- Only 3 more sleeps til I'm back tweeting from @CamFolkFest and the line-up is fantastic again! 🎻🌞💖 #cambridge… twitter.com/i/web/status/8… 6 hours ago
- RT @Newportfolkfest: Pretty excited to do some twinning with @CamFolkFest next year. twitter.com/CamFolkFest/st… 7 hours ago
- RT @cuddleadogaday: One of the #shopcats at the Mind Charity shop in #Camden is poorly 🙀 donations appreciated (shop opp Sainsbury's) #cats… 7 hours ago
- So good to see Sussex-based @Hatful_of_Rain live again, the perfect end to an #Americana & #banjo music filled Sund… twitter.com/i/web/status/8… 18 hours ago
- .@ashcambanjo is killing it on the @NashMeetsLondon stage right now! 🎻💥#NashvilleMeetsLondon #London #countrymusic… twitter.com/i/web/status/8… 22 hours ago
Category Archives: Film Festival Reviews
My first real festival adventure of the year was actually three events rolled into one. First I headed to the very top of Donegal, to a village called Malin for Guth Gafa Documentary Festival followed by a week in Dublin visiting friends and volunteering with both Dublin Writers Festival and Dublin Dance Festival. As you can imagine this made for a busy schedule, just the way I like it.
It was Guth Gafa’s first year in Malin and the festival team got an enthusiastic welcome by the local community. We stayed in a couple of lovely houses near the village with sheep grazing outside the window and a short walk to the Green where the festival tent was pitched. There was also the pop-up cinema truck and the world’s smallest cinema, an old phone booth ‘screening’ a short film called Bye Bye Now, about the disappearance of phone booths around Ireland. You can watch it here. Despite summery temperatures one day and a flood the next, it was a blissful weekend, spending time with old and new friends, volunteers, filmmakers and local folks. I also discovered two lovely bands, who both performed as part of the festival: The Henry Girls and Kate O’Callaghan and her husband Seamus.
Then I was off to Dublin, which was exciting after nearly three years of being away, but I also felt like I’d outgrown it somehow after living in Vancouver and now London. Still very nice to be back. Spent a week alternating between Dublin Dance Festival and Dublin Writers Festival, incredible fun! Both festivals had the usual fantastic programme of international and Irish guests and I got to know a lot of interesting people. A typical day would consist of doing a meet & greet with authors at the festival hotel or walking them to the venue, stewarding at a dance performance and helping with box office followed by a few hours at the writers festival club for a gig at the Clarence hotel.
Some of the many highlights at both festivals were: Rebecca Solnit (brilliant creative essayist), Tom Keneally (eloquent author of Schindler’s Ark), Kevin Powers and Ben Fountain (both ex-soldiers who wrote fascinating novels about the experience of war); the ‘dual’ between Caitlin Moran (1200 people at sold out NCH!) and Jon Ronson, both fabulously entertaining; the Dennis O’Driscoll tribute evening with Seamus Heaney; Untrained by Lucy Guerin (two professional dancers and two non-dancers, humorous and thoughtful performance); Egg Charade by Aoife McAtamney and Nina Vallon (intense, ironic and playful two-women piece)
It was really one of my best festival trips in a long time and the perfect start to another summer of festivals!
I’m so glad I found the Banff Mountain Film Festival UK, which was held in the beautiful Union Chapel in Islington from 21-24 February 2012 and various other locations around the UK as well. So how come a Canadian festival does screenings in the UK? BMFF has been inspiring adventurers and outdoor enthusiasts since 1975 and for the past few years the World Tour has screened the festival winners in 30 countries across the globe. Nell and Simon, both hailing from Australia, set up the UK tour in 2010 and it has been going strong ever since.
What is unique about Banff UK is that instead of showing individual movies at various times, you book a ticket for a whole evening of films of different lengths, which all won prizes at Banff. I helped out at two of the four nights with signing punters up for the free raffle and giving general information. I really loved ‘Obe and Ashima’, a docu about a 9-year old girl who is one of the new talents of the bouldering scene. Other films were about extreme mountain biking, slacklining across canyons without a net, a gruelling climb to the top of one of Pakistan’s 8000 metre peaks in freezing cold and a tragic but inspiring story of a cayaking trip in the Congo.
Even if you’re not that much into extreme sports, watching people fight so hard for their dreams can be a great motivation for anyone to succeed in their chosen field. For me Banff UK also brought back good memories of my first festival in Vancouver last year, the Vancouver Mountain Film Festival, which was just as much fun. Take a look at each festival website for some video clips that will make your jaw drop. Urban downhill skiing anyone?
Loco (26-29 January 2012) was my first festival in London since moving here in January and it was also the first time it was being held. Interestingly, it coincided with Death – Southbank Centre’s Festival For The Living (27-29 January 2012), both happening in the supposedly most depressing week of the year during a freezing cold and dark January. As Loco was about ‘championing the craft of comedy filmmaking’ and Death Fest about confronting issues around death it was intriguing to jump between the two.
Loco is based at the BFI where we had various comedy screenings, LoCollege (two days of industry panels for comedy writers and filmmakers), a mood lounge as well as a number of networking events in the Benugo Bar. Death Fest at the Royal Festival Hall had the most extraordinary ‘crazy coffin’ exhibition, tips on designing your own funeral, organ donation, a colourful and musical ‘death march’ by members of Kids Company and death rituals from around the world.
Volunteering with LoCo was a rather relaxed affair. We were a handful of film enthusiasts, some seriously into comedy, who did a mix of working the info table, assembling make-your-own-muppet packs for kids, decorating the mood lounge and generally being helpful. With Death Festival pretty much next door, it was intriguing to observe the different atmosphere at both events. I was surprised that I found Death Fest almost more cheerful than LoCo, which was at times really quiet, especially in the afternoons. What both events had in common though was to help us look at ways of overcoming the darkest part of the year by focusing on positive things. Which of the two strategies we would choose is up to each of us I guess.
Last November I had a wonderful time travelling around some of the US states and as I’d heard good things about Asheville, North Carolina, it came in handy that there was a film festival on during my visit. It was the first time the Asheville Cinema Festival (3-6 November 2011) was being held after the Asheville Film Festival ceased to exist two years earlier. It is never a small feat to revive or start a new festival from scratch. It was all the more impressive what the organisers managed to pull off.
My weekend in Asheville couldn’t have been more fun and interesting. I stayed with a lovely local couchsurfer and spent my days taking tickets at screenings, counting audience award ballots, handing out flyers and attending various events. One of my festival favourites was the inspiring filmmaking workshops that were on offer. From screenwriting to editing we learned a whole lot from industry experts, such as Blair Daily and Joseph C. Stinson. Another one was the inaugural awards ceremony where everyone got together for a few drinks to celebrate the best of the fest.
If you’re looking at spending a weekend in Asheville and love films I can highly recommend volunteering with the ACF, you’ll be guranteed a warm welcome, fantastic movies and a great atmosphere. Hope to be back myself sometime soon!
It’s been my second year as a volunteer with VIFF (29 September – 14 October 2011) in a row and this time I managed to watch 45 films in two and a half weeks. Yep, sounds like a lot, but mind you, I met one volunteer who had actually seen 85 films including all the media screenings before the festival.
The volunteer team was awesome again this year! I spent all my shifts at the info tent on Granville Street, giving film tips (i.e. movie therapist) and helping film goers find the right lineup (i.e. movie traffic warden). We had so much fun discussing which films were ‘must see’ this year and it was exciting to see lots of familiar faces from last year in the lineups.
Once again, there way too many quality films to choose from. Some of my VIFF 2011 favourites included Cairo 678 and Position Among The Stars (which I had both seen at other festivals before), Cloudburst, Pure, Mitsuko Delivers, Give Up Tomorrow, Burma Soldier, Bone Wind Fire and The Girls in the Band. Having said that, every single person I met had different favourites. That’s what’s so fascinating about film festivals. You can create your own schedule and make it a learning experience, a visual trip around the world or simply a few evenings of quality entertainment. Just go and try it out. But be warned: film festivals are highly addictive!
I borrowed the slogan of the Projecting Change Film Festival (26-29 May 2011) for the title of my blog post as it struck me last weekend how powerful that message really is. I found out about the festival a little late, but was really impressed by the professional, yet fun and inclusive atmosphere throughout the weekend. It was clear that the event was not about pointing out our shortcomings in terms of achieving change. On the contrary, it was all about tracking our progress and finding ways of further improving existing sustainability efforts.
WATCH: The choice of documentaries screened at the festival was spot on. Each of them covered a topic so important, it was hard to imagine there could be any more important issues out there – until you saw the next film and the next…At times this did feel a bit overwhelming, but like someone said in one of the films, it is the awkward topics, which we tend to avoid, that are ultimately the most important issues for the whole planet.
ENGAGE: It was lovely to see how eagerly festival staff, volunteers, filmmakers, sponsors and attendees communicated about really important issues during the festival. In a world of so many naysayers, it was refreshing to be surrounded by such a large number of positive thinking people. As a volunteer I felt included and valued, which made for a wonderful overall festival experience.
– One person can indeed make a difference and lots of small steps towards a common goal do add up.
– Get inspired by those who are already on the right path and either follow their footsteps or create your own project.
– Hang in there, persistence is key. If everyone in this world worked on just one project close to their heart, we could be making incredible progress in a much shorter period of time.
– Get support from likeminded people who will help you through the lows and frustrations and will motivate you to keep going no matter what.
– Repeat step one :-)!
Or, as a 13 year-old boy interviewed in the documentary ‘Climate of Change’ put it: “We should never forget that we are the renters of this world. Not its master.” Let’s keep that in mind.
Best Documentary: Eco-Pirate: The Story of Paul Watson
Best Canadian Documentary: The Clean Bin Project
Projecting Change Award: Marion Stoddart: The Work of 1000
Projecting Change Video Contest Winner: Fair Trade Gangsta Rap
It felt so good to be on the road again, even if it was just for a long weekend, and the Seattle International Film Festival which runs from 19 May until 12 June 2011, was the perfect excuse for it. My long weekend was actually a lot like a good road movie. There was a road map (of sorts) to start with, tricky challenges to overcome (like using Seattle public transport and finding movie theatres), a lot of random intriguing encounters and, ultimately, it was a hell of a fun ride!
Both of my volunteer shifts were at the SIFF cinema in the Seattle Center district. I’m always curious about how each festival runs their logistics and SIFF is definitely on the more organised side. There were quite a few sold out shows and we had pass holder, ticket holder and rush lines outside as well as a will call/box office desk inside. Line managing the rush line on a sold out show can be quite a challenge as no one wants to be disappointed, of course. I was in luck though. When I was on duty each person impatiently waiting in line ended up getting into the screening. Phew!
After I was done with my shifts I checked out a few of the other cinemas and watched Cairo 678 in Pacific Place (turned out to be an excellent choice, there was even clapping during a particular scene), Perfect Sense with Ewan McGregor at the Egyptian (thought it was so so, unless you’re a fan I guess) and Without from local filmmaker Mark Jackson (quite haunting) at the Harvard Exit cinema.
In between all the movie action I managed to squeeze in various other fun things like a visit to the Green Festival, lunch at Elliott Bay Books Cafe and latte at both Bauhaus Coffee and Roy St Coffee & Tea. I also ran into a lot of interesting people everywhere I went, on the bus, over breakfast at the hostel, in the line-up for films: couchsurfers, filmmakers, music bloggers and various other interesting randomers. All in all it was the kind of weekend that turned out even better than expected. Especially, of course, as the predicted apocalpyse didn’t happen after all. Well, not outside movie theatres anyway.