Officially billed as a ‘weekend of mudless mischief by the sea’, the brand new Grinagog Festival, which took place from 7-9 April 2017 in Torquay, Devon, had a pretty enviable start. Most summer festivals in the UK would have been thrilled with three days in a row of sunshine and temperatures of around 20 degrees, never mind a location right by the sea – and it was only the beginning of April. I travelled down to Torquay on the train (3 hr journey for less than £40 return and a direct connection from London) and combined my festival experience with exploring the nearby attractions.
Most of the festival venues were located in and around historic Torre Abbey (originally founded as a monastery in 1196) and the Riviera Centre right next to it. With a family day taking place on Saturday (graffiti workshops, crazy golf, family rave, storytelling, the lot) and most headliners (Akala, Rat Boy, Congo Natty) having been scheduled for way after midnight for the younger party crowd, the event catered for distinct groups of festival goers while also allowing everyone to get a taster of music they might not have heard of, but might well enjoy. I also managed to catch the world premiere of a documentary on the rise and fall of ‘The Lost Vagueness’, a quirky part of Glastonbury for many years. On Saturday afternoon, everyone gathered on the lawn beside the RICC and followed the giant Grinagog paper mache puppet (lovingly made by Egg Shed Arts) and the Grinagog Carnival & Samba Band down to the sea.
Saturday was also my favourite day music-wise as the London-based The Nest Collective put on a great selection of well-known and up-and-coming folky acts in the chapel, the ballroom and the undercroft downstairs. These included Miranda Sykes & Rex Preston (who apparently won’t be together as a duo for that much longer, what a pity), The Carrivick Sisters (who play about five different instruments each), Cynefin (singing in Welsh), folk duo Phil & Hannah and The Ceilidh Liberation Front, who put on a great ceilidh in the Spanish Barn. There were also lots of opportunities for local music acts to show off their skills on the Soundlaunch Buskers Stage outside Torre Abbey and some of the other tents.
Fair play to the organisers (including DJ Chris Tofu of Contintental Drifts) for putting on such a huge variety of live music plus talks, films and lots of side activities, such as a roller disco, paddle boarding, trapeze workshops, swimming pool parties etc. Personally, I found the huge line-up a little overwhelming and due to the great weather a lot of the acts scheduled in the many indoor venues earlier in the day were playing mostly to only a handful of people. I trust, however, that once the festival has established itself on the event calendar, many of those details (maybe a few additional food vendors including more veggie options, more site art/themed decorations, less noise interruption by drop-in visitors at quieter gigs) will be ironed out eventually. The main question a new festival like Grinagog needs to ask itself is what kind of event it wants to be and what it wants to achieve. I’m a big fan of specialised festivals (one genre of music, documentaries etc.) as the attendees tend to just have more in common and it’s often still possible to make them accessible to a wider audience by offering a taster day/sessions. Having said that, more general, but uniquely branded festivals, such as End of the Road or Larmer Tree, which appeal to families as well as other groups of festival goers and attract repeat customers by offering an escape from everyday life with well-known music acts as well as quality arts and culture programming, can also be hugely popular. While the possibilities are endless, the financial aspects of running a festival successfully, especially in today’s economic climate and such a crowded market, cannot be overestimated, and are a big factor for survival.
The best part of the weekend, as always, were the passionate people making it happen and the friendly punters. I met a couple with a toddler who’d just returned to Devon after living in Japan, two visiting yoga teachers, a local financial advisor and part-time musician and lots of other locals, many of them with adorable dogs of all shapes and sizes. Especially the younger ones were thrilled to have this new kind of event in a traditional English seaside town where chippies, souvenir shops and bars putting on cover bands tend to dominate the main street. There is definitely a great potential for more collaborations with local businesses to further bridge the divide between traditional and new and creative in future. It will be exciting to see what a big smiling beast of a festival Grinagog develops into in the coming years. I, for one, was chuffed to have been invited to its first birthday bash and hope it will be with us for many more years to come!
P.S. If you’re visiting Torquay or one of the nearby towns I can recommend a walk to Cockington Village with its thatched cottages, less than half an hour on foot from Torquay train station and a stop at The Blue Walnut Café along the way (it even boasts a tiny cinema). From Cockington take the path down to the sea, it’s idyllic. I also really enjoyed a return ferry trip (30 mins each way, £3 return) to Brixham, strolling along the fishing harbour and watching kids catching crabs as well as walks to Baddacombe beach and Anstey Cove, which has a basic but friendly café right by the sea, well worth the 15-minute detour on foot.
Disclaimer: Life is a Festival was provided with a press pass for the 2017 festival in exchange for a personal review of the event and mentions on social media. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.