A Honky Tonkin’ Great Time at The Long Road Festival 2018

It’s always exciting to be there for the first ever edition of a new festival and I’m very glad I made it to the inaugural The Long Road Festival (7-9 September 2018) at Stanford Hall, near Rugby. After having been led down the wrong motorway by our Satnav on Friday afternoon and arriving a bit later than anticipated we were joking that the seemingly never-ending road we followed to get to the festival location was surely what it was named after!

TLR 18 sign.jpg

We missed a few of Friday night’s acts, but got there just in time for rocky UK Americana outfit Case Hardin on the Front Porch stage (which looked like a wood cabin including smoke coming out of the chimney!), who I hadn’t seen for way too long. I then headed over to the Interstate stage for London-based country music quartet The Wandering Hearts and finished up inside the Honky Tonk venue for a set by Northerner Twinnie, who I had never heard of before, but who impressed with her voice and positive energy. It had gotten quite cold by then and I decided to call it a night in order to get the best out of the rest of the weekend.

TLR 18 Front Porch

Saturday started with a real bang as it was time for the Women in Country in the Round slot in the Honky Tonk bar (inside the ‘building’ on the right in the pic below), one of the best festival sessions all weekend. It featured Irish-born but now London-based Megan O’Neill, UK country singer Laura Oakes and Texan country artist and a former ‘The Voice’ winner Danielle Bradbery. Luckily, most of my favourite artists were scheduled inside the cosy Honky Tonk, a brilliantly designed nod to Nashville music city, which just felt like actually being in the States! So while it wasn’t the best of festival weather outside, we had a front row table for a long list of absolutely superb acts, most of whom I’d seen separately on various occasions and are all well worth a listen.

TLR 18 Honky Tonk.jpg

The Loose Music takeover really made my Saturday with my only complaint being the disappointingly short half hour sets for most artists. We spent most of the afternoon happily cooped up inside the Honky Tonk listening to hours and hours of brilliant live music courtesy of Yola Carter (UK), Caroline Spence (USA), Erin Rae (USA), William The Conquerer (UK), Frontier Ruckus (USA) and Danny and the Champions. I also managed to catch the always amazing Angaleena Presley earlier that day and, to top it all off, listened to a fabulous set by Lee Ann Womack (see pic below), who should have really been one of the headliners, my first time seeing her live.

TLR 18 Lee Ann Womack

Sunday was the only really sunny day and by that time all of us knew the venues inside and out and were just enjoying moving between the different areas. There was again a packed programme from around lunchtime until late. I saw blues duo Andrew Alli & Josh Small (USA), UK Americana artist Danni Nicholls, New Orleans-based Luke Winslow-King (with fab Italian guitarist Roberto Luti) and Ashley Campbell (see pic below), who had some very witty songs and sounded a lot more Americana than I had thought.

TLR 18 Ashley Campbell 1

I also caught Dori Freeman (USA), Charlie Worsham (USA), who made some lovely comments on how appreciative UK audiences are, Emily Barker’s more Americana side, some of Elizabeth Cook’s (USA) set, who was very popular with some of my friends and UK country duo The Shires closing the main stage that night. My favourite set all weekend though, has got to be The Lone Bellow (USA) on the Interstate Stage (see pic below) It never ceases to amaze me with how much energy and fun these guys perform and cannot imagine anyone not getting blown away by their beautiful songs and great stage presence.

TLR 18 The Lone Bellow

Apart from the live music, there was also a film screening, ‘ Born in Bristol’ on the birth of country music, dance classes, stunning vintage cars on display, the family area Possum County with games and music, wild swimming (though with the temperatures we had, I doubt many braved the cold water) and a good selection of food and drink stalls. The veggie and vegan options included burritos (my fav that weekend), pizza, burgers, sweet potato fries and buddha bowls and there were also various breakfast choices and hot drinks until the evening.

TLR 18 Rhinestone Stage

If there was anything the organisers might reconsider for next year it would be the very strict checks at entering the arena. I don’t usually attend festivals where the camping is fenced off and it made it feel a bit impersonal and unnecessary for the kind of crowd this festival attracted. Any kind of food, alcohol and even umbrellas were officially banned, while security searches were minimal. On the plus side, I was delighted to see that dogs, like sweet Roxy below, were allowed (this year only as day visitors, in future, hopefully overnight, just like at e.g. Maverick Festival and Shrewsbury Folk Festival). As far as I’m concerned, four-legged festival attendees always add to a relaxed atmosphere and it was so great to meet so many festival first timers.

TLR 18 Rox dog

What really made the first The Long Road festival stand out was the excellent line-up from the Country, Americana and Roots music scenes, well done Baylen Leonard and team. Yes, it was a little sad that long-anticipated headliner Carrie Underwood had to pull out at the last minute for health reasons, but the huge range of quality acts, great sound on most stages and the beautifully designed festival venue all made for an outstanding event, which is most definitely here to stay! Better get next year’s tickets as soon as you can.

Disclaimer: Life is a Festival was provided with a weekend pass for the 2018 festival in exchange for a personal review of the event. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

Advertisements

Sing, Dance, Drink, Repeat: Shrewsbury Folk Festival 2018

I’m always reluctant to return to the ‘real world’ after another four days packed with amazing live music and lots of happy people at Shrewsbury Folk Festival (24-27 August 2018). I made my way to Shropshire on the train on Thursday as usual, set up the happy tent (stewards get an extra night on site) and then headed into town for a charity shop crawl, a nice pub dinner and a pre-festival live session in the Woodman pub. It’s the simple things in life that count!

SFF18 Happy TentFriday is always the first official festival day and the excellent Irish Daoiri Farrell Trio opened the Bellstone Marquee (biggest stage), followed by the fiddle playing step dancing Fitzgeralds from Ottawa Valley in Canaday, a welcome return after their fab debut last year. I then headed over to the Pengwern Marquee (second biggest stage) for Rusty Shackle, a Roots and Americana outfit from Bristol, who really got the crowd going, and somehow day one was already over much quicker than I thought.

SFF18 Morris.jpg

On Saturday I spent most of the morning in town catching some of the morris displays from festival sides (pictured above is Shrewsbury Morris) and was back at the festival site (a short walk or shuttle bus ride) just in time for one of the world music collaborations, Chinese flute player Guo Yue and Joji Hirota with the London Japanese Taiko Drummers. What a fascinating set alternating between powerful drumming sounds and graceful Chinese flute melodies. Shooglenifty and Dhun Dhora, singing in Gaelic and Marwari respectively, were another successful example of a meeting of two very different cultures with rich musical traditions.

SFF18 Ukulele.jpg

It’s easy to see why Americana singer-songwriter Yola Carter from Bristol is a star in the making. Her set in the Pengwern Marquee was mesmerizing and fair play for doing a song acapella after the microphone failed, which was one of the very special festival moments this year. I left Richard Thompson in the Bellstone Marquee to his stalwart fans and instead headed over to the Sabrina Marquee for one of my two favourite dance sessions this year, the fabulous Mankala with band members from no less than seven countries. Their high energy and completely addictive mostly African fusion sound had even the most reserved audience members at least clapping by the end and most of the rest of us on our feet from start to finish. So much fun and a great example that folk music encompasses a huge range of traditions from all around the world.

SFF18 Stalls.jpg

Sunday was another bumper day with a great mix of sounds. The wonderful Passerine project, initiated by and including English folk duo O’Hooley and Tidow was back for a second year, this time with ‘Women in Transit’ and again some incredibly moving stories. Apart from the three main stages, there is also the club as in dance tent, which I managed to finally visit after all the live music had finished. Oh well, one ceilidh dance is better than none.

Usher’s Island wasn’t a band name I was familiar with before the festival, but it turned out it was an Irish traditional super group made up of Andy Irvine, Donal Lunny, John Doyle, Paddy Glackin and Mike McGoldrick. What a privilege to get to hear these legends of Irish music play a set together, sublime. This was followed by one of the best Americana singer-songwriters around, Nashville-based Gretchen Peters who treated us to some of her classic songs as well as new ones from her current album ‘Dancing With The Beast’. I was glad I headed over to the Pengwern Marquee right afterwards for a bunch of much more lively musicians as I managed to catch the end of Scottish band Skerryvore’s first ever set at the festival.

SFF18 Skerryvore.jpg

As I’ll soon be living in Scotland I decided I should probably make friends with the sound of bagpipes (still quite a while to go, mind) and really enjoyed their full set on the main stage on Monday afternoon. I spent the rest of the festival in the Pengwern Marquee listening to The Mighty Doonans from Newcastle and the by now traditional festival finale, the folk slam with Jim Moray. This year’s featured artists included Rosie Hood, members of Rafiki Jazz, Jack Rutter, Elly Lucas, Sam Carter and some fabulous step dancing by members of The Mighty Doonans as well as The Fitzgeralds.

SFF18 Amber&Archie.jpg

I personally always focus on listening to as much live music as possible, but SFF offers so much more, you can learn to play an instrument (see pic of beginners ukulele jam further up), your children can pick up som circus skills, you can learn traditional dances from around the world, do yoga, eat your way through the many yummy food offerings and visit the lively and very friendly town of Shrewsbury (lots of charity shops, cafes and history to explore). Every year (7th in a row this time!) I greatly enjoy meeting the usual combination of repeat festival goers and fellow stewards who I’ve known for a while and always enjoy catching up with plus the festival newcomers, and the many lovely pooches (pictured above are adorable duo Amber and Archie) as well-behaved dogs are allowed at the festival, just not inside the venues.

So if you are still thinking Shrewsbury might be a little far for you to come ‘just’ for a festival, think again as it really is one of the best places for music lovers to spend an enjoyable weekend among like-minded people. Plus with ca. 5000 seats in three huge indoor venues, you never need to worry about the weather or not getting to see your favourite artist. Oh and one last thing: don’t be fooled by the ‘folk music’ label, it is a very broad and inclusive church and if you’re open-minded, you’ll definitely have a fantastic time. Try it out for a day next year or, even better, go straight for the ‘full monty’, it’s simply unmissable!

Genre-Defying Live Music With A Message: Cambridge Folk Festival 2018

Unlike the very rainy 2017 edition, Cambridge Folk Festival, which took place one week later than usual from 2-5 August 2018, managed to avoid any downpours this time around. Instead, it got caught in the continuing heatwave, which made it look like we were in sunny Spain or Portugal rather than South East of England.

CFF 18 Fox.jpg

The festival began with a very impressive Thursday night lineup, the lively Whiskey Shivers from Austin opening stage 2 and a fabulous set by Scottish musical collaborators Kris Drever, John McCusker, Roddy Woomble (of Idlewild) and Louis Abbott (of Admiral Fallow) followed by the fantastic all-female Kinnaris Quintet from Glasgow at the Club Tent. So far so excellent!

CFF 18 Songhoy Blues 1.jpg

When I talk to people who don’t usually listen to folk music, they often don’t realise what a wide variety of genres are represented at folk music events. A great example were Songhoy Blues (see pic above), a rock band from Mali with a seriously danceable groove, and Saturday night headliner, punk poet and feminist icon Patti Smith, who, once on stage, immediately asked for the smoke to be turned off in no uncertain terms. As a nod to the folkie audience, she included ‘A Hard Rain’s A-Gonna Fall’ by Bob Dylan in her set and seemed impressed with the audience’s singing skills. The inofficial award for the best audience participation this year went to the Pierce Brothers from Australia, however, playing a set on stage 2 on Friday night, when everyone just kept going with one of the choruses after the song had finished and the band picked it up again to huge applause.

CFF 18 Rhiannon Giddens.jpg

Rhiannon Giddens’ (see pic above) curator role this year (including booking Yola Karter, Amythyst Kiah, Kaia Kater and Peggy Seeger) was noticeable in all the right ways and it was generally great to see that the festival continues to champion female voices, including their commitment to the Keychange equality movement. Artists of all ages were speaking out about equality and about resisting a more and more selfish culture. Sister duo First Aid Kit from Sweden talked about sexual harrassment during their set on Friday saying that “the blame and shame of rape crime should always belong to the perpetrator, not the victim.” The couple of half-drunk men right behind us (who left after some of us reminded them several times that we were interested only in the music rather than their shenanigans) were proof that even at a very friendly festival like CFF, there are always the odd situations when you need to make clear that disrespectful behaviour, like shouting ‘give us a kiss’ at artists on stage or disrespecting women’s personal space in a crowd, is not acceptable.

UK singer songwriter and activist Grace Petrie, who played stage 2 on Friday night (check out her song ‘I Wish The Guardian Believed That I Exist”), Prince Edward Island-based Irish Mythen and the one and only Janis Ian all had various songs highlighting the shortcomings of today’s society and politicians, homophobia and sexism. The most poignant and outspoken of all was most likely one of Janis Ian’s newly written songs entitled ‘She Is, She Is (Resist)’, which went “when they say you don’t have a right to exist, persist, resist, persist and resist, resist resist, resist!”. Hear, hear.

CFF 18 Janis Ian 1.jpg

The protest song is certainly alive and well and folk festivals, such as Cambridge, continue to attract a large cross section of people from many backgrounds, ages and places. This year I spoke to festival goers from all across the UK, Ireland, Iceland, and as far as Mauritius and Australia.

On top of all the first class acts on the main stages, there are also always lots of other activities on from 10 am until late during the festival weekend. You can do yoga, willow or drawing workshops, learn to play a new instrument or listen to talks by festival artists, such as the Women in Music session in the Flower Garden on Saturday or join a songwriting workshop with Eliza Carthy in the Club Tent on Friday morning.

CFF 18 BNC workshop.jpg

My favourite events were two workshops on Sunday. The first one was a singing workshop with Nashville-based singer songwriter Beth Nielsen Chapman, whose set that night on stage 2 was also fabulous. In her morning session (see pic above) she had various people come up to help them make the best of their own voice and it was incredibly fascinating what a difference ten minutes with a skilled teacher and a supportive crowd can make.

The other event was a youth singing workshop with Boston-based Americana group Darlingside, who are known for their incredible harmonies (see pic below). They certainly passed on their love for music to the youngsters attending the afternoon session in The Hub and the band singing ‘White Horses’ accompanied by a choir of young people harmonising on it was the one festival moment this year that’ll stay with me for a long time.

CFF 18 Darlingside.jpg

Last but not least, here are a few personal festival tips: Make sure you don’t miss out on the Den stage with many amazing upcoming acts (it’s also much less crowded than the main stages), the lovely cafe and the flower garden, both in the same area by the duck pond; bring something to sit on, but ideally not a hardbacked chair as they are not allowed inside any venues; your own food and drink is OK to take along, just no glass; don’t forget the Coldham’s Common campsite has an afterhour open mic venue (until after midnight) and a free shuttle bus runs there every few minutes from Cherry Hinton Hall; a lot of the artists sign their CDS (and some do selfies with punters) at the Mojo tent near stage 2; be kind to others, don’t take up any more space than you need in the already crowded outside arena, don’t block any exits and get up from your blanket inside the tents when it gets busy; finally, be spontaneous, play along if someone starts a Mexican wave in the shuttle queue, bring your ukulele and start your own session and don’t just be a spectator – folk music is for participating and the community is only as friendly and welcoming as each one of us!

Shining A Light on Traditional Yoga: World Yoga Festival 2018

After having had a wonderful time at World Yoga Festival when I visited for the first time in 2017 (see review), I was excited to be back this summer for the third edition of the festival, which took place from 19-22 July 2018. The traditional yoga event focusing on a holistic approach to yoga was again held at Beale Park, near Reading, easily accessible by car or train and taxi (plus a festival shuttle at peak times).

WYF 18 flags.jpg

Since last attending I’ve somewhat fallen off the yoga wagon and am still struggling with making regular meditation part of my life. So I got on the train to World Yoga Festival with somewhat mixed feelings last Thursday, even though I knew at the back of my mind that I’ll probably return home more motivated after a weekend of immersion into yoga philosophy and practice, just like I did last year. A few days away from our normal routines is often just what is needed to get a new perspective on life and World Yoga Festival has it all: a fabulous location, wonderful teachers, a health-conscious but relaxed atmosphere (alcohol and smoke-free plus lots of delicious vegetarian and vegan food) and, maybe most importantly and unlike many other festivals, it exists in order to promote the ancient wisdom associated with yoga philosophy in the UK and the world and is (as of this year) completely run as a charity, the Arsha Kula Foundation.

WYF 18 Puja.jpg

When festival founder Ram Banerjee made his opening remarks during the Welcome Ceremony, the first thing he said was: ‘Welcome back, welcome home!’ This was the perfect blessing for another weekend of yogic inspiration and another impressive array of teaching, talks and concerts from Thursday evening until Sunday night. As we were also celebrating the 100th anniversary of the birth of BKS Iyengar, one of the highlights for many attendees was no doubt the return of Zubin Zarthoshtimanesh from Mumbai, who tought a series of six two-hour masterclasses.

WYF 18 Zubin class.jpg

There were also several opportunities for a gong bath with sound healer Nikki Slade in the Space tent as well as kirtan and other chanting sessions. This year I gave a Sivananda yoga workshop with Laura Creswell a try, which incorporated both meditation and asanas and was a good introduction to this type of yoga. The Fire tent in particular, the smallest of the open-sided venues, was once more the hub for spiritual and philosophical talks on Understanding Reality (Ram Banerjee), Sanskrit and the Yoga Sutras (Lucy Crisfield) and many other inspiring sessions. The classes in the Air tent (see pic below), e.g. Vijay Gopala’s Yogic Science of Sun Salutations and Pt. Radheshyam Mishra offering a meditation for Emotional Balance, were also very popular often attracting more attendees than fitted into the tent.

WYF 18 Air tent.jpg

The evening concerts, which were scheduled every night from around 8pm until 10pm, were another highlight and, as far as I’m concerned, are much more than merely entertainment. The music especially selected for the festival included many facets of Indian and some world music, including Jyotsna Srikanth (Southin Indian Carnatic violinist) and the Odissi dance of Pracheeti Dange, Prabhat Rao and band (Hindustani Classical musicians), Shammi Pithia and band (classical Indian music with modern touches) as well as New Zealand-based Sika Deer (tribal music; who also did an experiential sound journey session one afternoon).

WYF 18 Lucy Crisfield.jpg

In between the classes I kept returning to the Chai tent at the bottom of which was one of the coffee and juicing stalls run by nutritionist Trish Tucker, who also gave a useful talk with many practical tips on health and wellbeing. Like all the festival tents, the grassy ground was covered in coloured carpet, a different shade each symbolising the four elements. This tent (see pic below) overlooking the lake and furnished with low tables and sitting cushions was the perfect base to recharge after a more vigorous class, read a book, write in your journal or simply enjoy the first coffee of the day or a cup of tea at sunset.

WYF 18 Chai tent.jpg

In addition, the healing village offered complimentary therapy options, such as massage, reiki and energy healing in a serene lake side setting and there were also hot tubs for weary festival bodies. The Gotra family yoga area with many classes, games and crafty fun for the little yogis seemed even more lively and popular this year and it was lovely to see so many tiny humans run wild and free across the festival site with big smiles on their faces.

WYF 18 Beleaf salad.jpg

The food options this year included again South Indian food from Lalita’s, such as mandala dosa (pancakes with curry and sauces), Beleaf from Bristol providing healthy salads (see pic above) and breakfast options, two coffee and smoothie stalls, a new pizza and pasta truck plus Taste Tibet, which offered yummy vegan curries and very moreish Tibetan momos (veggie-filled dumplings, pictured below).

WYF 18 Momos.jpg

The botanical cocktail bar (see pic below), which got moved closer to the main tent this year, was also popular again, mixing a range of plant-based cocktails for festival goers to enjoy.

WYF 18 herb bar.jpg

Here are a few things I learned or re-learned at the festival this year: expanding our comfort zone can be scary but is ultimately worth it, self care is not an indulgence but a healthy part of life and it’s never too late to change unhealthy habits, appreciating what we have is important and life is not a competition, when we face life’s challenges we need to become better rather than bitter, a single step doesn’t form a path, but continuous practice does in order to slowly transform your personality for the better, focusing on self-expression and going beyond rituals is more helpful than being action-oriented, if we hurt nature or others, we hurt ourselves, without failure we would never know what we’re really capable of, unexpected insights can happen anytime.

WYF 18 timetable.jpg

Given its success so far, World Yoga Festival certainly has the potential to become a permanent fixture, but having been mostly privately financed until now, it will need the support of many individuals to continue on its path. You can help the event grow and prosper by attending a future festival and also find out more about it and the Arsha Kula Foundation as well as potential sponsorship opportunities.

WYF 18 sunset.jpg

Disclaimer: Life is a Festival was provided with a weekend pass for the 2018 festival in exchange for a preview post and a personal review of the event. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

Americana on the Farm: Maverick Festival 2018

Maverick Festival, which took place for the eleventh time from 6 to 8 July 2018 at Easton Farm Park in Suffolk, not far from London, is one of those rare outdoor events, where you can experience quality live music in a beautiful boutique setting. Beside the usual line-up of excellent Americana artists from the UK, the USA, Canada and Australia, the festival always has a extra few surprises in store and what a gloriously sunny weekend it was!

Maverick 18 Gate.jpg

After setting up the happy tent in the heat, it was definitely time for an iced coffee and a first hello to all my favourite furry farm creatures, including brand new additions Harry, the Punch horse, and Madge, the 5 day old donkey baby. In addition, there were lots of friendly dogs around again, as the festival allows them on site.

Maverick 18 Madge the Donkey.jpg

As more and people started arriving in the course of the afternoon, I headed over to the Peacock stage for sets by Jeffrey Martin and Anna Tivel (see pic below), who have also been touring the UK together. Their music is very well matched, quiet and thoughtful with some memorable melodies, just the way I like it. Anna and Martin were some of the musicians who spent the whole weekend at Maverick, so I got to listen to them quite a bit, which was a real treat, as their songs are all well worth giving more than one listen.

Mavfest 18 Anna Tivel 1.JPG

I then made my way over to the Barn for Jonathan Byrd’s only Maverick set. He is currently touring the UK with fellow ‘Pickup Cowboy’ Johnny Waken, who excelled at guitar solos and added an extra touch of humour to Byrd’s already entertaining songs. Their set also included serious touches though, such as this poignant haiku:

we are in heaven
the sky is an illusion
like any border

Maverick 18 bar.jpg

Saturday at Maverick is always a busy day with the open air Southern Sounds Stage in full swing from around 11am until 6pm, including the exotic Hawaiian sounds of Kehau Kehananui with top UK pedal steel player BJ Cole. Apart from The Cordovas from Nashville, whose guitar and harmony-heavy sound I took a while to warm to at first, but whose only Maverick set I enjoyed quite a bit in the end, I spent most of my day switching between the Barn and the much smaller Moonshine stage. I’m always trying to catch as many of the overseas artists as possible, as they generally make less frequent UK appearances. So it was great to see Dylan Earl for the first time, whose online bio states that ‘I’m from where I woke up this morning’ and who, like many of the Maverick artists, plays a type of country music, which keeps things real rather than just providing sing-along fodder for the masses. I also thoroughly enjoyed dancing to the music of one of my favourite UK Americana bands, Brighton-based The Mountain Firework Company.

Mavfest 18 Dylan Earl 1.jpg

However, the female musicians stole the show as is so often the case in this genre. Amelia White, Alabama native Amy McCarley and singer-songwriter Imogen Clark (mostly sharing a stage with fellow Aussies Lachlan Bryan and the Wildes as well as The Weeping Willows) were all excellent. So was Amy Lott from Meridian, Mississippi, who, as we found out during her Sunday set, had to overcome some serious health issues for a long time, but never gave up and is living proof that personal struggle can make for outstanding songwriting. Another one to watch for me was Texas-born Nashville-based Bonnie Bishop (see pic below), who is to make a welcome return to these shores in autumn.

Mavfest 18 Bonnie Bishop 1.JPG

While the Arkansas Dave set and the Johnny Cash Tribute (with many of the festival artists contributing cover versions) took place on the Peacock stage, I decided to stick with the Barn Stage on Saturday night, where Tennessean-born, New York-baed Hans Chew and his band and female-fronted Southern Avenue (see pic below) from Memphis got the party going around 8pm. The latter’s very danceable set proved that booking a lively blues and soul outfit added just the right amount of variety to the festival.

Maverick 18 Southern Avenue.jpg

One of my favourite UK-based live bands, Danny and the Champions (see pic below), provided a worthy finale after a very busy and sundrenched day of music.

Maverick 18 Danny Champs.jpg

Sunday is traditionally a shorter day at Maverick and after Saturday’s highlights tends to be a sort of a mellow finish to the festival weekend. This year, however, I was glad to get a second chance to see some of the festival artists who stuck around all weekend, such as Lachland Bryan and the other Aussie musicians he shared the stage with as well as UK roots band Porchlight Smoker.

Mavfest 18 Busking Stage.JPG

The festival weekend also included the Jimmie Rodgers Buskers stage again, which was hosted by James Hodder this year and gave up and coming talent (see pic above) a chance to shine.

With so much great live music going on, I nearly forgot to mention the yummy food on offer all weekend – from espresso to full English breakfast, wood oven pizza (including a vegan option) and my favourite, an amazing plantbased plate (see pic below) from Suffolk-based Juan Pablo Food, we were never short of great festival food and drink.

Maverick 18 Vegan Food.jpg

All in all, the eleventh edition of Maverick Festival was one of the most enjoyable and relaxing ones I remember. The beautiful Suffolk farm setting, the quality music and the friendly crowd it attracts year after year make for a great recipe for enduring success. While other festivals struggle with constantly trying to upscale, Maverick seems to stay reassuringly small, but only in terms of festival size. In every other aspect it punches well above its weight and is bound to continue for many more years to come.

Meet the Festival Makers: Paula Henderson of WOMAD

WOMAD is one of those success stories most other events can only dream about. It was born in 1982 and has since expanded to about 27 countries with over 250 festivals having been held since then. The original event, now established at Charlton Park, in Wiltshire, is still going strong, too, and its 2018 edition promises to become one of the best ones yet. I interviewed festival booker Paula Henderson in order to find out a bit more about what makes WOMAD tick and you can read all about it right here!

WOMAD_DAY1_41.jpg

Life is a Festival: What is your definition of world music (if any) and what are the advantages of showcasing artists who are not all household names?

Paula: The term World Music is outdated, it was something that was created in order to give record shops a reference point to place music in their shops years ago.  One of the aims of WOMAD is to present the best music that you’ve never heard before, festivals are the perfect places to showcase new artists because a festival is a place where we should take risks.

Life is a Festival: Looking back at the first Womad in 1982, the festival has come a long way and the world has arguably become more multicultural since then. In recent years, however, there also seems to be a growing focus on nationalism. Is a concept like Womad, inclusive and outward-looking, still relevant or ist it, in fact, more relevant than ever?

Paula: The importance of WOMAD is greater than ever.  The struggles we now face to try and bring an artist into the UK because our visa system is so challenging is huge.  This year we are also facing the dilemma of artists deciding not to come to the UK because they don’t want to go through the visa process and be turned down even when they have Schengen visa and a European tour in place that would mean staying longer in the UK would be of no benefit whatsoever!  These problems actually highlight how important it is for WOMAD to carry on and highlight the importance of multi-culturalism.

Procession_A9A5677.JPG

Life is a Festival: With artists from 104 countries performing this year, it must be tricky to pick personal favourites, but which artists or collaborations are you most proud of to have secured for the 2018 event or which do you consider especially unique and not to be missed?

Paula: Too many to name, but especially proud that Colectivo Danza Region are coming as this has been planned for 3 years.

Life is a Festival: WOMAD has successfully travelled from the UK to other parts of the world. Do you work with local organisers and in what way has the expansion of the festival influenced Womad UK since then?

Paula: We work with local organisers in each WOMAD Festival location around the world to establish events that are true to WOMAD’s ethos and atmosphere. These events have influenced WOMAD UK’s festival in a positive and exciting way – enabling collaborations across the continents.

WOMAD - Clara Salina.jpg

Life is a Festival: I love the idea of Taste the World and workshops on e.g. dance and music being led by festival artists and always find that festivals are great at blurring boundaries between artists and audiences due to their informal set-up. Is it a challenge to plan a more interactive programme or an opportunity?

Paula: Not challenging, we ask and if it works with their schedule they are usually happy to participate!

Life is a Festival: How were you personally inspired as a youngster and is this something you enjoy passing on through your work with the festival?

Paula: Music was all I was ever interested in, I was taught to read music at the same time as I was taught to read and played music on an amateur level… it was a natural progression that when you know you aren’t good enough to be on the stage, do the next best thing and try and discover people who are!

Life is a Festival: What advice would you give to someone attending Womad for the first time?

Paula: Every WOMAD first timer should make sure they download our free festival app and get a programme on site. This means you won’t miss a thing – you’ll be armed with lots of info about each of the artists, and everything happening at the festival!

WOMAD2012_FRIDAY_Suzie M Blake (5) (1).JPG

If you haven’t got your tickets for WOMAD yet, there is still a chance to make the best of this sunny summer and fit in a festival weekend in late July. Tickets can be purchased online and you have various choices from one day to four days. Glamping options are also available and there is a fab sounding spa area for which you can get an extra pass and get pampered all weekend long. With another excellent and diverse line-up, WOMAD 2018 will be a music party like no other!

Disclaimer: All photography used in this blog post was provided by WOMAD festival including photos by Clara Salina and Suzie Blake.

Dog Days of Summer: Dogfest Bristol 2018

After having had such a great time at Dogfest South last year (see review) and being a huge dog lover, I gave the latest addition, Dogfest West (23-24 June 2018) in Bristol, a try this time around. The location for the festival was Ashton Court Estate, a huge park area just outside Bristol and, like last year, the weather was fantastic.

Dogfest Dog Walk.jpg

After grabbing some fresh drinking water from the Bristol Water fountain, with volunteers counting how many plastic bottles were saved by providing free filtered water, I did a quick round of the stalls before getting ready for The Great Dog Walk (see pic above). Sunday’s walk was introduced by TV presenter and dog lover Chris Packham and it took place twice a day with two route choices, 2km and 4km. Everyone can take part and the path luckily led into a foresty area with lots of shade, which I and the participating dogs were very grateful about. Unlike the one at Knebworth (Dogfest South), it is partly a little steep, so definitely wear trainers and bring a bottle of water to keep hydrated. We were back at the festival grounds after about 45 minutes (2km) and all the dogs taking part looked pleasantly tired. Right by the back entrance there were a couple of bone-shaped paddle pools for the pooches to cool off in, with some of them completely sprawled out in the water to make the best of the welcome refreshment.

Dogfest dog diving.jpg

There was also a diving pool again (see pic above), where dogs who love water could take a leap from a ramp or walk into the water to retrieve a tennis ball. Some had clearly got experience and loved being in the pool, while others were hesitating at the edge of it, longingly staring at the yellow ball bobbing in the waves, but unable to decide whether it was worth getting wet in order to get their prize. It was fun to observe, just make sure you queue early as it was busy pretty much all day.

Dogfest making furiends.jpg

Like at Dogfest South, all the stalls selling dog-related items, such as dog treats, harnesses, cooling blankets, dog shampoo and accessories or promoting animal charities plus all the food stalls were arranged in a large circle. The Live Stage was in the middle section of the large open field with bands entertaining dog parents and a very nice bar with deck chairs under a sprawling white canvas. This stage was also where festival founder and Channel 4 ‘Supervet’ Noel Fitzpatrick and his colleagues gave talks and advice on pet ownership and pet health (see pic below).

Dogfest live stage.jpg

The Dogfest organisers had again provided lots of fun activities for dogs to try. Fourlegged festival goers could test various fun sports, such as flyball and agility, as well as hay bale racing and resist treats in the temptation alley plus there was a school for dogs, a dog activity ring and a dog show. Of course, I was busy petting lots of friendly dogs and puppies (!) all day and also got to speak to their owners. Some pooches were rescued from as far as Serbia, elderly Reg, the sheep dog had his own ‘regmobile’ built by his dad to take him around in and one girl had borrowed her friend’s dog so it could enjoy the event.

Dogfest flags.jpg

The food and drink village inlcuded plenty of different delicious options with pretty reasonable prices and enough veggie choices. I had a nice, large plate of Mexican food for about £7, my iced latte was £3.50. Other stalls sold wood oven pizza, fish & chips, Asian noodles, burgers, cakes and ice cream.

Dogfest tent

Of course, there weren’t just treats for the humans attending Dogfest. The fourlegged visitors were spoiled for choice with dog ice cream, healthy looking baked treats and evend drinks for dogs. I’m not so sure about the last one, but I observed several pooches licking their bowls of dog ice cream clean with a very contented expression on their fluffy faces. As one of the England Worldcup matches was on on Sunday afternoon, there was a TV screeen conveniently installed for the football fans taking a break from all the doggy activities with a cool pint or prosecco.

Dogfest Bristol Water.jpg

Dog welfare was a big priority at the event, with bowls filled with water available everywhere and stalls offering health checks throughout the day. If there was one thing I would suggest for future events, it would be to have more areas that provide shade, especially in these hot temperatures or also in case of more rainy weather. Make sure you bring enough sun protection, a cooling blanket or coat (see pic below) for your fluffy friend, a refillable water bottle and maybe an umbrella for some extra shade.

Dogfest watching football.jpg

If your dog gets on well with other dogs, it’s definitely a fun day out and you could even make a holiday out of it by visiting nearby Somerset attractions, such as the Glastonbury Tor (dogs allowed but mind the sheep) plus White Spring Well and Temple, the historic town of Wells with its impressive Cathredral and Vicar’s Close, claimed to be the oldest pureley residential street in Europe, or visit the beautiful Roman City of Bath and Bristol with its Clifton Suspension bridge and its lovely pubs and cafes by the harbour.