways and backstage areas connecting the different performance spaces behind the scenes. From preparing dressing rooms, sorting out riders (carrying food, drink and ice buckets around), liaising between bands who are sharing a stage, organising access keycards, sharpies and blue tack to getting set lists printed, there is always a long list of to do items to tackle on the day of a gig. But it’s also really fun to work together on something exciting and then sitting back and seeing it unfold in front of you once all the work is done. Plus you get to hear the sound checks and get a much more in-depth experience of an event.

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On my days off I finally made it to the medieval Glasgow Cathedral from 1136, which is a beautiful space, and to the multi-faith Victorian Necropolis on the hill beside it. The winter light was amazing that day and once you climb to the top, it has some fantastic views across the city. So does The Lighthouse museum and art centre near the Central Station, take the lift to the 6th floor viewing platform and enjoy (see first pic in the post). I also took lots and lots of pictures of Glasgow’s many stunning murals, my favourite being the Modern Day St. Mungo by Smug (see pic above) on High Street, but they are all over town and there is a proper Mural Trail to follow, if you fancy it.

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Another day I visited the small, but very informative Glasgow Police Museum staffed by friendly retired police officers. Glasgow had the first police force in Britain and as it’s a small two-room museum, you can easily add it to your schedule and learn some interesting facts about the city and its inhabitants past and present plus see a well-curated collection of uniforms through the ages and from quite a number of other countries, too.

I also attended more concerts. Dougie MacLean  (pic below) had a headline show (with support by Yvonne Lyon) in the Main auditorium of the Royal Concert Hall and I had made sure I had a first row seat for it. On Sunday night, I returned to St. Lukes to see The Barr Brothers from Montreal. They’ve had quite a few changes in their band line-up since I’ve last seen them and I’d also not heard their new songs live. But the beautiful church venue was the perfect backdrop and I especially enjoyed hearing favourites like Half Crazy and How The Heroine Dies. Andrew remarked how much they appreciated the quiet, respectful atmosphere, it was just a lovely night.

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Hazy Recollections at the O2 ABC is an afternoon show curated by Findlay Napier and there are always some interesting artists to discover, this time including James Edwyn & The Borrowed Band from Glasgow. Having been to it three years in a row now in this venue, I still enjoy finding new artists, I just really think it deserves to be moved to a more atmospheric place, such as one of the church venues, rather than a nightclub during daytime.

I also had a lot of fun at the BBC Alba ‘SEIRM’ recordings I attended and managed to make it to all three this year. What’s so nice about it is that the Hillhead Bookclub in Glasgow’s West End is such a cosy venue and once you have a table you can enjoy the show without having to worry about people chatting in the background as it’s being recorded for TV and everyone has to be quiet (!) during the performances – perfect!

There are usually around four or five artists on between 6pm and 11pm and every single one this year was pretty amazing. They included US mandolinist and bluegrass singer Sierra Hull, I’m With Her (Sarah Jarosz, Sara Watkins & Aoife O’Donovan), with wonderful harmonies on the first night and Lau (just as a trio, see pic below) on the second night. The third night was probably my favourite with Irish singer Declan O’Rourke & band, Scottish-English musicians Ross Couper & Tom Oakes, Senegalese-Lithuanian duo Solo & Indre (such a beautiful sound) as well as The Secret Sisters from Alabama. All three sessions will be on BBC Alba sometime this spring.

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On top of all this, I did extremely well this year catching four nights of the festival club at the Arts School. It’s a great way to wind down or (get dancing) with a pint after one of the official gigs and the line-up generally consists of a selection of that night’s festival artists, which was great as there is so much on every night, it gives you a chance to see artists you missed, such as the excellent Nashville-based Molly Tuttle & band.

Of course, the deepest winter is not the greatest time to visit Glasgow in terms of weather, but that is also your best excuse to while away many hours in great company listening to the crème de la crème of folk, Americana and other genres in some stunning venues. So put January 2019 in your calendar now for the 26th edition of Celtic Connections and you’ll practically be guaranteed the perfect antidote to post-Christmas blues!

Disclaimer: Life is a Festival was provided with review tickets for some events. All photography used in this blog post was taken by Life is a Festival.

Discover Glasgow During Celtic Connections Festival

I first visited Glasgow in 2016 as I had heard so many good things about Celtic Connections, a huge nearly three-week long midwinter multi-genre music festival, which is celebrating its 25th anniversary this year. Despite the admittedly terrible January weather, I fell in love with both the city and its people (their slogan ‘People Make Glasgow’ couldn’t be any more accurate) and have been excited about returning there ever since. This year it runs from 18 January until 4 February 2018.

Here is a wee guide for those of you who haven’t been to Glasgow or the festival before in order for you get the best out of this fabulous event and discover one of my favourite cities in the UK.logo 25th anniversary.jpgWhy visit during Celtic Connections?

Having travelled to festivals on various continents before, one thing a lot of cities have in common is that during festival time they are at their absolute best. There is usually a lively, buzzing atmosphere, lots of side events (sometimes even free of charge) and while heading out to see your favourite artists, you also get a great overview of all the best venues in the place you’re visiting. Don’t forget to get talking to other visitors and local festival goers and exchange recommendations, it’s a friendly city with many helpful locals.

What kind of music can I expect?

Celtic Connections is a fairly eclectic festival and has always been open to showcasing not just Folk and Americana (including some very big names on the scene as well as the most talented newcomers from the British Isles and overseas), but also world music, some jazz and quite a few indie bands. The 2018 artists include Frank Turner, Cara Dillon (pic below), The Lone BellowDougie Maclean, Oumou Sangare and some very exciting special collaborations, for instance a tribute concert to Tom Petty. You can take your pick from major historic and modern venues, such as the Royal Concert Hall, the Old Fruitmarket (see last picture) or the O2 ABC or attend a concert at a medium-sized or smaller venue, such as Oran Mor in the West End, the Tron Theatre, St. Andrews or Saint Luke’s a bit further east or The Glad Cafe on the Southside. They each have a unique atmosphere and some are seated, standing or both.

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Where should I stay and for how long?

I stayed in different places every year so far, hotels as well as B&Bs, and there are many budget-friendly options. The West End is a lovely area for eating out or staying in, just west of the city centre, but most gigs are taking place in more central venues. You can easily discover the best of Glasgow in a long weekend, but if you can manage to add a day or two, it will be even more relaxing and you can spend your days sightseeing, taking walks around different neighbourhoods, exploring the many excellent museums or whiling away a few hours in a cosy café (see the bottom of the post for foodie tips) until it’s time for the evening concerts.

Are there any additional events apart from the main concerts?

There are a number of lively evening ceilidhs and some family-friendly daytime ones, too. Plus, the very popular festival club nights at the Art School (right in city centre near the CCA) will again be taking place Thursdays through Sundays from 10.30pm til late and the secret line up of festival artists is always worth checking out. If you prefer a seated venue for your after-hour celebrations with old and new festival pals, then the late night sessions at the Drygate Brewery (east of the city centre near Glasgow Cathedral, from 11pm on the same nights) are ideal for you. You can also try your hand at playing music yourself at the many workshops for kids and adults throughout the festival.

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What kind of ticket options do I have?

Celtic Connections does not offer festival passes, so you do need to book each gig individually through their official website or hope for last minute tickets at the door (would not recommend this unless you’re fairly flexible). If you’re planning on attending quite a few concerts, you can join the Celtic Rover Scheme (currently from £20), which gives you a 15% discount per concert.

Apart from all the above, there are also stalls to buy instruments inside the RCH and lots of other festival happenings around the city during the duration of the event, all detailed online and in the free programmes available in all the venues. So don’t miss out and join me and over 100,000 friendly other punters at some of the 300 events across 26 stages for Celtic Connections 2018!

For Glasgow sightseeing and foodie tips see my previous festival reviews for Celtic Connections 2016 and Celtic Connections 2017. I will be live tweeting and instagramming during some of the festival, so keep an eye on @lifeisafestival (Twitter) and @lifeisafestivalblog (Instagram) for updates, pictures and videos. Glasgow’s official tourism website is at peoplemakeglasgow.com.

Disclaimer: All pictures in this post were provided by Celtic Connections (Old Fruitmarket picture credit: Louis DeCarlo). Opinions expressed are those of the author. 

Building Bridges (Not Walls): Celtic Connections 2017

The beginning of a new year is usually a hopeful time for me. However, given the state the world is currently in, the start of 2017 has sure felt a little bumpy for many of us. Luckily, Celtic Connections in Glasgow (19 January – 5 February 2017) has a track record of uniting cultures rather than dividing them and this is where I was headed for the second time, I really couldn’t wait! After having helped out behind the scenes at last year’s festival, I decided to just be a punter this year to give myself more time to explore Glasgow in between gigs. Nearby Edinburgh might have a greater visitor appeal as a well-known festival city, but Glasgow’s music, cafe and culture scene is not far behind at all. I was also luckier with the weather this time around and had found a lovely Airbnb near the Mitchell Library, i.e. walking distance to most of the festival hot spots.

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Two day-time sessions I had booked, which took place upstairs at the Royal Concert Hall, were both billed as author talks, yet the second one featured a short set by world class musicians, a nice surprise. The event was with well-known Scottish author James Kelman, who was talking about his latest novel ‘Dirt Road’ and we learned that a film for cinema based on the book is in production right now. To our delight, we got to hear some of the music from the film played live by a group of musicians including prolific multi-instrumentalist Dirk Powell (last saw him on stage with Joan Baez at Cambridge Folk Festival 2015) with his daughter Amelia, Lousiana accordion wizzard Preston Frank and his daughter Jennifer as well as the young Scottish accordion player Neil Sutcliffe, who plays the main character, Murdo, from Kelman’s book. What a brilliant event, just way too short, of course.

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Given the current political climate, I was also glad to have made it to a packed ‘Take Back Our World’ event organised by Global Justice Now at Glasgow University for the first couple of sessions on Saturday morning. The speakers included Bernie Sanders’ brother Larry Sanders as well as activists from around the UK and abroad and it was heartening to see so many grassroots organisations working together at this important point in time. In the afternoon, I headed back to the RCH to listen to renowned Scottish actor David Hayman, talk about the children’s humanitarian organisation Spirit Aid, which he is head of operations of. During his talk the audience learned that unlike many larger charities, this ‘guerilla’ organisation uses 100% of donations to fund projects as far away as Afghanistan and Palestine, but is also helping people closer to home in local Scottish communities. It was inspiring to see what a small, determined group of people (like famous Anthropologist Margaret Mead once said) can get done with (comparably) small amounts of money. Definitely something to find out more about.

The gig I had been looking forward to most was a sold-out shared bill at Oran Mor in the Westend on Saturday night with Adam Holmes and the Embers as well as US four-piece Darlingside (see above). Adam’s band has long been one of my fav Scottish acts and even though they often play quite large festivals are still very underrated. So, if you haven’t heard of them yet, but enjoy intelligent songwriting with beautiful, gospel-like melodies, you won’t be disappointed. The main act on the night was Boston-based Darlingside, who had been a big surprise hit at Cambridge Folk Festival last summer and whose first visit to Scotland it was. The best shows are always the ones when you see the musicians having as much fun playing as the audience has listening to them and these four just combine a huge amount of positive energy and creativity, never mind being able to play viola, violin, banjo, mandolin and guitar to layer their meticulously crafted songs. It was a delight for the ears of any Americana and folk music enthusiast and their 90-minute set went by way too fast.

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After browsing through antiques, books and other second-hand finds at the Barras market in Glasgow’s East End on Sunday morning, I was headed to the O2 ABC on Sauchiehall Street in the afternoon which had a bit of an empty nightclub during daytime vibe and thus didn’t seem ideal at first. However, the Hazy Recollections session with an eclectic line-up including its curator Findlay Napier as well as Ben Seal and Urban Farm Hand and Mhairi Orr soon made up for it. It was also great to meet some more festival goers, many of which came from other parts of Scotland, or further afield.

I was glad that, like last year, I had bagged a free ticket to the first of three BBC Alba Seirm (‘seirm’ meaning tune or melody) recordings for my last night at Celtic Connections. It was again held at the lovely Hillhead Bookclub (alas, not a book in sight) in the Westend and this time around I knew the drill. Everything took quite long because of the filming, but who was going to complain when there were so many excellent musicians on the bill: Mary Chapin Carpenter (see above) Darlingside again (yeah!), Welsh singer-songwriter Gareth Bonello and two Scots Gaelic singers Eilidh Cormack (from Skye) as well as Joy Dunlop. I shared a table with a couple of Gaelic speakers from some of the Hebridean islands and had an altogether fantastic evening.

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In between the gigs I managed to try some more veggie and vegan places, of which there are plenty in the city, including The 78 Bar in Finnieston on Thursday night (great vegan haggis burger). A lot of these cafes are also dog-friendly, which is a nice touch, unless you’re allergic, of course. The Hug & Pint on Great Western Road had a good lunch deal for their Asian-inspired vegan food, but it might be better to head there at night, as my daytime visit was decidedly lacklustre. A return visit to Café Saramago (in the CCA on Sauchiehall Street) positively surprised me with excellent soya latte and a simple but very delicious sweet potato chilli (so good, especially in this chilly weather). Alas, I never got to try Tantrum Doughnuts (I’m coming for you on my next visit!), but enjoyed being back at Kember and Jones on Byres Road. My fav new discovery by far, however, was The Singl-end Café. It’s unsurprising there is never an empty seat in the house as the food looks and tastes absolutely fantastic. They offer plenty of veggie and vegan options (including vegan and gluten free breads and pastries plus three different types of non-dairy milk) and the baked eggs (or Shakshuka, see above) were out of this world. A stone’s throw from the bustle of Sauchiehall Street, this place should be your first port of call for a satisfying breakfast, lunch or dinner out. Celtic Connections sure is a great way to spend a couple of days relaxing at first-class concerts as well as enjoying all the amenities a city like Glasgow has to offer and I’ll most definitely be back again soonish!

 

Midwinter Music Madness: Celtic Connections Glasgow 2016

January isn’t usually a popular festival month in most European countries, but luckily the guys at Celtic Connections filled this festival-free zone with one of the most amazing music events I’ve ever attended. From 14 – 31 January 2016 Glasgow was yet again the backdrop for 18 midwinter days of excellent folk music, Americana, world music with a Celtic twist, educational programmes, Showcase Scotland and, of course, the ever popular festival club.

I managed to make it to Scotland for a couple of those days, trying to ignore the many tempting concerts which I was sadly missing on each end (Patty Griffin, The Moving Hearts, Jason Isbell, The Lone Bellow, Seckou Keita & Gwyneth Glyn to name just a few). It was my first time in Glasgow and as I stepped off the train at Central Station, I already knew I would like the place. I’m a big fan of discovering a new city through a festival and was positively surprised about the many amazing cultural venues and museums the city has to offer.

Being based at the festival HQ, I spent a couple of hours every day getting artist packs ready, sorting out transport, meal vouchers and anything else the bands needed together with a fun volunteer team of all ages who were all seriously passionate about folk and Americana.

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On Monday night I managed to catch the Wainwright Sisters, Martha Wainwright and Lucy Wainwright Roche (with support by Ethan Johns) at the City Halls who performed songs from their latest shared album ‘Songs in the Dark’ as well as some of their own material. It was just the two singers with their guitars, jokes, stories and two perfectly matching voices. Superb.

The night after I had tickets for a Seirm recording session for BBC Alba at the Hillhead Bookclub, a wonderful venue (which used to be a pre-First World War cinema, the Hillhead Electric Theatre) in the West End. We were treated to a night of Scottish Gaelic, folk, and Americana music including South Uist singer (and Outlander star) Gillbride MacMillan, New Hampshire based singer-songwriter (and also Gaelic speaker) Kyle Carey as well as French chansons courtesy of Anne Carrere of Piaf! The Show plus another set by the Wainwright Sisters, this time so intimate, it felt like a living room concert.

On Wednesday night it was time for Rhiannon Giddens and band on the Old Fruitmarket stage (yet another beautiful historic venue!). Being one of the founding members of the equally amazing Carolina Chocolate Drops, she never fails to impress. Her exquisite voice, clever choice of material (mostly taken from her latest solo album ‘Tomorrow is my Turn’) and incredible stage presence were a winner with the sold out house. On Thursday night Mairi Campbell’s intriguing solo show Pulse at the Tron Theatre was followed by my only chance to enjoy the festival club at the Art School (incl. the Poozies, Nuala Kennedy and Daoiri Farrell & the Four Winds) until the early hours, which was a great finale for my first Celtic Connections visit to Glasgow.

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In between all the musical happenings I also managed to explore quite a bit of what the city has to offer in terms of culture, cafes and veggie food. As far as I’m concerned Glasgow is seriously underrated as a weekend trip destination! Here are just a few examples why:

Museums: I loved the Kelvingrove Art Gallery and Museum (great collection and stunning building), the Burrell Collection in Pollok Park complete with Highland cows grazing outside, the Mitchell Library (the largest public reference library in Europe and also host to the lovely Aye Write and Wee Write festivals) and the Lighthouse design museum (great view of the city centre from the top). All of them are free entry (donations welcome).

Cafes, food and neighbourhoods: I ventured both to the West End (great coffee, veggie soup and homemade bread at Kember & Jones) on the third-oldest subway system in the world as well as the South Side (finally managed to visit the Glad Café, fab live music venue plus the most scrumptious veggie haggis burger and sweet potato fries) by bus plus discovered tons of great charity shops. Other places I ate at where Stereo (just like at Mono, fab veggie and vegan food in another cool music and arts venue) as well as Café Source (in the basement of the St Andrews church/venue), The Steamie (see pic below) and the Saramago Café at the CCA. Somehow the best cultural spots also seemed to have the best coffee, veggie and vegan food, way to go!

The very best part of my visit were the Glaswegians though. ‘People Make Glasgow’ might be a marketing slogan, but I really felt immediately at home in this beautiful Scottish city with its humorous locals and lively cultural and festival scene. Can’t wait to be back sometime very soon!

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