Tag Archives: festival review

4 Reasons Why Shrewsbury Folk Festival Is Simply Unmissable (incl. 2019 Review)

Even though I only made it to two festivals this summer, I made sure one of them was Shrewsbury Folk Festival. It was my 8th time in a row and it’s always a fantastic weekend of live music, dancing and fun. This time we managed to have another heat wave coincide with the bank holiday weekend, like in 2017, which made for a completely rain-free festival, hurrah.

If you’ve never been to SFF, here are the best reasons to join us next year and the next and the one after that…

Shrewsbury Folk Festival 2019 Village Stage with audience in the sunshine.

The quality line-up

Even though there wasn’t enough Americana on the bill this time around for my liking, I’m always amazed at the great variety of brilliant musicians who play the festival. Now being based in Scotland, I was particulary excited to see the fabulous Skerryvore make a return as the Monday headliners (who just about made it from the airport coming from the US leg of a tour) as well as the always excellent Capercaillie. The festival also showcases up and coming local artists on the Launchpad stage, which this year included young guitar talent George Nash.

Mankala band from Bristol performing at Shrewsbury Folk Festival 2019

While I enjoyed the sets by US artists Amythyst Kiah, Birds of Chicago, Rev. Seckou, Cajun Country Revival and Aine Tyrell from Ireland, I was most impressed with the world music collaborations this year. These included Michael Messer’s Mitra (jazz/blues/classical Indian), AKA Trio (musicians from Brazil, Italy & Senegal) and Mankala (see pic above), all well worth checking out. I also always enjoy Kate Rusby, Oysterband and the While & Matthews duo had several sets, with guest musicians like Belinda O’Hooley, to celebrate their 25th musical anniversary. New to me Jiggy playing traditional music from Ireland with a modern twist were probably my fav new find this year, indeed I was surprised I had never heard of them before.

The additional activities

I always pick up my festival programme (one of the best ones around, really detailed and beautiful with band descriptions and everything you need to know) when I arrive on Thursday and aim to make it to a few other things than ‘just’ listening to music. But every single time I have to admit that there just isn’t enough time to get to everything – which is also a nice problem to have as it means there is so much on, you’ll absolutely never get bored. How could you?

Vegetarian food at one of the many food stalls at Shrewsbury Folk Festival 2019.

Included in your festival ticket are songwriting workshops, you can learn every instrument you can think of from scratch (incl. bodhran, mountain dulcimer, flute & ukulele), browse the market stalls, join a yoga session or spend a whole day in the dance tent. One of my favourite things this year was the children’s parade with dozens of beautiful animal paper lanterns and proud youngsters showing them off to the sound of the crowd singing ‘Yellow Submarine’ as this year it was a maritime theme – just magical!

I’m proud to say I at least managed to make it to one ceilidh (with John Spiers playing live for us, no less), which was a lot of fun. And ceilidhs are so inclusive, you don’t need to know what you’re doing or bring a dance partner, you can simply join in and that includes wheel chair users and people of all ages (the youngest dancer was probably four years old).

The historic town of Shrewsbury

The town of Shrewsbury is a shortish walk from the festival site, so I often head there along the river to stock up on food supplies, have a coffee and browse the charity shops. You can explore the town’s heritage, join a walking tour or enjoy a river cruise. They also have a number of good outdoor shops, which is handy if you’re camping. You might even bump into some festival musicians, some of whom stay in town if they don’t get put up in homestays nearby. You’ll also run into lots of other festival goers (easily recognisable by their wristbands or festival t-shirts) and everyone usually has a good story about previous years or favourite acts.

Shrewsbury library in Shropshire and statue of Charles Darwin.

The friendly atmosphere

SFF is largely staffed by (hundreds of) volunteers who tend to join the same team every year, so they really know what they’re doing. This makes for a calm, relaxed atmosphere and you’ll hardly notice the festival security team (who are really just there as a back-up). There are plenty of tables and chairs to sit and chat over a coffee, people practise their instruments in the bar, hub or outside their tents and are generally respectful of each other. I have hardly ever come across anyone drunk and/or rowdy, it’s just not that kind of place.

Bramble the spaniels helps out at artist reception at Shrewsbury Folk Festival 2019.

Having said that, the festival attracts people of absolutely all ages, from families with toddlers (the youngest I met this year was a 5-week old baby!) to retired folks and everyone in between. Compared to more crowded festivals (e.g. the also excellent Cambridge Folk Festival) there is a lot of space, almost never much mud, even if it rains persistently like in previous years, and hardly any queues (maybe apart from peak lunch & dinner times). Oh and the festival is dog-friendly of course and even the pooches like to join in like beautiful Bramble (see pic above). All of this guarantees a stress-free, super relaxing weekend of music!

George Nash playing the Launchpad stage at Shrewsbury Folk Festival 2019.

So join us, sign up as a volunteer or grab a festival ticket, bring your guitar and be prepared to talk to strangers. Like a woman I met on the train on the way home to Glasgow remarked: It’s so nice when people still talk to each other. It is, isn’t it? SFF is one of those places where you’ll get a friendly hello back when you smile at a stranger. Wouldn’t it be lovely to take this attitude back home with you, especially in these times when we seem to be sorely in need of a little more kindness?

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Arab & North African Womxn’s Arts in Glasgow: Dardishi Festival 2019

I first came across Dardishi (8-11 March 2019) when I attended Document Human Rights Film Festival in Glasgow last October. Having been looking forward to it for months, it was a shame I only managed to make it to two sessions on one day, but it still left a big impression.

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My first event on Saturday afternoon was called ‘Diasporic Daydreams: Storytelling, Solidarity and Survival in our films.’ It was a wonderful collection of short films by Arab and North African female filmmakers living in diaspora creatively and positively dealing with ways how to overcome trauma. The showcase included documentary, animation, fiction and interview and my favourite was probably an animated short film movingly chronicling a displaced young Syrian woman’s dilemma of having to bridge two very different worlds. The pleasure of being at smaller, more grassroots festivals is getting a unique chance to discover cultural jems such as these, which highlight shared human experience and bring us closer together rather than divide us. Even better if a festival champions womxn filmmakers and artists who are still underrepresented in almost all walks of life. The curator of this event, researcher Sumaya Kassim, led an audience discussion after the screenings and empathised the importance of solidarity across cultures and genders in times of rising fascism and xenophobia.

The second event was a screening of Mai Masri’s award-winning feature in Arabic with English subtitles called ‘3000 Nights’. Its female protagonist, a pregnant Palestinian schoolteacher serving time in an Israeli prison, took us into a world that is as cruel as it is intriguing. This film definitely didn’t make for easy viewing, but another example of how such stories can help cross cultural barriers and remind us of our shared humanity where mainstream media or politics often fail.

Other events included a creative writing event, a children’s art and activism workshop and even a session on learning to DJ all of which gave anyone identifying as a girl or womxn plenty of opportunities to express themselves creatively in a welcoming and safe environment. For those of you not from Glasgow, the venue, the CCA right in the centre of Glasgow (including a veggie cafe), is a wonderful incubator of cultural events and there is guaranteed to be something interesting on if you are visiting.

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Apart from film screenings (including a queer movie night), music and talks, there was also a lovely quiet space to hang out in between events, which required no ticket, was open to all and provided a respite away from the noisier aspects of the festival. A real effort had also been made to make the festival accessible in various ways: financially via sliding scale ticket options as well as in a physical sense to people of all abilities, including providing sign language interpreters.

I was delighted to hear that the volunteer-run festival has secured further funding for events throughout the year. You can also support Dardishi by getting on their mailing list, attend events and purchase some of their lovely and creative merch and zines, all created by womxn. Oh and if, like me, you had never heard of the Glasgow Zine Library before, do check out their events as well as the fabulous Glasgow Women’s Library.

Disclaimer: Life is a Festival was provided with tickets for the 2019 festival in exchange for a personal review of the event. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

Dog Days of Summer: Dogfest Bristol 2018

After having had such a great time at Dogfest South last year (see review) and being a huge dog lover, I gave the latest addition, Dogfest West (23-24 June 2018) in Bristol, a try this time around. The location for the festival was Ashton Court Estate, a huge park area just outside Bristol and, like last year, the weather was fantastic.

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After grabbing some fresh drinking water from the Bristol Water fountain, with volunteers counting how many plastic bottles were saved by providing free filtered water, I did a quick round of the stalls before getting ready for The Great Dog Walk (see pic above). Sunday’s walk was introduced by TV presenter and dog lover Chris Packham and it took place twice a day with two route choices, 2km and 4km. Everyone can take part and the path luckily led into a foresty area with lots of shade, which I and the participating dogs were very grateful about. Unlike the one at Knebworth (Dogfest South), it is partly a little steep, so definitely wear trainers and bring a bottle of water to keep hydrated. We were back at the festival grounds after about 45 minutes (2km) and all the dogs taking part looked pleasantly tired. Right by the back entrance there were a couple of bone-shaped paddle pools for the pooches to cool off in, with some of them completely sprawled out in the water to make the best of the welcome refreshment.

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There was also a diving pool again (see pic above), where dogs who love water could take a leap from a ramp or walk into the water to retrieve a tennis ball. Some had clearly got experience and loved being in the pool, while others were hesitating at the edge of it, longingly staring at the yellow ball bobbing in the waves, but unable to decide whether it was worth getting wet in order to get their prize. It was fun to observe, just make sure you queue early as it was busy pretty much all day.

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Like at Dogfest South, all the stalls selling dog-related items, such as dog treats, harnesses, cooling blankets, dog shampoo and accessories or promoting animal charities plus all the food stalls were arranged in a large circle. The Live Stage was in the middle section of the large open field with bands entertaining dog parents and a very nice bar with deck chairs under a sprawling white canvas. This stage was also where festival founder and Channel 4 ‘Supervet’ Noel Fitzpatrick and his colleagues gave talks and advice on pet ownership and pet health (see pic below).

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The Dogfest organisers had again provided lots of fun activities for dogs to try. Fourlegged festival goers could test various fun sports, such as flyball and agility, as well as hay bale racing and resist treats in the temptation alley plus there was a school for dogs, a dog activity ring and a dog show. Of course, I was busy petting lots of friendly dogs and puppies (!) all day and also got to speak to their owners. Some pooches were rescued from as far as Serbia, elderly Reg, the sheep dog had his own ‘regmobile’ built by his dad to take him around in and one girl had borrowed her friend’s dog so it could enjoy the event.

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The food and drink village inlcuded plenty of different delicious options with pretty reasonable prices and enough veggie choices. I had a nice, large plate of Mexican food for about £7, my iced latte was £3.50. Other stalls sold wood oven pizza, fish & chips, Asian noodles, burgers, cakes and ice cream.

Dogfest tent

Of course, there weren’t just treats for the humans attending Dogfest. The fourlegged visitors were spoiled for choice with dog ice cream, healthy looking baked treats and evend drinks for dogs. I’m not so sure about the last one, but I observed several pooches licking their bowls of dog ice cream clean with a very contented expression on their fluffy faces. As one of the England Worldcup matches was on on Sunday afternoon, there was a TV screeen conveniently installed for the football fans taking a break from all the doggy activities with a cool pint or prosecco.

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Dog welfare was a big priority at the event, with bowls filled with water available everywhere and stalls offering health checks throughout the day. If there was one thing I would suggest for future events, it would be to have more areas that provide shade, especially in these hot temperatures or also in case of more rainy weather. Make sure you bring enough sun protection, a cooling blanket or coat (see pic below) for your fluffy friend, a refillable water bottle and maybe an umbrella for some extra shade.

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If your dog gets on well with other dogs, it’s definitely a fun day out and you could even make a holiday out of it by visiting nearby Somerset attractions, such as the Glastonbury Tor (dogs allowed but mind the sheep) plus White Spring Well and Temple, the historic town of Wells with its impressive Cathredral and Vicar’s Close, claimed to be the oldest pureley residential street in Europe, or visit the beautiful Roman City of Bath and Bristol with its Clifton Suspension bridge and its lovely pubs and cafes by the harbour.

A Music Weekend in the Midlands: Gate to Southwell Festival 2018

The Gate to Southwell Festival (7-10 June 2018) was a last minute addition to my summer festival calendar this year and a really pleasant surprise! Having arrived from London via Nottingham by train it was a mere five-minute walk from Rolleston station to the festival site. Intriguingly, our designated stewards camping was located on the grounds of the Rolleston racecourse, so I set up my tent next to the parade ring and the women’s toilets had a ‘lady jockeys’ sign on it and saddle holders installed on the walls.

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As I got to Southwell (pronounced as it looks by most locals and ‘Suthel’ seemingly by anyone else) a day early I hitchhiked into town to get supplies and had a look around the Minster, whose two impressive towers also feature on the festival logo. I also came across a few of the especially decorated gates, a lovely idea to link the festival with the town through the ‘decorate your gate’ competition (see this year’s winners, sisters Sophie & Caitlin, below).

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After a relaxing morning, I was based at the box office on Thursday afternoon until the night of Blues started at the Big Top. The standout artist of the night was Li’l Jimmy Reed, a 77 year-old living breathing blues machine, who came down from the stage a few times during his set to play amongst the audience (apart from the Frontier Stage with just a few benches strewn about, all festival venues are seated). There were also some more live acts on at the same time in the Barleycorn Stage adjacent to the main festival bar and I headed over there at around 10pm for a set by Banter, a quirky ceilidh band like no other witha self-proclaimed ‘disregard for musical boundaries.’

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The main festival takes place from Friday until Sunday night, so it makes sense to stay until Monday morning, which unfortunately wasn’t possible for me this time around. Despite the festival site not being huge, the four main stages are arranged in a way that there is almost no noise interference from the other tents, which is fantastic. I was back at the box office on Friday afternoon and by the time I was finished with my shift, a lot more festival goers had started to arrive. I had really been looking forward to seeing both Blue Rose Code and Don Mescall, but both sadly had had to cancel at the last minute. Instead I gave Mongoose, a young, all female band from Ireland a try as well as East Anglian folk and Americana band The Shackleton Trio. The Friday headliner was Lindisfarne, a Newcastle folk rock band hugely popular in the 1970s, and I finished off my night with a spot of ceilidh dancing with Banter at Hoofers, an indoor venue at the race course, just a hop skip and jump away from my tent.

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After a fairly quiet first two days, Saturday was packed with a busy programme in town and at the festival site. The sun was shining and when I got into Southwell on the festival shuttle bus (ca. 3km, Friday until Sunday, £2 return) the town seemed transformed. There was a bustling market in a central square and at 11am the Morris parade started winding its way along King Street with lots of lively music and colourful costumes, including Harlequin Morris (see pic below).

GTSW Harlequin Morris

There were also a number of free events for locals to get a taste of the festival artists and I’m so glad I caught one at the Final Whistle pub, a beautiful disused train station, where Americana artists Vivian Leva from Virginia and Riley Calcagno from Seattle (see pic below) played a short but wonderful set in the courtyard. They were my favourite festival find and I’m sure they’ll be back in the UK many more times.

GTSW The Final Whistle Pub

After getting back to the festival site, Saturday continued with a varied programme on the four stages, which included Canadian fiddling and step dancing sensation The Fitzgeralds, celtic-inspired contemporary folk band Ranagri (Fort of the Hare), whose danceable repertoire included a ‘Brexit Charleston’, and quirky US duo Truckstop Honeymoon, who I hadn’t seen live for a couple of years and had almost forgotten how great and funny their songs were. Another Americana highlight was the evening’s headliner Gretchen Peters with some fabulous new songs and an impressive back catalogue as well.

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On Sunday morning I made one last trip into town for a latte at The Old Theatre Deli, very friendly café with delicious food right in the centre of town before enjoying the final day of the festival. There were so many acts on at roughly the same time who I had not seen before that I decided to switch between the stages, which was unproblematic as there were always some spare seats in each venue. Despite missing the Sunday headliner Cara Dillon, as I was already on my train back to London by the time she was on, I caught lots of other good acts, such as Scotsman Kris Drever, blues and roots guitarist and singer Martin Harley, Lincolnshire duo The Rye Sisters as well as Canadian songwriter James Keelaghan with Hugh McMillan.

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My favourite event of the day, if not the weekend, was the Tune & Verse & Ditty Challenge, a sort of a celebrity musical pub quiz led by Keith Donnelly on the Frontier Stage. It included questions from the world of folk and roots music and beyond and the two competing teams consisted of some of the Young ‘Uns, Rod Clements of Lindisfarne and various other musicians playing the festival this weekend. I hope it’ll continue to be part of the festival programme in future years, do not miss as it was brilliantly entertaining.

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If you like your festivals small and relaxing where you never really need to worry about getting a good seat while still seeing to top class acts from the world of folk, roots and Americana music, Gate to Southwell is a great choice. There was also plenty of food to choose from (Thai, pasta, fish & chips, wood oven pizza, Leon’s vegetarian, bubble waffles, ice cream and an espresso stall) and two bars with seating. Families with children were also well catered for with lots of entertainment, such as the hilarious Dan the Hat with his juggling and comedy acts as well as stalls with toys and a kids area with a story tent, games, a van to decorate with paint and even a petting zoo. The animals included goats, giant rabbits, guinea pigs, chickens and tortoises and were well looked after. The festival offers a range of ticket options including ‘taster tickets’, which allow you to enjoy the festival during the day with family and friends, but exclude the main evening concerts. But would want to miss those impressive evening lineups?

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Sunshine & Good Times: Folk Weekend Oxford 2018

The recent heat wave coincided perfectly with the seventh Folk Weekend Oxford (19-21 April 2018), which seems to get better every year. It’s one of those festivals where you might not know very many of the bands on the line-up beforehand, but which always delivers in terms of quality, fun and a friendly community feel, something many of the larger festivals simply cannot offer.

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Before my first stewarding shift on Friday night I had plenty of time for a pizza in the sunny backyard of The Rusty Bicycle pub and a leisurely stroll around the Cowley Road charity shops. Then I was off to St. Barnabas church in the Jericho neighbourhood, just north of Oxford City Centre. The ceilidhs always draw quite a crowd (up to 200 dancers) as the festival puts on fantastic live bands every year and this time was no exception. I was very impressed with the sound of Banter, one of the most quirky ceilidh bands I’ve come across so far, whose sound goes far beyond English traditional music including jazz, pop and soul influences. Unsurprisingly, they were a huge hit with the dancing crowd. The night also included a performance by local rapper (sword dance) team Mabel Gubbins.

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After an incredibly sunny Friday, I woke up to more sunshine and met up for breakfast with a friend for coffee and exceptionally good cake at Barefoot Café on Walton Street before checking out some of the morris spots around town for live dancing with sides from various traditions, including Black Annis Women’s Morris and their adorable canine mascot Hattie (see pic further down). Around lunchtime we headed to one of my favourite Oxford venues, the airy hall of the Quaker Meeting House for a concert of traditional folk music, which included Dan Evans and Rebecca Hallworth (see pic below). Dan is a renowned fingerstyle mountain dulcimer player who also held an interesting workshop on the history and different styles of instruments on Sunday afternoon.

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There was just enough time for dropping into Blackwells bookshop’s Norrington room for a set by young contemporary singer-songwriter Martha Bailey (see pic below) and a quick burrito dinner before my shift at the Wesley Memorial Church. The line-up consisted of Oxford vocal duo Hoverhawk, traditional singer Nick Dow and a solo set by one of the festival headliners, Eliza Carthy, who obviously drew the crowds for this event.

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On Sunday morning, during breakfast at the Nosebag restaurant, I got talking to another festival goer, who told me their Appalachian dance team, Cornucopia (see pic below), would be performing around lunchtime in the pedestrian area on Cornmarket. Their spot was one of my favourite performances all weekend and got a lot of positive reactions from locals and tourists alike. I then made my way over to the Deaf and Hard of Hearing Centre where I caught half of the Topette workshop, a French-Anglo collaboration including Andy Cutting. They played some very beautiful dance tunes and spoke about the joys and challenges of working together across cultures and borders.

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As I had not managed to join any workshops yesterday, I decided it was time for some dancing on the festival’s last day. So I took part in the Harlequin Morris Cotswold morris workshop (hankies and bells) for an hour. After we had warmed up for a few minutes we got taught a routine of various steps, jumps and hanky movements accompanied by accordion music. Let’s just say it was an ‘interesting experience’ and is a lot harder than it looks, but I think I’ll stick to Irish set dancing in future. It was great to see, however, that the class attracted people of all ages, including some enthusiastic youngsters, and we did manage to learn a whole routine in the short time we had.

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My last event of the festival was a great ‘Meet the Artist’ session with Ross Couper (from Shetland, now based in Glasgow) and Tom Oakes (from Devon, now based in Edinburgh). I had last seen the pair play one of the BBC Seirm recording sessions at Celtic Connections back in January and had been well impressed by their energetic performance and expert use of fiddle (Ross) and guitar (Tom).

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Of course, I managed to only catch a fraction of the huge programme for all ages, which was on offer during the weekend. I love supporting smaller festivals and I’m always amazed at how entirely volunteer-run events, such as Folk Weekend Oxford, manage to pull off such a big event so well. It’s usually down to a lot of hard work by a dedicated committee and many volunteers (like Jo, Rosie & Penny in first picture) throughout the year.

I highly recommend visiting the beautiful city of Oxford (picture above is Christ Church) during the festival to see for yourself what a positive impact such a community event can have. You might come back with a new idea what grassroots arts are all about, get a more in-depth understanding of local heritage and culture and have a lot of fun with like-minded people!

Sense of Place: Aye Write Festival Glasgow 2018

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When I left Glasgow in January after another excellent Celtic Connections Festival (see previous blog post) I was looking for a reason to return sometime soon. Luckily, Aye Write, which I’d had my eye on for quite a while, was taking place from 15-25 March 2018, so it was the perfect excuse to hop on a train back to Scotland.

I only had a couple of days to get a taste of the festival, but it was well worth it. All events I attended were fantastic with intriguing guests and cheerful, helpful staff and volunteers at every venue. Glasgow is one of the friendliest cities in the UK, so you’ll have a great time no matter whether you’re travelling on your own or with friends. Plus, all the city centre festival venues are walking distance from each other and you can do some sightseeing before or after the events.

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The first session I attended was in the Strathclyde Suite of the Royal Concert Hall. It was a celebration of Orain Ileach: Gaelic Songs of Islay, a brand new collection of songs from the Scottish island. The large room had more of a conference venue feel to it, but as soon as the two choirs, including the Glasgow Islay Gaelic Choir, and various solo singers got up on stage, it was almost like being back at Celtic Connections. Speakers included Ishbel MacTaggart from Islay, Kenneth Thomson, the conductor of Scotland’s oldest Gaelic choir, Ceòlraidh Ghàidhlig Ghlaschu, and Lynn McDonald, the editor of the book. I absolutely loved learning more about how musical traditions are actively being kept alive on the Scottish islands and are actually thriving through community efforts and engaging the younger generations as well.

The event which followed was completely different, but equally intriguing. Sarah Winman, author of Tin Man, who I’d last seen at a reading in Vancouver several yeas ago when she was promoting her bestselling first novel, When God Was A Rabbit, and Gail Honeyman, who lives in Glasgow and whose first novel Eleanor Oliphant Is Completely Fine was an instant success. The two novelists were interviewed by another author, Zoe Venditozzi, and the hour allotted for their conversation just flew by. I was particularly intrigued by Gail mentioning that she wanted her novel to be set in Glasgow as she felt it is an immensely kind city, but often isn’t portrayed that way, which really struck a chord with me as I’ve also come to love Glasgow for that very reason.

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On Tuesday night I headed down to the Glasgow Film Theatre, a beautiful historic cinema in the heart of the city for a talk by Nick Triplow, author of Getting Carter, followed by a screening of the classic 1971 British crime movie. While the film had been a cult classic since the 1970s, the author of the book it was based on (Jack’s Return Home), Ted Lewis, remained an elusive character with a mostly troubled and tragically short life. I was in the minority of people on the night who had not seen the film before and must admit, it will not become one of my all time favourites. I can see its appeal to others, however, and very much enjoyed the interview with Nick Triplow, who had to overcome various obstacles in order to get this fascinating life story researched and published.

My last day at the festival also included lots of crime writing. I was at the Mitchell Library for two sessions, which each featured three crime writers, all new to me, and, as it turned out, all with very different writing styles and subject matters. I’m not a reader of crime novels ( just yet), but have been a big fan of crime drama since someone recommended ‘Shetland’ to me a few years ago, so was looking forward to getting an overview of the latest publications.

Both talks on the night included short readings from all authors, which gave us a real flavour of their style, subject matter and sense of humour. The main thing all of them had in common was how much real life influenced a lot of their writing. Either things that had happened to them personally or to people close to them or issues they deeply cared about. Ex-police woman Clare Mackintosh writes about ordinary people who deal with extraordinary circumstances in their lives, for instance an apparent suicide of both parents of the main character in her latest book Let Me Lie. Former news reporter and political correspondent Sarah Vaughan wrote Anatomy of a Scandal centering around a husband being accused of a terrible crime while serial killers and obsessive personalities are the topics ex-journalist Fiona Cummins successfully focuses on.

Aye Write Crime Authors 2018

The last session with Claire MacLeary, whose two female detectives ‘of a certain age’ are definitely some of the most quirky characters you will come across in the world of crime fiction, as well as Owen Mullen and academic and former solicitor Angus MacAllister centered around a sense of place and a connection to Glasgow. All three authors are either from the Scottish city or have lived there at some point and wrote books set there and had lots of fascinating anecdotes on their research and writing process for their novels.

During my whole time at the festival I tried to avoid sneaking a look at the pages in the programme with all the many tempting sounding events I was inevitably missing and everyone I met seemed to have a great time at the readings they attended. Apart from the main programme, Aye Write also includes a children’s festival, Wee Write, with lots of exciting events for all ages, as well as a number of complementary sessions, such as creative writing classes. It’s a book festival which reflects the city it takes place in: it’s down to earth and warm-hearted with a great sense of humour!

Disclaimer: Life is a Festival was provided with review tickets for select events. Opinions expressed are those of the author. Photography used in this blog post was taken by Life is a Festival with the exception of the Orain Ileach book cover photo. 

Getting into the Festive Spirit with the Hyper Japan Winter Festival 2017

I attended Hyper Japan for the first time in July this year (review here) and loved everything about it, so I was keen to see what the Christmas edition would have in store. The Japan-themed event was again taking place at Tobacco Dock in London (24-26 November 2017) and was brimming with craft stalls, a Japanese food court, and lots of traditional Japanese products, such as handmade pottery, colourful chopsticks, speciality tea, sweets and clothes, including lots of cosplay outfits.

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Japan is a fascinating place to visit and after two visits I still feel like I’ve only scratched the surface of what there is to see. It was great that there were a lot of lesser known travel destinations represented at Hyper Japan and I enjoyed learning about them from their enthusiastic local representatives. The guys in the picture below, for instance, are from Susaki City on Shikoku Island and had mini versions of their mascot ‘Kochi’ with them plus the human-sized version appeared on the Hyper Live stage.

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Probably my favourite part of the winter edition of the festival was a fantastic Illuminight exhibition, a display of traditional and modern illuminated objects, which ranged from a room filled with giant paper fish (made by local residents and first displayed at the Yanai Goldfish Lantern Festival in Yanai in Yamaguchi Prefecture, Honshu Island) to tiny, fragile ‘akari’ (light) pieces made from real autumn leaves. It was just beautiful!

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I also loved the ‘geta’ (sandals) and other intricate ornaments made from glass.

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Of course, it wouldn’t be a Japanese event without lots of pastel-coloured ‘kawai’ (cute) items and it was great to see that even the staff working at the event – like these two Japan fans from Tofu Cute – were having a lot of fun.

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The food court was back, too, and fans of Japanese food were again spoilt for choice with numerous both savoury and sweet options available, from steaming bowls of ramen to ‘Takoyaki’ (ball-shaped snacks filled e.g. with squid) and even mulled sake as a winter warmer. There was also a chance to sample some sake concoctions created by professional mixologists as part of the Sake Cocktail Awards.

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Those who had a bit of time on their hands and who felt like creating some original Christmas presents for their loved ones, were able to join various paper craft and felting workshops with expert teachers. But don’t be fooled, it is a lot harder than it looks and takes a lot of patience and precision. The results look impressive though, like the framed artworks in this picture.

Papercraft Hyper Japan 11 2017.JPG

When I visited on Friday, the opening day, the Hyper Live stage again hosted a variety of Japanese acts, from the very modern, Dream Stage Idol Competition Runner Up Aimi Ikenaga (if you’ve never heard of ‘Idols’ before, BBC Storyville recently did an interesting documentary called ‘Tokyo Girls’ on it), to the more traditional, but with a modern twist, e.g. a live performance by calligraphy artist Taro Fukushika.

If you missed Hyper Japan this time around, don’t worry, it will be back from 13-15 July 2018 and visits to the Japan Centre and various London-based Japanese restaurants and pop-ups should tide you over until then.

Disclaimer: Life is a Festival was provided with a press pass for Hyper Japan. Opinions expressed are those of the author. All photography used in this blog post was taken by Life is a Festival.