Are You a Yoga or Festival Newbie, or Both? Give World Yoga Festival 2018 a Try!

Here in the UK we’re blessed with many options for amazing yoga experiences pretty much all year round and, as far as I’m concerned, summer festivals are the best way of combining time outdoors in nature with learning new things in the company of other friendly people. You might be thinking, but I’m not a yogi (yet) or I’m definitely not a camping person. I felt the same way a couple of years ago. Now I enjoy both so much that I wanted to give you a heads up to give them a try this summer. Who knows, you might just have found your new passion in life!

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One of the most inspiring yoga festivals around is World Yoga Festival, taking place for the third time this year at Beale Park, near Reading, from 19 until 22 July 2018 and founded by Ram and Sonali Banerjee. It focuses on traditional yogic wisdom attracting incredible speakers and teachers from India, the UK and beyond while feeding you the most yummy vegetarian and vegan food to fuel your weekend of relaxation and learning. I visited the festival for the first time last year (full review here) and was very impressed by the quality of teaching, the stunning serene setting as well as the welcoming and warm atmosphere all weekend.

Here is an FAQ on a few of the things people often mention to me when I talk festivals or yoga and they’ll hopefully help to put your mind at ease about giving a yoga festival a try this summer. You’ve got nothing to lose, but everything to win!

What are the essentials I need to bring to World Yoga Festival?

If you’re staying on site, bring your tent and anything you need to be comfy for a few days under the stars. Apart from essentials, such as your sleeping bag and your festival tickets, things that always come in handy are a sleeping mask and earplugs, sun cream or hot water bottle depending on the weather, flip flops, rain jacket and warm clothes for the evenings, swimming outfit (there is a beautiful lake!), bandaids, scissors, an extra battery for your phone, spare loo rolls, wet wipes and some sellotape. Don’t forget your yoga mat, of course (but if you do, you can purchase a shiny new one from one of the vendors), your refillable water bottle, as there is free drinking water on tap, some cash to pay for food during the weekend (most vendors also accept cards though). There are no cooking facilities in the camping area and nowhere to keep items cool, so either bring lots of fruit, veg and other simple snacks or enjoy sampling the delicious vegetarian food on offer. It includes South Indian, Tibetan and other healthy food options plus hot drinks and plant-based cocktails.

I don’t own a car, how do I get to the festival?

The site is close to Pangbourne train station and the festival offers a free shuttle to the site, but do check with them beforehand when it runs. You can probably walk it if you don’t have much luggage, it’s just over a mile. I used a local taxi company on my arrival day and put my name on the list for a shuttle on Sunday (sign up at the info table during the weekend).

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None of my friends feel like going to a yoga festival with me, what is it like attending by myself?

Festivals are fun, friendly events where people enjoy themselves and forget about their day jobs for a weekend. I almost always attend them by myself because it gives me the freedom to choose exactly how I want to spend my days and I still always end up meeting lots of like-minded people to have chats with over a meal, before or after classes. Don’t be shy to start a conversation with other festival goers like have they been before or what sessions can they recommend. There were so many different people of all ages and backgrounds at WYF last year, so it was a fantastic way to connect and exchange tips with others who are into yoga and meditation.

I’m a camping newbie and not too keen on the idea of sleeping in a tent and sharing showers. Will I still have a great time?

Absolutely! There are a few ways you can approach your first camping experience. Go with friends, bring your sleeping bag and let them organise the gear for you. Go just for a day without camping and walk around the campsite, talk to people and see what they pack and how big or small a tent would work for you. Stay for just one night. You’re probably crashed at a friend’s sofa before without much preparation and survived the experience, so think of it as an outdoor sleepover. If the weather is nice, a small/thin tent with just one layer is good enough. But bear in mind, that in this country the weather can often change quickly and the rain will get inside your tent if it doesn’t have two layers. I’ve been in this situation twice (obviously not having learned from it the first time around!) and it was a very uncomfortable, soggy and cold experience you don’t want to get in the way of enjoying your yoga experience.

I suggest: buy a smallish tent (mine is a ‘three men’ one, which despite its name just about fits myself and my gear), bring as little luggage as possible, but as much as you need to be comfortable. Even if you notice you’ve forgotten some essential item or need help setting up your tent when you get there, don’t panic, talk to your camping neighbours and most likely they are happy to lend you any spares they have, you can always treat them to a drink (no alcohol at WYF, but they had lots of delicious herb cocktails etc.) in exchange.

Regarding the showers, WYF has some of the best and cleanest ones around, no portaloos, but proper flushing toilets with sinks and mirrors (see my post from last year for pictures). As it’s a fairly small festival and the classes start early in the mornings people tended to not stay up too late, so I slept pretty well at night and you can always take a quick power nap after lunch, if needed. Plus there is a spa area by the lake for some serious chillaxing with many tempting pampering options on offer.

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I’m not sure if I can afford attending the festival, how can I still attend?

Most festivals offer a volunteering option, but you need to make sure you book your spot a good bit in advance. Here is all the volunteering info for WYF. If you do sign up, please be aware the festival team counts on every single individual and expects you to stick with your shift times and allotted job. However, especially if you’re attending by yourself, enjoy helping others and are good with people, it’s a great way of making new friends and getting to know a behind the scenes look at how a festival works.

There are so many great sounding sessions on offer, how am I supposed to know which ones are suitable for me?

The most important thing is to be realistic about how much you can fit in one day and make sure you plan in enough breaks. Unlike lots of other yoga festivals, WYF focuses less on a packed schedule of asana-based classes, but a lot more on personal growth and spiritual learning. While there are still plenty of physically challenging sessions on offer you can build up knowledge throughout the weekend by coming along to follow-up sessions by the same teachers or you can sample lesssons from lots of different styles and philosophical schools. I recommend reading up on the presenters before heading to WYF as it will give you a much better idea of whose classes are for you. All the teaching tents were spacious and airy, the perfect place for learning and relaxing. There is also some beautiful Indian live music scheduled for each evening in the main tent.

Upcoming festival highlights and booking information

This year’s line-up includes many of the very popular speakers from last year as well as some exciting new additions,such as Mumbai-based senior Iyengar yoga teacher Zubin Zarthoshtimanesh, Swami Ambikananda, founder of the Traditional Yoga Association of the UK, sound healer Sheila Whittaker, Vedanta teacher Swami Brahmavidananda Saraswati and Dr. Ramesh Pattni, a world renowned authority in yoga psychology. You can check out the provisional timetable and presenter biographies in advance. If you’d like to find out more about the festival’s philosophy and history, you can read my interview with directors Ram and Sonali Banerjee, whose calm and positive presence throughout the weekend clearly set the scene for the very pleasent atmosphere at WYF.

Tickets are available from the festival booking page and feel free to get in touch for  questions anytime. See you on the mat this summer!

Disclaimer: All photography used in this blog post was provided by World Yoga Festival.

 

 

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Sunshine & Good Times: Folk Weekend Oxford 2018

The recent heat wave coincided perfectly with the seventh Folk Weekend Oxford (19-21 April 2018), which seems to get better every year. It’s one of those festivals where you might not know very many of the bands on the line-up beforehand, but which always delivers in terms of quality, fun and a friendly community feel, something many of the larger festivals simply cannot offer.

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Before my first stewarding shift on Friday night I had plenty of time for a pizza in the sunny backyard of The Rusty Bicycle pub and a leisurely stroll around the Cowley Road charity shops. Then I was off to St. Barnabas church in the Jericho neighbourhood, just north of Oxford City Centre. The ceilidhs always draw quite a crowd (up to 200 dancers) as the festival puts on fantastic live bands every year and this time was no exception. I was very impressed with the sound of Banter, one of the most quirky ceilidh bands I’ve come across so far, whose sound goes far beyond English traditional music including jazz, pop and soul influences. Unsurprisingly, they were a huge hit with the dancing crowd. The night also included a performance by local rapper (sword dance) team Mabel Gubbins.

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After an incredibly sunny Friday, I woke up to more sunshine and met up for breakfast with a friend for coffee and exceptionally good cake at Barefoot Café on Walton Street before checking out some of the morris spots around town for live dancing with sides from various traditions, including Black Annis Women’s Morris and their adorable canine mascot Hattie (see pic further down). Around lunchtime we headed to one of my favourite Oxford venues, the airy hall of the Quaker Meeting House for a concert of traditional folk music, which included Dan Evans and Rebecca Hallworth (see pic below). Dan is a renowned fingerstyle mountain dulcimer player who also held an interesting workshop on the history and different styles of instruments on Sunday afternoon.

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There was just enough time for dropping into Blackwells bookshop’s Norrington room for a set by young contemporary singer-songwriter Martha Bailey (see pic below) and a quick burrito dinner before my shift at the Wesley Memorial Church. The line-up consisted of Oxford vocal duo Hoverhawk, traditional singer Nick Dow and a solo set by one of the festival headliners, Eliza Carthy, who obviously drew the crowds for this event.

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On Sunday morning, during breakfast at the Nosebag restaurant, I got talking to another festival goer, who told me their Appalachian dance team, Cornucopia (see pic below), would be performing around lunchtime in the pedestrian area on Cornmarket. Their spot was one of my favourite performances all weekend and got a lot of positive reactions from locals and tourists alike. I then made my way over to the Deaf and Hard of Hearing Centre where I caught half of the Topette workshop, a French-Anglo collaboration including Andy Cutting. They played some very beautiful dance tunes and spoke about the joys and challenges of working together across cultures and borders.

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As I had not managed to join any workshops yesterday, I decided it was time for some dancing on the festival’s last day. So I took part in the Harlequin Morris Cotswold morris workshop (hankies and bells) for an hour. After we had warmed up for a few minutes we got taught a routine of various steps, jumps and hanky movements accompanied by accordion music. Let’s just say it was an ‘interesting experience’ and is a lot harder than it looks, but I think I’ll stick to Irish set dancing in future. It was great to see, however, that the class attracted people of all ages, including some enthusiastic youngsters, and we did manage to learn a whole routine in the short time we had.

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My last event of the festival was a great ‘Meet the Artist’ session with Ross Couper (from Shetland, now based in Glasgow) and Tom Oakes (from Devon, now based in Edinburgh). I had last seen the pair play one of the BBC Seirm recording sessions at Celtic Connections back in January and had been well impressed by their energetic performance and expert use of fiddle (Ross) and guitar (Tom).

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Of course, I managed to only catch a fraction of the huge programme for all ages, which was on offer during the weekend. I love supporting smaller festivals and I’m always amazed at how entirely volunteer-run events, such as Folk Weekend Oxford, manage to pull off such a big event so well. It’s usually down to a lot of hard work by a dedicated committee and many volunteers (like Jo, Rosie & Penny in first picture) throughout the year.

I highly recommend visiting the beautiful city of Oxford (picture above is Christ Church) during the festival to see for yourself what a positive impact such a community event can have. You might come back with a new idea what grassroots arts are all about, get a more in-depth understanding of local heritage and culture and have a lot of fun with like-minded people!

Maverick Festival 2018 Preview

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The Maverick Festival launch event in London always feels like the start of summer festival season! Every March, the festival organisers present some great live acts, who this time included previous Maverick artists Don Gallardo (see below) and ‘The Living Bluesman’ Tom Attah (see last pic), to press and industry and you get to catch up with what everyone is up to over the summer months. Having said that, it’s hard to imagine summer ever coming back with the weather we have had here in the UK in the past few weeks. But I trust once June and July roll around, we’ll be in the mood for cocktails and ice cream again and some great live Americana from the UK, the USA and further afield.

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This year’s line-up is as tempting as ever. In just one weekend you can listen to lots of quality Americana, folk and country artists you already love and find some new favourites you had maybe never heard of before. I was really happy to hear to that the following singers and bands are all joining the line-up this year: Jonathan Byrd (US), Lachlan Bryan and The Wilds (OZ), who I somehow managed to miss last time, Anna Tivel & Jeffrey Martin (US), Southern Avenue (US), Bonnie Bishop (US) as well as awesome UK live bands like Danny And the Champions of the World, The Mountain Firework Company and The Vagaband.

There will also be a special feature with music from Hawaii, which I’m already super excited about, including the Hawaiian singer and dancer Kehau Kahananui. Other highlights include Nashville cult favorites The Cordovas, native Tennessean pianist and  songwriter Hans Chew and Arkansas-based Dylan Earl.

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The Maverick programmers always manage to book artists that had been on my list for quite a while and find Americana jems that I was glad I discovered at the festival. This year is no exception. I’m already looking forward to getting a chance to listen to The Local Honeys (US), Bonnie Bishop (US), The Most Ugly Child (UK), Imogen Clark (OZ), Arkansas Dave (US), and many more live at the farm this summer.

I’ve been to the festival quite a few times now and it’s been one of the most relaxed and  enjoyable outdoor events on my summer calendar ever since. Read my previous reviews and my top 10 reasons to attend to get an idea what the atmosphere is like. You can buy day tickets or stay for the whole weekend, which I recommend, of course, as it’s just a lovely place to hang out for a weekend.

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If camping is not your thing, you can book a nearby B&B, the closest train station is Woodbridge and Easton Farm Park is not too far from the sea and nestled in beautiful rural Suffolk countryside. On top of all that, it attracts a super friendly crowd, dogs are allowed at the festival site and there is some yummy food and drink on offer (think Suffolk cider and local ales), so you definitely won’t go hungry or thirsty.

Make sure you keep an eye on the Maverick Festival website for the full line-up so far and for any additional acts, which are likely going to be announced in the coming months.

Disclaimer: All photography in this blog post was provided by Sophie Boleyn Photography.

Sense of Place: Aye Write Festival Glasgow 2018

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When I left Glasgow in January after another excellent Celtic Connections Festival (see previous blog post) I was looking for a reason to return sometime soon. Luckily, Aye Write, which I’d had my eye on for quite a while, was taking place from 15-25 March 2018, so it was the perfect excuse to hop on a train back to Scotland.

I only had a couple of days to get a taste of the festival, but it was well worth it. All events I attended were fantastic with intriguing guests and cheerful, helpful staff and volunteers at every venue. Glasgow is one of the friendliest cities in the UK, so you’ll have a great time no matter whether you’re travelling on your own or with friends. Plus, all the city centre festival venues are walking distance from each other and you can do some sightseeing before or after the events.

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The first session I attended was in the Strathclyde Suite of the Royal Concert Hall. It was a celebration of Orain Ileach: Gaelic Songs of Islay, a brand new collection of songs from the Scottish island. The large room had more of a conference venue feel to it, but as soon as the two choirs, including the Glasgow Islay Gaelic Choir, and various solo singers got up on stage, it was almost like being back at Celtic Connections. Speakers included Ishbel MacTaggart from Islay, Kenneth Thomson, the conductor of Scotland’s oldest Gaelic choir, Ceòlraidh Ghàidhlig Ghlaschu, and Lynn McDonald, the editor of the book. I absolutely loved learning more about how musical traditions are actively being kept alive on the Scottish islands and are actually thriving through community efforts and engaging the younger generations as well.

The event which followed was completely different, but equally intriguing. Sarah Winman, author of Tin Man, who I’d last seen at a reading in Vancouver several yeas ago when she was promoting her bestselling first novel, When God Was A Rabbit, and Gail Honeyman, who lives in Glasgow and whose first novel Eleanor Oliphant Is Completely Fine was an instant success. The two novelists were interviewed by another author, Zoe Venditozzi, and the hour allotted for their conversation just flew by. I was particularly intrigued by Gail mentioning that she wanted her novel to be set in Glasgow as she felt it is an immensely kind city, but often isn’t portrayed that way, which really struck a chord with me as I’ve also come to love Glasgow for that very reason.

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On Tuesday night I headed down to the Glasgow Film Theatre, a beautiful historic cinema in the heart of the city for a talk by Nick Triplow, author of Getting Carter, followed by a screening of the classic 1971 British crime movie. While the film had been a cult classic since the 1970s, the author of the book it was based on (Jack’s Return Home), Ted Lewis, remained an elusive character with a mostly troubled and tragically short life. I was in the minority of people on the night who had not seen the film before and must admit, it will not become one of my all time favourites. I can see its appeal to others, however, and very much enjoyed the interview with Nick Triplow, who had to overcome various obstacles in order to get this fascinating life story researched and published.

My last day at the festival also included lots of crime writing. I was at the Mitchell Library for two sessions, which each featured three crime writers, all new to me, and, as it turned out, all with very different writing styles and subject matters. I’m not a reader of crime novels ( just yet), but have been a big fan of crime drama since someone recommended ‘Shetland’ to me a few years ago, so was looking forward to getting an overview of the latest publications.

Both talks on the night included short readings from all authors, which gave us a real flavour of their style, subject matter and sense of humour. The main thing all of them had in common was how much real life influenced a lot of their writing. Either things that had happened to them personally or to people close to them or issues they deeply cared about. Ex-police woman Clare Mackintosh writes about ordinary people who deal with extraordinary circumstances in their lives, for instance an apparent suicide of both parents of the main character in her latest book Let Me Lie. Former news reporter and political correspondent Sarah Vaughan wrote Anatomy of a Scandal centering around a husband being accused of a terrible crime while serial killers and obsessive personalities are the topics ex-journalist Fiona Cummins successfully focuses on.

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The last session with Claire MacLeary, whose two female detectives ‘of a certain age’ are definitely some of the most quirky characters you will come across in the world of crime fiction, as well as Owen Mullen and academic and former solicitor Angus MacAllister centered around a sense of place and a connection to Glasgow. All three authors are either from the Scottish city or have lived there at some point and wrote books set there and had lots of fascinating anecdotes on their research and writing process for their novels.

During my whole time at the festival I tried to avoid sneaking a look at the pages in the programme with all the many tempting sounding events I was inevitably missing and everyone I met seemed to have a great time at the readings they attended. Apart from the main programme, Aye Write also includes a children’s festival, Wee Write, with lots of exciting events for all ages, as well as a number of complementary sessions, such as creative writing classes. It’s a book festival which reflects the city it takes place in: it’s down to earth and warm-hearted with a great sense of humour!

Disclaimer: Life is a Festival was provided with review tickets for select events. Opinions expressed are those of the author. Photography used in this blog post was taken by Life is a Festival with the exception of the Orain Ileach book cover photo. 

25 Years of Celtic Connections – The Anniversary Festival 2018

This year was the 25th anniversary of Celtic Connections in Glasgow (18 January – 4 February 2018) and the festival has come a long way from its humble beginnings. Year after year it attracts a huge number of visitors not just from Scotland and the UK, but also from other parts of Europe and further afield. As most of the concerts happen in the evenings, lots of visitors use the festival as an excuse to explore other parts of Scotland on day trips, which are easily accessible by train or bus from the city. Celtic Connections also always manages to get a lot of fantastic musicians together on stage for special collaborations, e.g. various tribute nights (Tom Petty, Songs of the Gael, Scotland Sings Canada), usually with an impressive all star line-up.

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This year I’d also decided to make it a proper holiday and stayed eight nights in total. I was a volunteer artist liaison for three concerts on three consecutive days right after I arrived, which kept me busy pretty much 24/7. My first concert was a night of outstanding traditional music with The Fretless (pic below), a Juno award-winning quartet from Canada with support from Scottish musician Ewan Robertson and friends at St. Andrews in the Square church. Glasgow has quite a few churches turned music venues and this one is one of the nicest. The next day I looked after Corb Lund from Canada and Hayes Carll from Texas, both country music artists. They shared the stage for their performance in another beautiful former church, St. Luke’s near the Drygate Brewery, north east of the city centre and it was a great night of Americana intersected with brilliantly funny banter.

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Most people don’t realise when they are attending shows as an audience member just how much work goes into putting on live music events. From pre-planning it months in advance, sorting out accommodation, transport and food to dealing with tech issues, merch logistics and all sorts of other bigger and smaller last-minute requests, like unexpected schedule changes (e.g. additional performances at the festival club on the night of the concert), lots of things can happen, which might require a change of plan.

The artists themselves might have just flown in from another continent, jet lagged and maybe missing parts of their equipment, having to do interviews with various radio stations and journalists on the go. So we’re always trying to give them the best experience and make things as easy for them as possible. If all goes smoothly, the artists will step on stage with a smile on their face, a perfectly tuned instrument in their hands and everyone will have an enjoyable night. And as a volunteer, you breathe a big fat sigh of relief that all your efforts and those of the festival staff have been worthwile!

My third concert as an artist liaison was Cara Dillon with support by The Fretless, in the New Auditorium right in the Royal Concert Hall. I had only seen Cara at Cambridge Folk Festival once before and it was fantastic to experience her beautiful, moving songs in a hall with great acoustics for a change. Her excellent band on the night included Sam Lakeman, John Smith and, for a few songs, The Fretless as well.

The RCH is a huge multi-space venue in the centre of Glasgow with a large, confusing web of hallways and backstage areas connecting the different performance spaces behind the scenes. From preparing dressing rooms, sorting out riders (carrying food, drink and ice buckets around), liaising between bands who are sharing a stage, organising access keycards, sharpies and blue tack to getting set lists printed, there is always a long list of to do items to tackle on the day of a gig. But it’s also really fun to work together on something exciting and then sitting back and seeing it unfold in front of you once all the work is done. Plus you get to hear the sound checks and get a much more in-depth experience of an event.

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On my days off I finally made it to the medieval Glasgow Cathedral from 1136, which is a beautiful space, and to the multi-faith Victorian Necropolis on the hill beside it. The winter light was amazing that day and once you climb to the top, it has some fantastic views across the city. So does The Lighthouse museum and art centre near the Central Station, take the lift to the 6th floor viewing platform and enjoy (see first pic in the post). I also took lots and lots of pictures of Glasgow’s many stunning murals, my favourite being the Modern Day St. Mungo by Smug (see pic above) on High Street, but they are all over town and there is a proper Mural Trail to follow, if you fancy it.

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Another day I visited the small, but very informative Glasgow Police Museum staffed by friendly retired police officers. Glasgow had the first police force in Britain and as it’s a small two-room museum, you can easily add it to your schedule and learn some interesting facts about the city and its inhabitants past and present plus see a well-curated collection of uniforms through the ages and from quite a number of other countries, too.

I also attended more concerts. Dougie MacLean  (pic below) had a headline show (with support by Yvonne Lyon) in the Main auditorium of the Royal Concert Hall and I had made sure I had a first row seat for it. On Sunday night, I returned to St. Lukes to see The Barr Brothers from Montreal. They’ve had quite a few changes in their band line-up since I’ve last seen them and I’d also not heard their new songs live. But the beautiful church venue was the perfect backdrop and I especially enjoyed hearing favourites like Half Crazy and How The Heroine Dies. Andrew remarked how much they appreciated the quiet, respectful atmosphere, it was just a lovely night.

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Hazy Recollections at the O2 ABC is an afternoon show curated by Findlay Napier and there are always some interesting artists to discover, this time including James Edwyn & The Borrowed Band from Glasgow. Having been to it three years in a row now in this venue, I still enjoy finding new artists, I just really think it deserves to be moved to a more atmospheric place, such as one of the church venues, rather than a nightclub during daytime.

I also had a lot of fun at the BBC Alba ‘SEIRM’ recordings I attended and managed to make it to all three this year. What’s so nice about it is that the Hillhead Bookclub in Glasgow’s West End is such a cosy venue and once you have a table you can enjoy the show without having to worry about people chatting in the background as it’s being recorded for TV and everyone has to be quiet (!) during the performances – perfect!

There are usually around four or five artists on between 6pm and 11pm and every single one this year was pretty amazing. They included US mandolinist and bluegrass singer Sierra Hull, I’m With Her (Sarah Jarosz, Sara Watkins & Aoife O’Donovan), with wonderful harmonies on the first night and Lau (just as a trio, see pic below) on the second night. The third night was probably my favourite with Irish singer Declan O’Rourke & band, Scottish-English musicians Ross Couper & Tom Oakes, Senegalese-Lithuanian duo Solo & Indre (such a beautiful sound) as well as The Secret Sisters from Alabama. All three sessions will be on BBC Alba sometime this spring.

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On top of all this, I did extremely well this year catching four nights of the festival club at the Arts School. It’s a great way to wind down or (get dancing) with a pint after one of the official gigs and the line-up generally consists of a selection of that night’s festival artists, which was great as there is so much on every night, it gives you a chance to see artists you missed, such as the excellent Nashville-based Molly Tuttle & band.

Of course, the deepest winter is not the greatest time to visit Glasgow in terms of weather, but that is also your best excuse to while away many hours in great company listening to the crème de la crème of folk, Americana and other genres in some stunning venues. So put January 2019 in your calendar now for the 26th edition of Celtic Connections and you’ll practically be guaranteed the perfect antidote to post-Christmas blues!

Disclaimer: Life is a Festival was provided with review tickets for some events. All photography used in this blog post was taken by Life is a Festival.

Discover Glasgow During Celtic Connections Festival

I first visited Glasgow in 2016 as I had heard so many good things about Celtic Connections, a huge nearly three-week long midwinter multi-genre music festival, which is celebrating its 25th anniversary this year. Despite the admittedly terrible January weather, I fell in love with both the city and its people (their slogan ‘People Make Glasgow’ couldn’t be any more accurate) and have been excited about returning there ever since. This year it runs from 18 January until 4 February 2018.

Here is a wee guide for those of you who haven’t been to Glasgow or the festival before in order for you get the best out of this fabulous event and discover one of my favourite cities in the UK.logo 25th anniversary.jpgWhy visit during Celtic Connections?

Having travelled to festivals on various continents before, one thing a lot of cities have in common is that during festival time they are at their absolute best. There is usually a lively, buzzing atmosphere, lots of side events (sometimes even free of charge) and while heading out to see your favourite artists, you also get a great overview of all the best venues in the place you’re visiting. Don’t forget to get talking to other visitors and local festival goers and exchange recommendations, it’s a friendly city with many helpful locals.

What kind of music can I expect?

Celtic Connections is a fairly eclectic festival and has always been open to showcasing not just Folk and Americana (including some very big names on the scene as well as the most talented newcomers from the British Isles and overseas), but also world music, some jazz and quite a few indie bands. The 2018 artists include Frank Turner, Cara Dillon (pic below), The Lone BellowDougie Maclean, Oumou Sangare and some very exciting special collaborations, for instance a tribute concert to Tom Petty. You can take your pick from major historic and modern venues, such as the Royal Concert Hall, the Old Fruitmarket (see last picture) or the O2 ABC or attend a concert at a medium-sized or smaller venue, such as Oran Mor in the West End, the Tron Theatre, St. Andrews or Saint Luke’s a bit further east or The Glad Cafe on the Southside. They each have a unique atmosphere and some are seated, standing or both.

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Where should I stay and for how long?

I stayed in different places every year so far, hotels as well as B&Bs, and there are many budget-friendly options. The West End is a lovely area for eating out or staying in, just west of the city centre, but most gigs are taking place in more central venues. You can easily discover the best of Glasgow in a long weekend, but if you can manage to add a day or two, it will be even more relaxing and you can spend your days sightseeing, taking walks around different neighbourhoods, exploring the many excellent museums or whiling away a few hours in a cosy café (see the bottom of the post for foodie tips) until it’s time for the evening concerts.

Are there any additional events apart from the main concerts?

There are a number of lively evening ceilidhs and some family-friendly daytime ones, too. Plus, the very popular festival club nights at the Art School (right in city centre near the CCA) will again be taking place Thursdays through Sundays from 10.30pm til late and the secret line up of festival artists is always worth checking out. If you prefer a seated venue for your after-hour celebrations with old and new festival pals, then the late night sessions at the Drygate Brewery (east of the city centre near Glasgow Cathedral, from 11pm on the same nights) are ideal for you. You can also try your hand at playing music yourself at the many workshops for kids and adults throughout the festival.

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What kind of ticket options do I have?

Celtic Connections does not offer festival passes, so you do need to book each gig individually through their official website or hope for last minute tickets at the door (would not recommend this unless you’re fairly flexible). If you’re planning on attending quite a few concerts, you can join the Celtic Rover Scheme (currently from £20), which gives you a 15% discount per concert.

Apart from all the above, there are also stalls to buy instruments inside the RCH and lots of other festival happenings around the city during the duration of the event, all detailed online and in the free programmes available in all the venues. So don’t miss out and join me and over 100,000 friendly other punters at some of the 300 events across 26 stages for Celtic Connections 2018!

For Glasgow sightseeing and foodie tips see my previous festival reviews for Celtic Connections 2016 and Celtic Connections 2017. I will be live tweeting and instagramming during some of the festival, so keep an eye on @lifeisafestival (Twitter) and @lifeisafestivalblog (Instagram) for updates, pictures and videos. Glasgow’s official tourism website is at peoplemakeglasgow.com.

Disclaimer: All pictures in this post were provided by Celtic Connections (Old Fruitmarket picture credit: Louis DeCarlo). Opinions expressed are those of the author. 

Getting into the Festive Spirit with the Hyper Japan Winter Festival 2017

I attended Hyper Japan for the first time in July this year (review here) and loved everything about it, so I was keen to see what the Christmas edition would have in store. The Japan-themed event was again taking place at Tobacco Dock in London (24-26 November 2017) and was brimming with craft stalls, a Japanese food court, and lots of traditional Japanese products, such as handmade pottery, colourful chopsticks, speciality tea, sweets and clothes, including lots of cosplay outfits.

Hyper Japan banner 11 2017.JPG

Japan is a fascinating place to visit and after two visits I still feel like I’ve only scratched the surface of what there is to see. It was great that there were a lot of lesser known travel destinations represented at Hyper Japan and I enjoyed learning about them from their enthusiastic local representatives. The guys in the picture below, for instance, are from Susaki City on Shikoku Island and had mini versions of their mascot ‘Kochi’ with them plus the human-sized version appeared on the Hyper Live stage.

Susaki Stall Hyper Japan 11 2017.JPG

Probably my favourite part of the winter edition of the festival was a fantastic Illuminight exhibition, a display of traditional and modern illuminated objects, which ranged from a room filled with giant paper fish (made by local residents and first displayed at the Yanai Goldfish Lantern Festival in Yanai in Yamaguchi Prefecture, Honshu Island) to tiny, fragile ‘akari’ (light) pieces made from real autumn leaves. It was just beautiful!

Paper Fish Hyper Japan 11 2017.JPG

I also loved the ‘geta’ (sandals) and other intricate ornaments made from glass.

Illuminated art Hyper Japan 11 2017.JPG

Of course, it wouldn’t be a Japanese event without lots of pastel-coloured ‘kawai’ (cute) items and it was great to see that even the staff working at the event – like these two Japan fans from Tofu Cute – were having a lot of fun.

Tofu Cute Shop Hyper Japan 11 2017.JPG

The food court was back, too, and fans of Japanese food were again spoilt for choice with numerous both savoury and sweet options available, from steaming bowls of ramen to ‘Takoyaki’ (ball-shaped snacks filled e.g. with squid) and even mulled sake as a winter warmer. There was also a chance to sample some sake concoctions created by professional mixologists as part of the Sake Cocktail Awards.

Food Stall Hyper Japan 2017.JPG

Those who had a bit of time on their hands and who felt like creating some original Christmas presents for their loved ones, were able to join various paper craft and felting workshops with expert teachers. But don’t be fooled, it is a lot harder than it looks and takes a lot of patience and precision. The results look impressive though, like the framed artworks in this picture.

Papercraft Hyper Japan 11 2017.JPG

When I visited on Friday, the opening day, the Hyper Live stage again hosted a variety of Japanese acts, from the very modern, Dream Stage Idol Competition Runner Up Aimi Ikenaga (if you’ve never heard of ‘Idols’ before, BBC Storyville recently did an interesting documentary called ‘Tokyo Girls’ on it), to the more traditional, but with a modern twist, e.g. a live performance by calligraphy artist Taro Fukushika.

If you missed Hyper Japan this time around, don’t worry, it will be back from 13-15 July 2018 and visits to the Japan Centre and various London-based Japanese restaurants and pop-ups should tide you over until then.

Disclaimer: Life is a Festival was provided with a press pass for Hyper Japan. Opinions expressed are those of the author. All photography used in this blog post was taken by Life is a Festival.