Tag Archives: uk festivals

A Honky Tonkin’ Great Time at The Long Road Festival 2018

It’s always exciting to be there for the first ever edition of a new festival and I’m very glad I made it to the inaugural The Long Road Festival (7-9 September 2018) at Stanford Hall, near Rugby. After having been led down the wrong motorway by our Satnav on Friday afternoon and arriving a bit later than anticipated we were joking that the seemingly never-ending road we followed to get to the festival location was surely what it was named after!

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We missed a few of Friday night’s acts, but got there just in time for rocky UK Americana outfit Case Hardin on the Front Porch stage (which looked like a wood cabin including smoke coming out of the chimney!), who I hadn’t seen for way too long. I then headed over to the Interstate stage for London-based country music quartet The Wandering Hearts and finished up inside the Honky Tonk venue for a set by Northerner Twinnie, who I had never heard of before, but who impressed with her voice and positive energy. It had gotten quite cold by then and I decided to call it a night in order to get the best out of the rest of the weekend.

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Saturday started with a real bang as it was time for the Women in Country in the Round slot in the Honky Tonk bar (inside the ‘building’ on the right in the pic below), one of the best festival sessions all weekend. It featured Irish-born but now London-based Megan O’Neill, UK country singer Laura Oakes and Texan country artist and a former ‘The Voice’ winner Danielle Bradbery. Luckily, most of my favourite artists were scheduled inside the cosy Honky Tonk, a brilliantly designed nod to Nashville music city, which just felt like actually being in the States! So while it wasn’t the best of festival weather outside, we had a front row table for a long list of absolutely superb acts, most of whom I’d seen separately on various occasions and are all well worth a listen.

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The Loose Music takeover really made my Saturday with my only complaint being the disappointingly short half hour sets for most artists. We spent most of the afternoon happily cooped up inside the Honky Tonk listening to hours and hours of brilliant live music courtesy of Yola Carter (UK), Caroline Spence (USA), Erin Rae (USA), William The Conquerer (UK), Frontier Ruckus (USA) and Danny and the Champions. I also managed to catch the always amazing Angaleena Presley earlier that day and, to top it all off, listened to a fabulous set by Lee Ann Womack (see pic below), who should have really been one of the headliners, my first time seeing her live.

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Sunday was the only really sunny day and by that time all of us knew the venues inside and out and were just enjoying moving between the different areas. There was again a packed programme from around lunchtime until late. I saw blues duo Andrew Alli & Josh Small (USA), UK Americana artist Danni Nicholls, New Orleans-based Luke Winslow-King (with fab Italian guitarist Roberto Luti) and Ashley Campbell (see pic below), who had some very witty songs and sounded a lot more Americana than I had thought.

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I also caught Dori Freeman (USA), Charlie Worsham (USA), who made some lovely comments on how appreciative UK audiences are, Emily Barker’s more Americana side, some of Elizabeth Cook’s (USA) set, who was very popular with some of my friends and UK country duo The Shires closing the main stage that night. My favourite set all weekend though, has got to be The Lone Bellow (USA) on the Interstate Stage (see pic below) It never ceases to amaze me with how much energy and fun these guys perform and cannot imagine anyone not getting blown away by their beautiful songs and great stage presence.

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Apart from the live music, there was also a film screening, ‘ Born in Bristol’ on the birth of country music, dance classes, stunning vintage cars on display, the family area Possum County with games and music, wild swimming (though with the temperatures we had, I doubt many braved the cold water) and a good selection of food and drink stalls. The veggie and vegan options included burritos (my fav that weekend), pizza, burgers, sweet potato fries and buddha bowls and there were also various breakfast choices and hot drinks until the evening.

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If there was anything the organisers might reconsider for next year it would be the very strict checks at entering the arena. I don’t usually attend festivals where the camping is fenced off and it made it feel a bit impersonal and unnecessary for the kind of crowd this festival attracted. Any kind of food, alcohol and even umbrellas were officially banned, while security searches were minimal. On the plus side, I was delighted to see that dogs, like sweet Roxy below, were allowed (this year only as day visitors, in future, hopefully overnight, just like at e.g. Maverick Festival and Shrewsbury Folk Festival). As far as I’m concerned, four-legged festival attendees always add to a relaxed atmosphere and it was so great to meet so many festival first timers.

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What really made the first The Long Road festival stand out was the excellent line-up from the Country, Americana and Roots music scenes, well done Baylen Leonard and team. Yes, it was a little sad that long-anticipated headliner Carrie Underwood had to pull out at the last minute for health reasons, but the huge range of quality acts, great sound on most stages and the beautifully designed festival venue all made for an outstanding event, which is most definitely here to stay! Better get next year’s tickets as soon as you can.

Disclaimer: Life is a Festival was provided with a weekend pass for the 2018 festival in exchange for a personal review of the event. Opinions expressed are those of the author and not necessarily the same as the official views of the event organisers. All photography used in this blog post was taken by Life is a Festival.

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Sing, Dance, Drink, Repeat: Shrewsbury Folk Festival 2018

I’m always reluctant to return to the ‘real world’ after another four days packed with amazing live music and lots of happy people at Shrewsbury Folk Festival (24-27 August 2018). I made my way to Shropshire on the train on Thursday as usual, set up the happy tent (stewards get an extra night on site) and then headed into town for a charity shop crawl, a nice pub dinner and a pre-festival live session in the Woodman pub. It’s the simple things in life that count!

SFF18 Happy TentFriday is always the first official festival day and the excellent Irish Daoiri Farrell Trio opened the Bellstone Marquee (biggest stage), followed by the fiddle playing step dancing Fitzgeralds from Ottawa Valley in Canaday, a welcome return after their fab debut last year. I then headed over to the Pengwern Marquee (second biggest stage) for Rusty Shackle, a Roots and Americana outfit from Bristol, who really got the crowd going, and somehow day one was already over much quicker than I thought.

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On Saturday I spent most of the morning in town catching some of the morris displays from festival sides (pictured above is Shrewsbury Morris) and was back at the festival site (a short walk or shuttle bus ride) just in time for one of the world music collaborations, Chinese flute player Guo Yue and Joji Hirota with the London Japanese Taiko Drummers. What a fascinating set alternating between powerful drumming sounds and graceful Chinese flute melodies. Shooglenifty and Dhun Dhora, singing in Gaelic and Marwari respectively, were another successful example of a meeting of two very different cultures with rich musical traditions.

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It’s easy to see why Americana singer-songwriter Yola Carter from Bristol is a star in the making. Her set in the Pengwern Marquee was mesmerizing and fair play for doing a song acapella after the microphone failed, which was one of the very special festival moments this year. I left Richard Thompson in the Bellstone Marquee to his stalwart fans and instead headed over to the Sabrina Marquee for one of my two favourite dance sessions this year, the fabulous Mankala with band members from no less than seven countries. Their high energy and completely addictive mostly African fusion sound had even the most reserved audience members at least clapping by the end and most of the rest of us on our feet from start to finish. So much fun and a great example that folk music encompasses a huge range of traditions from all around the world.

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Sunday was another bumper day with a great mix of sounds. The wonderful Passerine project, initiated by and including English folk duo O’Hooley and Tidow was back for a second year, this time with ‘Women in Transit’ and again some incredibly moving stories. Apart from the three main stages, there is also the club as in dance tent, which I managed to finally visit after all the live music had finished. Oh well, one ceilidh dance is better than none.

Usher’s Island wasn’t a band name I was familiar with before the festival, but it turned out it was an Irish traditional super group made up of Andy Irvine, Donal Lunny, John Doyle, Paddy Glackin and Mike McGoldrick. What a privilege to get to hear these legends of Irish music play a set together, sublime. This was followed by one of the best Americana singer-songwriters around, Nashville-based Gretchen Peters who treated us to some of her classic songs as well as new ones from her current album ‘Dancing With The Beast’. I was glad I headed over to the Pengwern Marquee right afterwards for a bunch of much more lively musicians as I managed to catch the end of Scottish band Skerryvore’s first ever set at the festival.

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As I’ll soon be living in Scotland I decided I should probably make friends with the sound of bagpipes (still quite a while to go, mind) and really enjoyed their full set on the main stage on Monday afternoon. I spent the rest of the festival in the Pengwern Marquee listening to The Mighty Doonans from Newcastle and the by now traditional festival finale, the folk slam with Jim Moray. This year’s featured artists included Rosie Hood, members of Rafiki Jazz, Jack Rutter, Elly Lucas, Sam Carter and some fabulous step dancing by members of The Mighty Doonans as well as The Fitzgeralds.

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I personally always focus on listening to as much live music as possible, but SFF offers so much more, you can learn to play an instrument (see pic of beginners ukulele jam further up), your children can pick up som circus skills, you can learn traditional dances from around the world, do yoga, eat your way through the many yummy food offerings and visit the lively and very friendly town of Shrewsbury (lots of charity shops, cafes and history to explore). Every year (7th in a row this time!) I greatly enjoy meeting the usual combination of repeat festival goers and fellow stewards who I’ve known for a while and always enjoy catching up with plus the festival newcomers, and the many lovely pooches (pictured above are adorable duo Amber and Archie) as well-behaved dogs are allowed at the festival, just not inside the venues.

So if you are still thinking Shrewsbury might be a little far for you to come ‘just’ for a festival, think again as it really is one of the best places for music lovers to spend an enjoyable weekend among like-minded people. Plus with ca. 5000 seats in three huge indoor venues, you never need to worry about the weather or not getting to see your favourite artist. Oh and one last thing: don’t be fooled by the ‘folk music’ label, it is a very broad and inclusive church and if you’re open-minded, you’ll definitely have a fantastic time. Try it out for a day next year or, even better, go straight for the ‘full monty’, it’s simply unmissable!

Meet the Festival Makers: Paula Henderson of WOMAD

WOMAD is one of those success stories most other events can only dream about. It was born in 1982 and has since expanded to about 27 countries with over 250 festivals having been held since then. The original event, now established at Charlton Park, in Wiltshire, is still going strong, too, and its 2018 edition promises to become one of the best ones yet. I interviewed festival booker Paula Henderson in order to find out a bit more about what makes WOMAD tick and you can read all about it right here!

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Life is a Festival: What is your definition of world music (if any) and what are the advantages of showcasing artists who are not all household names?

Paula: The term World Music is outdated, it was something that was created in order to give record shops a reference point to place music in their shops years ago.  One of the aims of WOMAD is to present the best music that you’ve never heard before, festivals are the perfect places to showcase new artists because a festival is a place where we should take risks.

Life is a Festival: Looking back at the first Womad in 1982, the festival has come a long way and the world has arguably become more multicultural since then. In recent years, however, there also seems to be a growing focus on nationalism. Is a concept like Womad, inclusive and outward-looking, still relevant or ist it, in fact, more relevant than ever?

Paula: The importance of WOMAD is greater than ever.  The struggles we now face to try and bring an artist into the UK because our visa system is so challenging is huge.  This year we are also facing the dilemma of artists deciding not to come to the UK because they don’t want to go through the visa process and be turned down even when they have Schengen visa and a European tour in place that would mean staying longer in the UK would be of no benefit whatsoever!  These problems actually highlight how important it is for WOMAD to carry on and highlight the importance of multi-culturalism.

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Life is a Festival: With artists from 104 countries performing this year, it must be tricky to pick personal favourites, but which artists or collaborations are you most proud of to have secured for the 2018 event or which do you consider especially unique and not to be missed?

Paula: Too many to name, but especially proud that Colectivo Danza Region are coming as this has been planned for 3 years.

Life is a Festival: WOMAD has successfully travelled from the UK to other parts of the world. Do you work with local organisers and in what way has the expansion of the festival influenced Womad UK since then?

Paula: We work with local organisers in each WOMAD Festival location around the world to establish events that are true to WOMAD’s ethos and atmosphere. These events have influenced WOMAD UK’s festival in a positive and exciting way – enabling collaborations across the continents.

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Life is a Festival: I love the idea of Taste the World and workshops on e.g. dance and music being led by festival artists and always find that festivals are great at blurring boundaries between artists and audiences due to their informal set-up. Is it a challenge to plan a more interactive programme or an opportunity?

Paula: Not challenging, we ask and if it works with their schedule they are usually happy to participate!

Life is a Festival: How were you personally inspired as a youngster and is this something you enjoy passing on through your work with the festival?

Paula: Music was all I was ever interested in, I was taught to read music at the same time as I was taught to read and played music on an amateur level… it was a natural progression that when you know you aren’t good enough to be on the stage, do the next best thing and try and discover people who are!

Life is a Festival: What advice would you give to someone attending Womad for the first time?

Paula: Every WOMAD first timer should make sure they download our free festival app and get a programme on site. This means you won’t miss a thing – you’ll be armed with lots of info about each of the artists, and everything happening at the festival!

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If you haven’t got your tickets for WOMAD yet, there is still a chance to make the best of this sunny summer and fit in a festival weekend in late July. Tickets can be purchased online and you have various choices from one day to four days. Glamping options are also available and there is a fab sounding spa area for which you can get an extra pass and get pampered all weekend long. With another excellent and diverse line-up, WOMAD 2018 will be a music party like no other!

Disclaimer: All photography used in this blog post was provided by WOMAD festival including photos by Clara Salina and Suzie Blake.

Dog Days of Summer: Dogfest Bristol 2018

After having had such a great time at Dogfest South last year (see review) and being a huge dog lover, I gave the latest addition, Dogfest West (23-24 June 2018) in Bristol, a try this time around. The location for the festival was Ashton Court Estate, a huge park area just outside Bristol and, like last year, the weather was fantastic.

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After grabbing some fresh drinking water from the Bristol Water fountain, with volunteers counting how many plastic bottles were saved by providing free filtered water, I did a quick round of the stalls before getting ready for The Great Dog Walk (see pic above). Sunday’s walk was introduced by TV presenter and dog lover Chris Packham and it took place twice a day with two route choices, 2km and 4km. Everyone can take part and the path luckily led into a foresty area with lots of shade, which I and the participating dogs were very grateful about. Unlike the one at Knebworth (Dogfest South), it is partly a little steep, so definitely wear trainers and bring a bottle of water to keep hydrated. We were back at the festival grounds after about 45 minutes (2km) and all the dogs taking part looked pleasantly tired. Right by the back entrance there were a couple of bone-shaped paddle pools for the pooches to cool off in, with some of them completely sprawled out in the water to make the best of the welcome refreshment.

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There was also a diving pool again (see pic above), where dogs who love water could take a leap from a ramp or walk into the water to retrieve a tennis ball. Some had clearly got experience and loved being in the pool, while others were hesitating at the edge of it, longingly staring at the yellow ball bobbing in the waves, but unable to decide whether it was worth getting wet in order to get their prize. It was fun to observe, just make sure you queue early as it was busy pretty much all day.

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Like at Dogfest South, all the stalls selling dog-related items, such as dog treats, harnesses, cooling blankets, dog shampoo and accessories or promoting animal charities plus all the food stalls were arranged in a large circle. The Live Stage was in the middle section of the large open field with bands entertaining dog parents and a very nice bar with deck chairs under a sprawling white canvas. This stage was also where festival founder and Channel 4 ‘Supervet’ Noel Fitzpatrick and his colleagues gave talks and advice on pet ownership and pet health (see pic below).

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The Dogfest organisers had again provided lots of fun activities for dogs to try. Fourlegged festival goers could test various fun sports, such as flyball and agility, as well as hay bale racing and resist treats in the temptation alley plus there was a school for dogs, a dog activity ring and a dog show. Of course, I was busy petting lots of friendly dogs and puppies (!) all day and also got to speak to their owners. Some pooches were rescued from as far as Serbia, elderly Reg, the sheep dog had his own ‘regmobile’ built by his dad to take him around in and one girl had borrowed her friend’s dog so it could enjoy the event.

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The food and drink village inlcuded plenty of different delicious options with pretty reasonable prices and enough veggie choices. I had a nice, large plate of Mexican food for about £7, my iced latte was £3.50. Other stalls sold wood oven pizza, fish & chips, Asian noodles, burgers, cakes and ice cream.

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Of course, there weren’t just treats for the humans attending Dogfest. The fourlegged visitors were spoiled for choice with dog ice cream, healthy looking baked treats and evend drinks for dogs. I’m not so sure about the last one, but I observed several pooches licking their bowls of dog ice cream clean with a very contented expression on their fluffy faces. As one of the England Worldcup matches was on on Sunday afternoon, there was a TV screeen conveniently installed for the football fans taking a break from all the doggy activities with a cool pint or prosecco.

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Dog welfare was a big priority at the event, with bowls filled with water available everywhere and stalls offering health checks throughout the day. If there was one thing I would suggest for future events, it would be to have more areas that provide shade, especially in these hot temperatures or also in case of more rainy weather. Make sure you bring enough sun protection, a cooling blanket or coat (see pic below) for your fluffy friend, a refillable water bottle and maybe an umbrella for some extra shade.

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If your dog gets on well with other dogs, it’s definitely a fun day out and you could even make a holiday out of it by visiting nearby Somerset attractions, such as the Glastonbury Tor (dogs allowed but mind the sheep) plus White Spring Well and Temple, the historic town of Wells with its impressive Cathredral and Vicar’s Close, claimed to be the oldest pureley residential street in Europe, or visit the beautiful Roman City of Bath and Bristol with its Clifton Suspension bridge and its lovely pubs and cafes by the harbour.

A Music Weekend in the Midlands: Gate to Southwell Festival 2018

The Gate to Southwell Festival (7-10 June 2018) was a last minute addition to my summer festival calendar this year and a really pleasant surprise! Having arrived from London via Nottingham by train it was a mere five-minute walk from Rolleston station to the festival site. Intriguingly, our designated stewards camping was located on the grounds of the Rolleston racecourse, so I set up my tent next to the parade ring and the women’s toilets had a ‘lady jockeys’ sign on it and saddle holders installed on the walls.

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As I got to Southwell (pronounced as it looks by most locals and ‘Suthel’ seemingly by anyone else) a day early I hitchhiked into town to get supplies and had a look around the Minster, whose two impressive towers also feature on the festival logo. I also came across a few of the especially decorated gates, a lovely idea to link the festival with the town through the ‘decorate your gate’ competition (see this year’s winners, sisters Sophie & Caitlin, below).

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After a relaxing morning, I was based at the box office on Thursday afternoon until the night of Blues started at the Big Top. The standout artist of the night was Li’l Jimmy Reed, a 77 year-old living breathing blues machine, who came down from the stage a few times during his set to play amongst the audience (apart from the Frontier Stage with just a few benches strewn about, all festival venues are seated). There were also some more live acts on at the same time in the Barleycorn Stage adjacent to the main festival bar and I headed over there at around 10pm for a set by Banter, a quirky ceilidh band like no other witha self-proclaimed ‘disregard for musical boundaries.’

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The main festival takes place from Friday until Sunday night, so it makes sense to stay until Monday morning, which unfortunately wasn’t possible for me this time around. Despite the festival site not being huge, the four main stages are arranged in a way that there is almost no noise interference from the other tents, which is fantastic. I was back at the box office on Friday afternoon and by the time I was finished with my shift, a lot more festival goers had started to arrive. I had really been looking forward to seeing both Blue Rose Code and Don Mescall, but both sadly had had to cancel at the last minute. Instead I gave Mongoose, a young, all female band from Ireland a try as well as East Anglian folk and Americana band The Shackleton Trio. The Friday headliner was Lindisfarne, a Newcastle folk rock band hugely popular in the 1970s, and I finished off my night with a spot of ceilidh dancing with Banter at Hoofers, an indoor venue at the race course, just a hop skip and jump away from my tent.

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After a fairly quiet first two days, Saturday was packed with a busy programme in town and at the festival site. The sun was shining and when I got into Southwell on the festival shuttle bus (ca. 3km, Friday until Sunday, £2 return) the town seemed transformed. There was a bustling market in a central square and at 11am the Morris parade started winding its way along King Street with lots of lively music and colourful costumes, including Harlequin Morris (see pic below).

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There were also a number of free events for locals to get a taste of the festival artists and I’m so glad I caught one at the Final Whistle pub, a beautiful disused train station, where Americana artists Vivian Leva from Virginia and Riley Calcagno from Seattle (see pic below) played a short but wonderful set in the courtyard. They were my favourite festival find and I’m sure they’ll be back in the UK many more times.

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After getting back to the festival site, Saturday continued with a varied programme on the four stages, which included Canadian fiddling and step dancing sensation The Fitzgeralds, celtic-inspired contemporary folk band Ranagri (Fort of the Hare), whose danceable repertoire included a ‘Brexit Charleston’, and quirky US duo Truckstop Honeymoon, who I hadn’t seen live for a couple of years and had almost forgotten how great and funny their songs were. Another Americana highlight was the evening’s headliner Gretchen Peters with some fabulous new songs and an impressive back catalogue as well.

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On Sunday morning I made one last trip into town for a latte at The Old Theatre Deli, very friendly café with delicious food right in the centre of town before enjoying the final day of the festival. There were so many acts on at roughly the same time who I had not seen before that I decided to switch between the stages, which was unproblematic as there were always some spare seats in each venue. Despite missing the Sunday headliner Cara Dillon, as I was already on my train back to London by the time she was on, I caught lots of other good acts, such as Scotsman Kris Drever, blues and roots guitarist and singer Martin Harley, Lincolnshire duo The Rye Sisters as well as Canadian songwriter James Keelaghan with Hugh McMillan.

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My favourite event of the day, if not the weekend, was the Tune & Verse & Ditty Challenge, a sort of a celebrity musical pub quiz led by Keith Donnelly on the Frontier Stage. It included questions from the world of folk and roots music and beyond and the two competing teams consisted of some of the Young ‘Uns, Rod Clements of Lindisfarne and various other musicians playing the festival this weekend. I hope it’ll continue to be part of the festival programme in future years, do not miss as it was brilliantly entertaining.

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If you like your festivals small and relaxing where you never really need to worry about getting a good seat while still seeing to top class acts from the world of folk, roots and Americana music, Gate to Southwell is a great choice. There was also plenty of food to choose from (Thai, pasta, fish & chips, wood oven pizza, Leon’s vegetarian, bubble waffles, ice cream and an espresso stall) and two bars with seating. Families with children were also well catered for with lots of entertainment, such as the hilarious Dan the Hat with his juggling and comedy acts as well as stalls with toys and a kids area with a story tent, games, a van to decorate with paint and even a petting zoo. The animals included goats, giant rabbits, guinea pigs, chickens and tortoises and were well looked after. The festival offers a range of ticket options including ‘taster tickets’, which allow you to enjoy the festival during the day with family and friends, but exclude the main evening concerts. But would want to miss those impressive evening lineups?

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Are You a Yoga or Festival Newbie, or Both? Give World Yoga Festival 2018 a Try!

Here in the UK we’re blessed with many options for amazing yoga experiences pretty much all year round and, as far as I’m concerned, summer festivals are the best way of combining time outdoors in nature with learning new things in the company of other friendly people. You might be thinking, but I’m not a yogi (yet) or I’m definitely not a camping person. I felt the same way a couple of years ago. Now I enjoy both so much that I wanted to give you a heads up to give them a try this summer. Who knows, you might just have found your new passion in life!

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One of the most inspiring yoga festivals around is World Yoga Festival, taking place for the third time this year at Beale Park, near Reading, from 19 until 22 July 2018 and founded by Ram and Sonali Banerjee. It focuses on traditional yogic wisdom attracting incredible speakers and teachers from India, the UK and beyond while feeding you the most yummy vegetarian and vegan food to fuel your weekend of relaxation and learning. I visited the festival for the first time last year (full review here) and was very impressed by the quality of teaching, the stunning serene setting as well as the welcoming and warm atmosphere all weekend.

Here is an FAQ on a few of the things people often mention to me when I talk festivals or yoga and they’ll hopefully help to put your mind at ease about giving a yoga festival a try this summer. You’ve got nothing to lose, but everything to win!

What are the essentials I need to bring to World Yoga Festival?

If you’re staying on site, bring your tent and anything you need to be comfy for a few days under the stars. Apart from essentials, such as your sleeping bag and your festival tickets, things that always come in handy are a sleeping mask and earplugs, sun cream or hot water bottle depending on the weather, flip flops, rain jacket and warm clothes for the evenings, swimming outfit (there is a beautiful lake!), bandaids, scissors, an extra battery for your phone, spare loo rolls, wet wipes and some sellotape. Don’t forget your yoga mat, of course (but if you do, you can purchase a shiny new one from one of the vendors), your refillable water bottle, as there is free drinking water on tap, some cash to pay for food during the weekend (most vendors also accept cards though). There are no cooking facilities in the camping area and nowhere to keep items cool, so either bring lots of fruit, veg and other simple snacks or enjoy sampling the delicious vegetarian food on offer. It includes South Indian, Tibetan and other healthy food options plus hot drinks and plant-based cocktails.

I don’t own a car, how do I get to the festival?

The site is close to Pangbourne train station and the festival offers a free shuttle to the site, but do check with them beforehand when it runs. You can probably walk it if you don’t have much luggage, it’s just over a mile. I used a local taxi company on my arrival day and put my name on the list for a shuttle on Sunday (sign up at the info table during the weekend).

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None of my friends feel like going to a yoga festival with me, what is it like attending by myself?

Festivals are fun, friendly events where people enjoy themselves and forget about their day jobs for a weekend. I almost always attend them by myself because it gives me the freedom to choose exactly how I want to spend my days and I still always end up meeting lots of like-minded people to have chats with over a meal, before or after classes. Don’t be shy to start a conversation with other festival goers like have they been before or what sessions can they recommend. There were so many different people of all ages and backgrounds at WYF last year, so it was a fantastic way to connect and exchange tips with others who are into yoga and meditation.

I’m a camping newbie and not too keen on the idea of sleeping in a tent and sharing showers. Will I still have a great time?

Absolutely! There are a few ways you can approach your first camping experience. Go with friends, bring your sleeping bag and let them organise the gear for you. Go just for a day without camping and walk around the campsite, talk to people and see what they pack and how big or small a tent would work for you. Stay for just one night. You’re probably crashed at a friend’s sofa before without much preparation and survived the experience, so think of it as an outdoor sleepover. If the weather is nice, a small/thin tent with just one layer is good enough. But bear in mind, that in this country the weather can often change quickly and the rain will get inside your tent if it doesn’t have two layers. I’ve been in this situation twice (obviously not having learned from it the first time around!) and it was a very uncomfortable, soggy and cold experience you don’t want to get in the way of enjoying your yoga experience.

I suggest: buy a smallish tent (mine is a ‘three men’ one, which despite its name just about fits myself and my gear), bring as little luggage as possible, but as much as you need to be comfortable. Even if you notice you’ve forgotten some essential item or need help setting up your tent when you get there, don’t panic, talk to your camping neighbours and most likely they are happy to lend you any spares they have, you can always treat them to a drink (no alcohol at WYF, but they had lots of delicious herb cocktails etc.) in exchange.

Regarding the showers, WYF has some of the best and cleanest ones around, no portaloos, but proper flushing toilets with sinks and mirrors (see my post from last year for pictures). As it’s a fairly small festival and the classes start early in the mornings people tended to not stay up too late, so I slept pretty well at night and you can always take a quick power nap after lunch, if needed. Plus there is a spa area by the lake for some serious chillaxing with many tempting pampering options on offer.

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I’m not sure if I can afford attending the festival, how can I still attend?

Most festivals offer a volunteering option, but you need to make sure you book your spot a good bit in advance. Here is all the volunteering info for WYF. If you do sign up, please be aware the festival team counts on every single individual and expects you to stick with your shift times and allotted job. However, especially if you’re attending by yourself, enjoy helping others and are good with people, it’s a great way of making new friends and getting to know a behind the scenes look at how a festival works.

There are so many great sounding sessions on offer, how am I supposed to know which ones are suitable for me?

The most important thing is to be realistic about how much you can fit in one day and make sure you plan in enough breaks. Unlike lots of other yoga festivals, WYF focuses less on a packed schedule of asana-based classes, but a lot more on personal growth and spiritual learning. While there are still plenty of physically challenging sessions on offer you can build up knowledge throughout the weekend by coming along to follow-up sessions by the same teachers or you can sample lesssons from lots of different styles and philosophical schools. I recommend reading up on the presenters before heading to WYF as it will give you a much better idea of whose classes are for you. All the teaching tents were spacious and airy, the perfect place for learning and relaxing. There is also some beautiful Indian live music scheduled for each evening in the main tent.

Upcoming festival highlights and booking information

This year’s line-up includes many of the very popular speakers from last year as well as some exciting new additions,such as Mumbai-based senior Iyengar yoga teacher Zubin Zarthoshtimanesh, Swami Ambikananda, founder of the Traditional Yoga Association of the UK, sound healer Sheila Whittaker, Vedanta teacher Swami Brahmavidananda Saraswati and Dr. Ramesh Pattni, a world renowned authority in yoga psychology. You can check out the provisional timetable and presenter biographies in advance. If you’d like to find out more about the festival’s philosophy and history, you can read my interview with directors Ram and Sonali Banerjee, whose calm and positive presence throughout the weekend clearly set the scene for the very pleasent atmosphere at WYF.

Tickets are available from the festival booking page and feel free to get in touch for  questions anytime. See you on the mat this summer!

Disclaimer: All photography used in this blog post was provided by World Yoga Festival.

 

 

Sunshine & Good Times: Folk Weekend Oxford 2018

The recent heat wave coincided perfectly with the seventh Folk Weekend Oxford (19-21 April 2018), which seems to get better every year. It’s one of those festivals where you might not know very many of the bands on the line-up beforehand, but which always delivers in terms of quality, fun and a friendly community feel, something many of the larger festivals simply cannot offer.

Jo Rosie Penny FWO Volunteers.jpg

Before my first stewarding shift on Friday night I had plenty of time for a pizza in the sunny backyard of The Rusty Bicycle pub and a leisurely stroll around the Cowley Road charity shops. Then I was off to St. Barnabas church in the Jericho neighbourhood, just north of Oxford City Centre. The ceilidhs always draw quite a crowd (up to 200 dancers) as the festival puts on fantastic live bands every year and this time was no exception. I was very impressed with the sound of Banter, one of the most quirky ceilidh bands I’ve come across so far, whose sound goes far beyond English traditional music including jazz, pop and soul influences. Unsurprisingly, they were a huge hit with the dancing crowd. The night also included a performance by local rapper (sword dance) team Mabel Gubbins.

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After an incredibly sunny Friday, I woke up to more sunshine and met up for breakfast with a friend for coffee and exceptionally good cake at Barefoot Café on Walton Street before checking out some of the morris spots around town for live dancing with sides from various traditions, including Black Annis Women’s Morris and their adorable canine mascot Hattie (see pic further down). Around lunchtime we headed to one of my favourite Oxford venues, the airy hall of the Quaker Meeting House for a concert of traditional folk music, which included Dan Evans and Rebecca Hallworth (see pic below). Dan is a renowned fingerstyle mountain dulcimer player who also held an interesting workshop on the history and different styles of instruments on Sunday afternoon.

Dan Evans Rebecca Hallworth FWO.jpg

There was just enough time for dropping into Blackwells bookshop’s Norrington room for a set by young contemporary singer-songwriter Martha Bailey (see pic below) and a quick burrito dinner before my shift at the Wesley Memorial Church. The line-up consisted of Oxford vocal duo Hoverhawk, traditional singer Nick Dow and a solo set by one of the festival headliners, Eliza Carthy, who obviously drew the crowds for this event.

Martha Bailey FWO.jpg

On Sunday morning, during breakfast at the Nosebag restaurant, I got talking to another festival goer, who told me their Appalachian dance team, Cornucopia (see pic below), would be performing around lunchtime in the pedestrian area on Cornmarket. Their spot was one of my favourite performances all weekend and got a lot of positive reactions from locals and tourists alike. I then made my way over to the Deaf and Hard of Hearing Centre where I caught half of the Topette workshop, a French-Anglo collaboration including Andy Cutting. They played some very beautiful dance tunes and spoke about the joys and challenges of working together across cultures and borders.

Cornucopia Appalachian Dance FWO.jpg

As I had not managed to join any workshops yesterday, I decided it was time for some dancing on the festival’s last day. So I took part in the Harlequin Morris Cotswold morris workshop (hankies and bells) for an hour. After we had warmed up for a few minutes we got taught a routine of various steps, jumps and hanky movements accompanied by accordion music. Let’s just say it was an ‘interesting experience’ and is a lot harder than it looks, but I think I’ll stick to Irish set dancing in future. It was great to see, however, that the class attracted people of all ages, including some enthusiastic youngsters, and we did manage to learn a whole routine in the short time we had.

Hattie FWO.jpg

My last event of the festival was a great ‘Meet the Artist’ session with Ross Couper (from Shetland, now based in Glasgow) and Tom Oakes (from Devon, now based in Edinburgh). I had last seen the pair play one of the BBC Seirm recording sessions at Celtic Connections back in January and had been well impressed by their energetic performance and expert use of fiddle (Ross) and guitar (Tom).

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Of course, I managed to only catch a fraction of the huge programme for all ages, which was on offer during the weekend. I love supporting smaller festivals and I’m always amazed at how entirely volunteer-run events, such as Folk Weekend Oxford, manage to pull off such a big event so well. It’s usually down to a lot of hard work by a dedicated committee and many volunteers (like Jo, Rosie & Penny in first picture) throughout the year.

I highly recommend visiting the beautiful city of Oxford (picture above is Christ Church) during the festival to see for yourself what a positive impact such a community event can have. You might come back with a new idea what grassroots arts are all about, get a more in-depth understanding of local heritage and culture and have a lot of fun with like-minded people!