Tag Archives: music festival

Room For All: A Guide for Shrewsbury Folk Festival Newbies (including festival review 2017)

I first attended Shrewsbury Folk Festival in 2012, signing up as a volunteer very last minute and had a wonderful time, as it is just an incredibly well-run and relaxed event. It not only bursts at the seams with incredible live music and dancing, it also has an ideal location being walking distance from the centre of the historic English town of Shrewsbury, in Shropshire, not far from the Welsh border.

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The 2017 Festival

For me, this year’s Shrewsbury Folk Festival (26-28 August 2017) was all about collaborations. Some of the exciting collaborative projects were The Passerine (Folk duo O’Hooley and Tidow with musicians from Egypt, India, Sudan and other countries) as part of the new Room For All Initiative celebrating cultural diversity, all female ‘supergroup’ Coven (Grace Petrie, O’Hooley and Tidow, Lady Maisery) and the closing performance in the newly named Bellstone tent (Marquee 1) ‘Faith, Folk & Anarchy’ with Steve Knightley, Tom Robinson and Martyn Joseph. As festival co-founder Alan Surtees sadly passed away earlier this year, there were lots of emotional tributes to him as well as a CD to support the newly created Alan Surtees Trust. Other local and international artists included Loudon Wainwright, Le Vent du Nord, Skippinish, The Unthanks, Daphne’s Flight, Sarah Jarosz, the Oyster Band, Joe Broughton’s Conservatoire Folk Ensemble, The East Pointers and Ragged Union. While SFF is very much dedicated to folk music in its many forms, performers from other genres, such as the excellent Stockholm based US blues musician Eric Bibb this year, also always find a musical home here. My favourite new discoveries were The Fitzgeralds from the Ottawa region of Canada, who also offered an excellent step dancing workshop, which was attended by well over a hundred people. There was also a new stage this year, The Launchpad, near the food and bar area, showcasing up and coming musical talent, e.g. the excellent The Trials of Cato (who are based in Wales, but met each other in Lebanon, of all places).

Eric Bibb SFF 2017.jpg

What accommodation options are there?

As a general punter you can arrive to pitch your tent from Friday morning (the music starts in the early evening) and the festival programme usually finishes around early evening on Monday, so most people leave around then or stay until the next morning (the last unofficial gathering in the onsite Berwick bar with lots of craft beer and cider on tap is always a highlight). If you’re in a campervan, you can park it beside your car or a car park across the road, depending on how much space there is when you arrive. I always come by train and the taxi to the site is less than 5 pounds or a 10 minute walk. There are three permanent toilet buildings (the one in the bar has mirrors and plugs for drying your hair) plus some nice toilets with sinks dotted around the site. The free showers are also good (and nice and hot) and there are drinking water taps available, too. Alternatively, Shrewsbury has a number of great hotel and B&B options, just make sure you book fairly early as it is a very popular weekend (with other events like a large steam fair on as well).

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What is it like to volunteer at the festival?

I always have a great time volunteering at SFF. You make new and meet up with old friends, are part of a lovely motivated team and help making the festival a success. In exchange for about 15-16 hours of work, you get a festival and camping pass for the weekend and work shifts of 2-4 hours at a time. You can also arrive a day early on Thursday from lunchtime. It is advisable to sign up as early as possible, i.e. email the festival for more details about steward applications. You can then choose one of the teams to work in, but please be aware that you might not always end up on your preferred team (especially if it’s your first time) and that it is not always possible for you to see all the artists you might want to see (but you can always try and request one or two). Some shifts also run fairly late (I had an evening shift until 1am), but this depends on your particular team. You can also volunteer to do setup and takedown, if you have time to arrive early and leave late and thereby be free during most of the festival.

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What kind of food and drink can I expect?

There is an outdoor food area around a large tent with tables and seats right beside the main marquee and it offers all the food you could possibly want (burgers, pizza, Mexican, Indian, Italian, fish & chips, two specifically veggie/vegan stalls, sandwiches, coffee, ice cream and cakes). This is supplemented by two large bars, the Berwick bar in an actual building and the beer tent beside the food area, both with tables and chairs, so you definitely won’t go hungry and thirsty!

What is there to do at the festival apart from the live music concerts?

I tend to focus on the concerts, but I often meet people who spend all weekend in trad sessions or in the dance tent. If you play an instrument, there are many tuneworks sessions, which include fiddle, whistle, guitar, accordion, melodeon, ukulele and even mountain dulcimer. You can bring your own instrument(s) or, for some of the beginners classes, borrow one for the class or the weekend (but please confirm this before you arrive). There is a whole separate Children’s Festival section (0-10 years) with a circus tent, lots of music, craft and acrobatic workshops all weekend and a lovely lantern procession in the dark. Older kids (11-20 years) can join the Refolkus Youth Festival and also improve their samba drumming or singing skills, be part of a dance battle or try some aerial acrobatics.

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How accessible is the festival?

SFF does its best to be inclusive to everyone. The location has paths leading to all the main venues, which are suitable for wheelchair use and mobility scooters and wheelchairs can be rented for the weekend. Accessible toilets and showers are also available beside the Berwick bar and there is a special disabled camping area beside between the Sabrina marquee and the bar. Most of the venues have an easily accessible wheelchair area (usually in the front) and the volunteer stewards can point you to it in each venue.

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Can I bring my dog?

Yes, you can, if it’s friendly and you look after it well. Which means you pick up after it and don’t leave it in your car for hours on end. Dogs are not allowed inside the main music venues, but there is usually space on the grass at the back or side of the tents where dog owners can spread out a blanket and enjoy the show with their four-legged buddies. I petted so many nice dogs (you can see a selection on my Instagram account Cuddle a Dog a Day), including a number of adorable puppies, this year and it’s nice to find out their stories and a great way of getting to know people, which is super easy at SFF anyway as most people are very friendly. There are also many dog owners in Shrewsbury itself and there is a great app/website called Doggie Pubs to find out about dog-friendly places to eat and drink around the UK.

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Will I enjoy myself even if I’m not a big fan of folk music?

This depends a bit about how open you are to trying out new things. The good thing about folk music is that it covers many different styles and SFF only book top class musicians, so if you’re willing to be open-minded, you will definitely have a great time. Plus, you can learn a new instrument from scratch over the weekend, improve your dancing skills, do some yoga, browse the many clothes and pressie stalls or simply chill in the sun (which we’ve had buckets full of this year, not a drop of rain!). Don’t worry about visiting by yourself, it’s practically impossible not to get chatting to some friendly folkies at SFF and lots of people return year after year. You can always opt for a day ticket to start with and I’m sure it’ll be a weekend pass next time around ;-).

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Is it worth checking out the town of Shrewsbury while I’m here?

Absolutely. The birth place of Charles Darwin has a number of museums and historic sights and is just a lovely, lively town to explore any time of the year. During SFF there are lots of morris displays (my fav this year was Pig Dyke Molly from East Anglia) and a parade around town on Saturday and Sunday. The city’s many cosy pubs, cafes and restaurants serve excellent food, including quite a few veggie and vegan options and I often head into town for breakfast to start my festival day. I also always do a charity shop crawl as there are a good dozen or so dotted around the city centre. A few of them also have stalls at the festival itself. In addition, Shrewsbury hosts lots of other interesting events year round, including the Shrewsbury Literature Festival in November. Free festival shuttles take you in and out of town on Saturday and Sunday, but the ten-minute walk along the river is a great way to stretch your legs, especially if the weather is as nice as this year.

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Americana Anniversary: Maverick Festival 2017

Maverick Festival, which took place from 30 June until 2 July 2017, at Easton Farm Park in beautiful Suffolk, East Anglia, was celebrating its tenth anniversary this summer and I’ve been lucky to have been to four of those in 2013, 2014, 2015 as well as this latest edition. It’s quite a special little festival and here are my top 10 reasons why I’m always enjoying it so much:

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1. Quality Line-Up: Most people who come to Maverick book their tickets without even knowing who’s on the line-up for that particular year, they just expect quality music, and the festival rarely disappoints. Paul Spencer and his team know the Americana scene well and always book a great variety of reliably excellent acts from the USA, Canada, and even as far afield as Australia as well as the best of what the ever-growing Americana scene in this country has to offer. It was great to see Police Dog Hogan, Case Hardin, Don Gallardo (see pic below), Erin Rae, Dean Owens, Hannah Rose Platt, Hannah Aldridge and Annie Keating again, make sure you give them a listen.

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2. New Discoveries: I love when I turn up at a stage not having heard of a particular musician before and then being blown away by their music and enthusiasm for their craft. This year’s favourite new finds included The Roamin Jasmine (New Orleans), Royal Jelly Jive (San Francisco), The Danberrys (Nashville) and Amy McCarley (Alabama). Two others who I regretted to have missed, but got thumbs up from various other attendees, were Tom Attah (UK) and Lachlan Bryan and the Wildes (Australia). Virtuoso US mandolin player Sierra Hull (see pic below) was also excellent, as were US duo American Young.

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3. Friendly Vibe & Hanging Out With Musicians: While headliners like two-time Grammy winning guitarist Albert Lee (great set with BJ Cole on pedal steel!) and Steve Earle’s son Justin Townes Earle were no doubt a particular attraction to some festival goers, another reason why I love this event is how relaxed and friendly the atmosphere is. It’s one of those festivals where you can just wander between the different stages and food stalls all day, sit under a tree and read a book, share a table with other music lovers or have a chat at the merch area with one of the bands playing. Despite the unrushed pace, it never gets boring because there is great music playing everywhere from late morning until about midnight every night.

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4. Idyllic Location & Great Site Layout: When I first walked through the gates of Maverick Festival a couple of years ago, I fell immediately in love with the beautiful setting of the event. Unlike other festivals held on a big field with nearly no other natural features, Easton Farm Park boasts some beautiful historic farm buildings, meadows and lots of trees and it all just looks like you’re entering a set for a Western movie – including our equivalent of mustangs, the beautiful and rare Suffolk Punch horses (pictured below). As it’s a rather boutique festival, you can easily pop back to your tent for an extra jumper or during this good weather extra sun cream as the camp ground is only a five-minute walk from the music stages. And as the music finishes quite early (around 11.30pm) there isn’t too much noise late at night (apart from the odd folky session around a fire, which actually makes for a nice lullaby). While there aren’t very many showers (I counted only a handful), there are two buildings with proper toilets and lots of additional portaloos strewn around the site.

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5. Dog-Friendly Event: The one thing I’m often missing at other outdoor festivals is the lovely presence of dogs who are often not allowed on site for all sorts of reasons. Not so at Maverick. Everywhere you go you’ll meet smiling pooches likes this happy pair below, Moss and Sky, and I loved hearing about their (rescue) stories. You can find more pictures on my Cuddle a Dog a Day Instagram account. If you have a friendly dog who doesn’t mind crowds, it’s a great festival to take it to, as a lot of the music can actually be enjoyed from outside most of the venues, so pooches can be in the shade and away from most of the noise, but you can still have a good time. Win, win.

Moss & Sky Maverick 2017.jpg

6. Still Kicking Against All Odds: A fascinating addition to this year’s festival was a short, and retrospectively very funny, documentary entitled ‘The Peasants Are Revolting’ charting the journey from idea to festival and the difficulties faced by festival founder Paul Spencer before being able to run Maverick for the first time in 2008. He initially encountered a lot of resistance from a number of villagers who feared there would be a noisy ‘rave’ (anti banjo protests? goats vs sheep standoff? rowdy cowboy hat throwing competitions?) threatening their otherwise peaceful lives and that their quaint Suffolk village would be overrun by all sorts of undesirable individuals. As you can see from the pictures in this post, there was clearly a lot of cause for concern ;-). Luckily, the festival founders persisted and I am now even more grateful for the festival than before I knew about all these (pretty major) teething problems. The screening was followed by a live Q&A with Paul and Tim Dowling with lots more anecdotes from the beginnings of a festival which is most definitely here to stay!

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7. Learning By Doing: I didn’t get around to any of the workshops this year, but there were a bluegrass as well as a banjo session plus a workshop on cigar box guitars and diddley bow. If you felt inspired enough to stick with your new chosen instrument, there were some music stalls with a choice of instruments to take home, including one with beautifully hand-decorated guitars and the pretty cool looking cigar box guitars (below).

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8. Plentiful Food & Drink: As with many smaller festivals, there aren’t quite as many food choices as at larger events. But I was pleased to see that the veggie options had increased since I last visited and there were also quite a few vegan dishes on offer. I had Thai street food, pizza from a wood-fired oven and a squash and feta cheese pie with mash. There were also plenty of desserts, like waffles and ice cream, and a few stalls serving cappuccinos. Plus Easton Farm Park’s café did a decent if not very exciting veggie breakfast in the mornings. Drinks (variety of beer, local cider) were not cheap, but a few freebie cocktails in cans given out by a new sponsor made up for it.

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9. Fun For All Ages: As Maverick is such a safe and friendly environment, families will have no problem finding activities to entertain the little ones. I spoke to a few whose kids were already keen to return, which is no wonder given the many cute animals to pet and feed (goats, horses, llamas, pigs, rabbits, guinea pigs, chickens) as well as an adventure playground, which even includes a mini-zipline. Nashville-based duo Chasing Summer also added to the kids entertainment by doing a lovely live show and art workshop on a new outdoor stage in the orchard, which was enthusiastically received by the children.

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10. Additional Gigs By Touring Musicians: Yes, post festival blues is a terrible thing and hits me every single time for a day or two after getting back home. Luckily, there is a silver lining as most of the overseas musicians booked for Maverick tend to also be on tour in the UK and other European countries while they are over here. So do look for their tour schedules and additional gigs the week before or after the festival. You might even end up on a train together, like I did with Royal Jelly Jive, who were on the way to their next gig in Belgium. A great way to extend the festival for another few hours.

You might not have heard of Americana as a genre of music before and be reluctant to book a weekend of bands you’ve never heard of. Don’t worry! Give a few of them a listen on Yotube before you visit and enjoy the fact that after attending Maverick you’ll be the one in the know giving your friends, who may well still be stuck in mainstream music land, the best recommendations for ‘the next big act’ like a pro!

Disclaimer: Life is a Festival was provided with a weekend pass for the 2017 festival in exchange for a personal review of the event and mentions on social media. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

River Party, Unplugged: Unamplifire Festival 2017

Imagine a garden party with friends right by the Thames, sipping wine, looking out over the river, a fire going in one corner, fresh food being cooked in another and the sound of beautiful music drifting through the air. Yes, this place exists (even if only for a day) and The Nest Collective somehow made it happen on a day without any rain. Hallelujah!

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I was volunteering with Unamplifire Festival on 27 May and the first part of the adventure was finding the venue in Deptford, which was hidden away a few minutes off the high street, on the banks of the river. Master Shipwright’s Palace (built by master shipwright Joseph Allin in 1708) is a private residence and when I made my way around the building to meet Kelly, the volunteer coordinator, I found myself enviously gazing at the current residents sunbathing in the gorgeous garden dotted with apple trees. What a place to live! We spent the next couple of hours setting up the food stall, the bar and long tables decorated with hurricane lamps and rustic table runners made from burlap and somehow managed to get everything ready before the first musicians were due to be on stage. Phew!

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I was stationed at the entrance giving out wristbands to ticket holders for a couple of hours before I spent the rest of the evening moving between the four venues to enjoy the amazing acoustic music on offer. Hidden away on the first floor of the historic house is the piano room where I took a seat on the floor for the first set of the night by international music collective Kefaya (pic below), who I had already seen and very much liked at Shrewsbury Folk Festival a few years ago. There is such a vibrant, positive energy about the three guys on guitar, bodhran and piano and all of us huddled together on the floor of the sparsely decorated space listened in awe. The band also had a guest singer from Afghanistan, who treated us to a couple of haunting songs from her homeland. Later on, Dizraeli took to the same stage with his fascinating slam poetry and thoughtful songs perfect for such an event.

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As the sun went down over the river I switched between the other room upstairs, the aptly named River Room with a view of the Thames and the large garden, with sets by Nadine Khouri, Nina Harries, Marry Waterson and David A. Jaycock and the outdoor Campfire stage where James Riley, Owl Parliament and Gamelan Lila Cita (pic below) played in the open air. I also had a peek through the large window on the side of the tiny cranehouse, the most exclusive of the four spaces barely holding a handful of people, with lots more revellers gathered just outside, drinks in hand, straining to listen to the unplugged guitar sounds of Piers Faccini and others.

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The Nest Collective ‘warns’ you online that “this is not a wild party, it is a festival of listening and music appreciation. There are no PAs, it is all unplugged, no sound checks, no line checks, just wall to wall music”. And this is exactly what makes this sort of event so special and so precious. It was delightful to see that there is a market for unhurried, pared-down, beautifully simple (in the best sense of the word), real music and it was a pleasure listening to it in the company of others who absolutely ‘get it’. People were free to move between spaces anytime they liked and some had quite young children with them. Nevertheless, it went without saying that everyone quietly found a spot to sit or stand, not disturbing anyone else and fully appreciating the intelligent, creative performances in front of them. I was very impressed.

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If you’re anything like the friendly security guard I had a chat with during my volunteer shift, who admitted he doesn’t really like folk music, maybe it’s time to not judge music and musicians so much by their cover or label. Take some time to give a few not so well-known artists a listen and you might just find the most beautiful music you’ve ever heard.

Music is for Everyone: Folk Weekend Oxford 2017

Folk Weekend Oxford (21-23 April 2017) is in its 6th year this year and although it is largely volunteer-run, it punches way above its weight with a packed three-day programme for all ages. I’ve been back stewarding this year and it was great seeing some familiar faces and meeting lots of other folk music enthusiasts of all ages. The festival, whose patrons are Jackie Oates and Bellowhead’s John Spiers, has a truly inclusive ethos, believes that the arts are for everyone and most of the venues are fully accessible. At the stewards briefing we also learned some basic Makaton signs to use, my favourite being the one for cake. Ready for a weekend of music and fun!

Oxford Canal fwo2017

After leaving my bags with my Airbnb hosts on Friday afternoon and a delicious wood-fired pizza at The Rusty Bicycle off Cowley Road, I did a tour of Oxford’s charity shops and then headed to Wesley Memorial Church for my first stewarding shift at the opening concert of the festival with melodeon player and singer Ollie King, acoustic folk band with a Russian twist, KARA, and Jim Moray, who reminded me again why folk music is so relevant in today’s complex world by helping us to reflect on and make sense of what’s happening around us.

Opening Ceremony fwo2017

Saturday was a packed day which started with a performance by the festival choir (picture above) led by director Cat Kelly (read an interview with her here) on the Ashmolean Museum forecourt. All day there were morris performances in the town squares and lots of opportunities to join in, be it in the many ceilidhs (you never need to bring a partner and can learn all dances on the spot) or Scandinavian ‘bals’ or by learning a new skill, like playing the spoons, or making folk-related crafts.

I was glad that I had opted for another concert on Saturday afternoon as I caught Jackie Oates and Megan Henwood (their new EP ‘Wings’ is beautiful) who performed a stunning set of songs and harmonised perfectly, accompanied by guitar (Megan) and fiddle (Jackie). Their performance was followed by well-known Sheffield-based Melrose Quartet (picture below) showcasing their latest album ‘Dominion’. I spent the evening at St Barnabas Church in the Jericho area of Oxford stewarding at a ceilidh with musical accompaniment ably provided by The Discussion Topic (including a full drumset!). It was a lovely, energetic crowd of all ages and we got to join in a bit as well in our breaks.

Melrose Quartet fwo2017

Somehow the time always goes by way too fast on festival weekends and I decided to do my best to slow it down by attending a song writing workshop with Somerset singer-songwriter Ange Hardy (picture below) on Sunday morning. We tried our hands at different ways of approaching song writing, first using nursery rhymes as a structural starting point, then letting ourselves be guided by the memories evoked by scent and finally working with a drawing or picture. The next talk by Mike Heaney was entitled ‘The Complete and Utter History of Morris (in 60 minutes)’ and it was fascinating to learn a bit more about its origins and different morris dancing traditions from around the country.

songwriting workshop fwo2017

In the afternoon I headed back to Jericho for another ceilidh and dropped into The Quaker Meeting House on the way back into town, which was also one of the festival venues and has a fabulous flower garden – a nice spot for a break in the sun. Just like at Grinagog two weeks ago, we were lucky with the weather all weekend and I do hope this trend continues in the next few months.

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If you live in Oxford or are planning a visit, make sure you check out and support Folk Arts Oxford, the non-profit behind the festival, as they put on community events all year round. I’m already looking forward to next year’s festival!

 

Sea, Sun & Fun: Grinagog Festival 2017

Officially billed as a ‘weekend of mudless mischief by the sea’, the brand new Grinagog Festival, which took place from 7-9 April 2017 in Torquay, Devon, had a pretty enviable start. Most summer festivals in the UK would have been thrilled with three days in a row of sunshine and temperatures of around 20 degrees, never mind a location right by the sea – and it was only the beginning of April. I travelled down to Torquay on the train (3 hr journey for less than £40 return and a direct connection from London) and combined my festival experience with exploring the nearby attractions.

Torre Abbey Grinagog

Most of the festival venues were located in and around historic Torre Abbey (originally founded as a monastery in 1196) and the Riviera Centre right next to it. With a family day taking place on Saturday (graffiti workshops, crazy golf, family rave, storytelling, the lot) and most headliners (Akala, Rat Boy, Congo Natty) having been scheduled for way after midnight for the younger party crowd, the event catered for distinct groups of festival goers while also allowing everyone to get a taster of music they might not have heard of, but might well enjoy. I also managed to catch the world premiere of a documentary on the rise and fall of ‘The Lost Vagueness’, a quirky part of Glastonbury for many years. On Saturday afternoon, everyone gathered on the lawn beside the RICC and followed the giant Grinagog paper mache puppet (lovingly made by Egg Shed Arts) and the Grinagog Carnival & Samba Band down to the sea.

Saturday was also my favourite day music-wise as the London-based The Nest Collective put on a great selection of well-known and up-and-coming folky acts in the chapel, the ballroom and the undercroft downstairs. These included Miranda Sykes & Rex Preston (who apparently won’t be together as a duo for that much longer, what a pity), The Carrivick Sisters (who play about five different instruments each), Cynefin (singing in Welsh), folk duo Phil & Hannah and The Ceilidh Liberation Front, who put on a great ceilidh in the Spanish Barn. There were also lots of opportunities for local music acts to show off their skills on the Soundlaunch Buskers Stage outside Torre Abbey and some of the other tents.

Grinagog Puppet

Fair play to the organisers (including DJ Chris Tofu of Contintental Drifts) for putting on such a huge variety of live music plus talks, films and lots of side activities, such as a roller disco, paddle boarding, trapeze workshops, swimming pool parties etc. Personally, I found the huge line-up a little overwhelming and due to the great weather a lot of the acts scheduled in the many indoor venues earlier in the day were playing mostly to only a handful of people. I trust, however, that once the festival has established itself on the event calendar, many of those details (maybe a few additional food vendors including more veggie options, more site art/themed decorations, less noise interruption by drop-in visitors at quieter gigs) will be ironed out eventually. The main question a new festival like Grinagog needs to ask itself is what kind of event it wants to be and what it wants to achieve. I’m a big fan of specialised festivals (one genre of music, documentaries etc.) as the attendees tend to just have more in common and it’s often still possible to make them accessible to a wider audience by offering a taster day/sessions. Having said that, more general, but uniquely branded festivals, such as End of the Road or Larmer Tree, which appeal to families as well as other groups of festival goers and attract repeat customers by offering an escape from everyday life with well-known music acts as well as quality arts and culture programming, can also be hugely popular. While the possibilities are endless, the financial aspects of running a festival successfully, especially in today’s economic climate and such a crowded market, cannot be overestimated, and are a big factor for survival.

The best part of the weekend, as always, were the passionate people making it happen and the friendly punters. I met a couple with a toddler who’d just returned to Devon after living in Japan, two visiting yoga teachers, a local financial advisor and part-time musician and lots of other locals, many of them with adorable dogs of all shapes and sizes. Especially the younger ones were thrilled to have this new kind of event in a traditional English seaside town where chippies, souvenir shops and bars putting on cover bands tend to dominate the main street. There is definitely a great potential for more collaborations with local businesses to further bridge the divide between traditional and new and creative in future. It will be exciting to see what a big smiling beast of a festival Grinagog develops into in the coming years. I, for one, was chuffed to have been invited to its first birthday bash and hope it will be with us for many more years to come!

Torquay harbour sunset

P.S. If you’re visiting Torquay or one of the nearby towns I can recommend a walk to Cockington Village with its thatched cottages, less than half an hour on foot from Torquay train station and a stop at The Blue Walnut Café along the way (it even boasts a tiny cinema). From Cockington take the path down to the sea, it’s idyllic. I also really enjoyed a return ferry trip (30 mins each way, £3 return) to Brixham, strolling along the fishing harbour and watching kids catching crabs as well as walks to Baddacombe beach and Anstey Cove, which has a basic but friendly café right by the sea, well worth the 15-minute detour on foot.

Disclaimer: Life is a Festival was provided with a press pass for the 2017 festival in exchange for a personal review of the event and mentions on social media. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

Maverick Festival 2017 Preview

Maverick 10 Years2017 seems to be a year for festival anniversaries and Maverick Festival, which has been attracting Americana musicians from both sides of the Atlantic for a decade now, is joining the ranks of festivals who aren’t just a one-summer wonder! Maverick has been true to its roots from the beginning. It is a fairly small and very friendly three-day event in the beautiful Suffolk countryside and focuses on booking quality music plus offering other fun stuff like music documentary screenings, workshops and music industry talks.

So, when the invite for this year’s festival launch landed in my inbox, I rsvpd straight away, of course. The preview event was held at the Gibson Guitar Studios near Oxford Circus again and featured live sets from Scottish singer-songwriter Dean Owens as well as Brigitte de Meyer and Will Kimbrough from Nashville (see picture below). Besides the already announced headliners, including two-time Grammy winning guitarist Albert Lee, and other fantastic Americana acts, there were some new names revealed on the night, such as Justin Townes Earle, Amy McCarley (Alabama) and US mandolin player and singer Sierra Hull (Nashville). Canadians Terra Lightfoot, Amelia Curran and Dennis Ellsworth will be helping to celebrate Canada Day on 1 July in style while The Black Sorrows and Lachlan Bryan & The Wildes are representing Australia at the festival.

Brigitte de Meyer Will Kimbrough Maverick Launch 2017

Other favourites, who are returning this year, include Police Dog Hogan, Don Gallardo (Nashville), Case Hardin, BJ Cole (pedal steel fans take note) with his band The Golden Nugget, Annie Keating (NY), Erin Rae & the Meanwhiles (Nashville), Hannah Rose Platt, The Black Feathers, Hank Wangford and Norton Money (with band members from the fab Hallelujah Trails). There will also be plenty of new to me names, both from the UK and further afield, such as The Life and Times of The Brothers Hogg (already winner of the longest band name I’ve ever come across), The Fargo Railway Co., Hymn for Her (USA), The Danberrys (Nashville), Worry Dolls, Low Lily (Vermont), Tom AttahC.C. Adcock (Louisiana) and many more!

maverick-1-2015

If you’re like myself and you love music AND animals, then this little gem of a festival might just be the perfect weekend away for you. Besides the amazing artists (who you can have a chat with over a pint) and some yummy food (pizza, pasta, paella and chili including veggie options, artisan coffee, local Suffolk cider as well as regional craft beer and wine) Maverick is a dog-friendly festival, so you can bring your well-behaved pooch along or pet other people’s (yes, that would be me). Plus, as it’s taking place at Easton Farm Park, festival goers have exclusive access to all the adorable four-legged resident creatures, such as horses, donkeys, goats, giant pigs, rabbits and even llamas. I for one am sure to bring some extra carrots and apples along again and I truly, truly cannot wait for July to roll around! You are most welcome to join me on this weekend festival adventure, tickets can be booked online, it’s accessible by train (plus taxi) as well as by car and you can camp on Friday and Saturday night or stay in one of the nearby villages. Feel free to contact me if you have any other questions. Also check out this year’s up to date line-up and my previous festival reviews (the pictures above were taken at the sunny 2015 festival). See you at the ranch!

Meet the Festival Makers: DJ Chris Tofu of Grinagog Festival

Grinagog 2017 logoIt’s really heartening to see that no matter how crowded the UK festival market seems, there are always new and exciting events getting started and Grinagog Festival looks like one of the most promising this year. Plus, it’s probably the first proper chance for you to party for a whole weekend without getting muddy in the process. What’s not to love?! I spoke to the festival curator of the inaugural event, DJ Chris Tofu, who has been creating festival experiences all over the country at Glasto, Boomtown, Bestival and many more.

Life is a Festival: The ‘English Riviera’ is traditionally known for its charming seaside towns and Devonshire cream teas. This year, however, Grinagog will bring a whole new cultural venture to Torquay. With your track record of running cultural projects at some of the most well-known UK events, it promises to be a weekend party like no other. Who is it aimed at and what makes Grinagog unique?

Chris: What makes it so unique is Torquay is a perfectly formed festival site with amazing buildings and venues and the beach right there, with hotels costing less than a Halfords tent. The place is like the ultimate festival venue, and I should know because I’ve started loads of festivals. I’m putting everything I possibly can into making an extremely diverse, cultural offering for young people in Torquay. We’re bringing together all the amazing promoters and cultural workers who are in the town and the surrounding area already into one big pot to create a cultural explosion that we hope can really be a place maker for this town.

Life is a Festival: I’m a real fan of festivals taking place in different venues around a city or town as it’s a great way for visitors to get to know a destination and to meet the locals rather than just be in their own bubble during their stay. It will be my first time in Torquay, is there anything off the beaten track I definitely need to see or do?

Chris: Inside the festival we have ska venues in small hotels and these shell sound systems we‘re pushing around with Mixmaster Morris and a medieval monastery full of stuff, but Torquay is rich in trails that lead to lovely places from prehistoric caves to full on massive cliffs etc. The Blue Walnut Café hidden near the festival, is run by a quirky American who used to hang with Miles Davis and has a cinema for 20 people. Ultimately we want this whole festival to be about going and finding quirky culture as you go around. The acts can sell themselves but finding a mad play in a prehistoric cave.

Life is a Festival: You are offering bus shuttles to travel from nearby towns to the festival venues and back, which is a great idea, so people can leave their cars at home. How about the accessibility of the venues, are they wheelchair-friendly?

Chris: Yes, I‘m pretty sure all of the event is wheelchair friendly. [Note: please confirm this with the individual venues before you’re heading to the festival]

Life is a Festival: Having had a look at the diverse programme, I can’t wait to explore the festival! Have you got any personal recommendations or are there any special highlights created just for the event?

Chris: Well, Shaka did one of his first out of London gigs like 45 years ago in Torquay, so I’m looking forward to that. Friday‘s line up is off the scale if you love Bass Funk and BoomTown style music. There is Son Of Dave on Sunday…actually there are vast and always different musical offers. Check out the brass bands!

Sounds exciting! And besides the multi-genre music line-up, there are also all sorts of other fun stuff to try out, including pool parties, roller discos, paddle boarding, spoken word events and short film screenings. A weekend ticket is only £35, so there is really no excuse not to be at the first ever Grinagog Festival from 7-9 April 2017. Line-up preview below, see you there!

Grinagog 2017 lineup