Tag Archives: folk festival

Life Ain’t No Dress Rehearsal: Shrewsbury Folk Festival 2016

It was Stephen Fearing’s song ‘No Dress Rehearsal’ (based on a Mark Twain Quote) which summed up this year’s Shrewsbury Folk Festival (26-29 August 2016) for me. Living in the moment doesn’t get much better than meeting old and making new friends in a place where the positive energy is palpable and smiling at strangers is actually ‘the done thing’. While many festivals appear to be superficial entertainment for the masses on the outside, SFF is a great example how through common interests people can create something very special, a beautiful village for folk-music lovers which gets built again every August in Shrewsbury, Shropshire.

shrewsbury sunshine

The story already begins when you set up your tent. I’ve only been coming to SFF for the past 5 years (it celebrated its 20th birthday this year, congrats!), but every time I return, within a few minutes of arriving I’m already deep in conversation with another steward (one of the nearly 500 of us) or festival goer about our favourite acts of the previous year and what we’re most looking forward to this time around. There is always someone who lends a helping hand, has a spare tent peg or a hot cup of tea just when you need it.

TequilaSunrise SFF 2016

Having joined the 2012 stewards team quite last minute helping out with the Task Force, I’ve been a part of Artist Reception for the past four years now. It’s a small but busy team checking in musicians, providing assistance and food and drink as well as guarding the artist entrance and car park. One of the main reasons why SFF has such a great reputation is its excellent organisation and the dedication of everyone involved from the festival directors to each individual steward. How lovely to see the same smiling faces every year (pictured below Judy with Gromit & Leona May), it just makes you feel instantly at home.

Judy with Gromit & Leona May

After a busy summer of travelling the Balkans and four other festivals (Beyond The Border, Yoga Connects, Cambridge Folk Festival & Soul Circus), I really wanted to have a stress-free bank holiday weekend and Shrewsbury Folk Festival is always the perfect event for it. There are plenty of food vendors on site and the town centre is only a short scenic stroll away along the River Severn. Being on the site of the West Midlands Showgrounds, it has good toilet facilities and, in the past few years, even started offering ‘shower queue entertainment’ in the form of pop-up sets by up and coming artists in the mornings.

yoga SFF 2016

There is also one yoga session a day (100+ people at every class!) in the dance tent for adults plus two shorter ones for families on three of the festival days and even though they were a tad on the early side (8.30am) I was very glad I went along. The perfect way of waking up your muscles after a night in the tent! I also made it to the beginners’ whistle and flute workshop this year and can now play a pretty decent version of Mary Had a Little Lamb and The Bear Dance, for whatever that’s worth.

Rosanne Cash SFF 2016

And now to the music! It was a great line-up again, as usual, and I particularly enjoyed seeing previous favourites Ten Strings and a Goat Skin, Blackie and the Rodeo Kings (plus a great solo set by Stephen Fearing), John Jones and friends including Seth Lakeman, Raghu Dixit (sing along challenge of the weekend!) and Barnstar! again. I was also excited to catch US singer songwriter Richard Shindell, Irish musician Andy Irvine, songwriter and broadcaster Tom Robinson, London-based The Boondock Hippy, fab local band Two Blank Pages, The Kefaya Music Collective and The Urban Folk Quartet for the first time. One of my highlights of this year’s festival was the set by Rosanne Cash and her husband John Leventhal (who happens to be an excellent guitar player). Despite the early morning yoga I managed to make it to the ceilidh on Sunday night with the excellent Blackbeard’s Tea Party creating a wonderfully joyous atmosphere. Loved it!

Dulcimer Workshop SFF 2016

While it’s impossible not to have a good time at SFF, the 2016 edition was definitely one of my favourites so far. Sitting around a table in the onsite Berwick Bar on the Monday night and singing along to folk and rock favourites with everyone else with a friendly dog called Lola on my lap and a pint of Kingstone Press cider in my hand, I couldn’t believe we’d have to wait another year for this magic to happen all over again. But, as Stephen Fearing sings in his song, ‘Time doesn’t know reversal, life is no dress rehearsal’. Especially in a world so full of conflict, it really is time to ‘try and act accordingly’, to enjoy the good times while they last, to be kind to fellow strangers and grateful for those special moments. Shrewsbury Folk Festival definitely does its bit to make the world a better place (as cheesy as this may sound) and I’ve already got the 2017 festival dates firmly marked in my calendar. See you there!

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Mind The Roundabouts: Cambridge Folk Festival 2016

While it’s exciting to be at an event for the first time and discovering all its ins and outs, I love returning to a festival and being able to look forward to what I know will be a great music-filled weekend. Cambridge Folk Festival (28-31 July 2016) is one of those examples as it’s always impeccably organised and runs like clockwork, but at the same time has a friendly, laid-back vibe.

This year’s festival started for me in a very relaxed fashion as I had plenty of time on Thursday to set up the happy tent at Coldham’s Common, head into town to get supplies and then make my way over to Cherry Hinton Hall where the festival began as usual with Stage 2 and the Club Tent plus The Den swinging into action around 6pm. I decided to start with Imar, a fab inventive Glasgow-based five piece trad band with Scottish, Irish and Manx roots. After a veggie burrito dinner I headed over to The Den, a smaller stage with a cosy living-room feel which always hosts a number of exciting not so well-known bands. The first set I caught was by Bristol-based Heg & the Wolf Chorus, who call their mesmerising musical storytelling “theatrical folk music”. This was followed by the very energetic brother duo Echo Town, made up of Richard and Robert Harrison whose rhythm-based live show included didgeridoo, djembe, a drum set and guitar. It only took a few songs for the audience to realise this was the perfect opportunity to get up from the cosy rugs spread around the tent and start dancing their socks off, which we did!

Cambridge Folk Festival 2016

After a quiet night at the campground, which again had everything one could possibly wish for, including good showers, a live music tent (more about this later) and food and drink until the early hours, I caught the official shuttle back to the festival site in the morning. I grabbed a coffee and some breakfast and started with a very relaxed songwriting workshop by Chris Wood. Then I headed over to the duck pond for a peaceful yoga and meditation session led by Teresa. A great start to the first festival day.

Although Friday had pretty mixed weather overall this didn’t dampen the spirits of the festival goers in the slightest given the enticing line-up across the three stages. This year featured a lot of excellent Irish artists, the first of which for me was Lisa O’Neill, who I’d seen in Dublin before and is one of those songwriters whose talent most definitely belies their age. The rest of the day was spent sampling the various musical offerings and finding new favourites including Americana duo The Mike + Ruthy Band, who are hailing from Upstate New York and even have their own festival, The Hoot. In the evening it was time for a set by Scottish singer-songwriter KT Tunstall on Stage 1 and I stayed on for Gogol Bordello, whose Gypsy punk sounds were a nice contrast to the more traditional acts who were on during most of the day.

Leyla McCalla

On Saturday I started the day again with some excellent coffee and another songwriting workshop, this time by English folk revival superstar Eliza Carthy, who was just as entertaining, funny and thoughtful in a smaller setting as she was on stage with her 12-piece Wayward Band. The next highlight of the day lasted for nearly three hours as the Festival Session on Stage 2 hosted by Brian O’Neill was like a high-profile open mic with top musicians and newcomers (Le Vent du Nord, Världens Bänd, Sam Kelly, Jack Cookson, Kadia) passing the musical baton every few minutes, just fabulous! One of Saturday’s standout sets was by Leyla McCalla (formerly cellist with The Carolina Chocolate Drops) and band. Her repertoire and arrangements influenced by Cajun, Haitian and Creole music were simply beautiful. Another excellent Americana band, the Massachusetts-based all male quartet Darlingside, became one of the festival favourites over the weekend, having been given a Stage 1 slot at the last minute to replace Charles Bradley, who had sadly been taken ill. After a jam-packed day I was very excited to see Christy Moore on Stage 1. I hadn’t seen the iconic Irish singer, now in his early seventies, live since the 1990s and was pleasantly surprised that his classic songs sounded just as fresh and relevant as they had two decades ago. Ably supported by another excellent Irish musician, Declan Sinnott, as well as Seamie O’Dowd and Jimmy Higgins, it was probably my favourite set of the festival weekend. As much as I love folk music from all over the world, there is something about Irish music and voices that touch my heart in a way nothing else can.

Mary Chapin Carpenter 1

The last festival day always approaches way too fast and again I decided to take it easy and go for quality over quantity. Powerful all female five-piece Della Mae from Nashville were a must on my list and I hope they’ll bring their infectious brand of Americana back to the UK very soon. In the evening I greatly enjoyed Mary Chapin Carpenter’s set on Stage 1. It didn’t beat the singalong experience we had with Joan Baez last year, but having never seen her live before, I really enjoyed both her classic songs as well as her newer material and the stage banter in between. I then headed over to The Flower Garden to a fascinating workshop by US folk musicians Anna & Elizabeth who showcased their handmade “crankies”, miraculous scrolls either painted or sewn with fabric to illustrate the story of a sung ballad, a fascinating tradition which the duo have successfully dragged into the modern day and age. I, for one, have been inspired to give crankie-making a go myself over the winter months. Take a look at The Crankie Factory to learn more about them.

Anna & Elizabeth Crankie Workshop

After a break for wood-fired pizza another Irish favourite of mine, Imelda May, took to Stage 1. While the Cambridge audience seemed to take a little while to warm to her very danceable rock’n’roll sound, her version of U2’s “All I Want Is You” with everyone joining in was the most beautiful moment of the set. I ended the night with Hot 8 Brass Band and the musicians from New Orleans seriously blew the proverbial roof off Stage 2. Their set concluded with a parade right through the audience over to the Mojo tent with everyone whooping and clapping along, what a festival finish!

But wait, the real highlight was still to come: the bus trip over to Coldham’s Common, which traditionally leaves the drivers free to go around the three roundabouts on the way as often as they want with happy passengers cheering along like excited school kids. Ah, the simple pleasures of life! I’d also like to give an extra special shout-out to the amazing late night bar tent at the campsite. The best afterparty at the festival, which even attracted some of the official CFF bands, such as Flats & Sharps for a late night set, just added that special extra to an already successful and well-organised event. Well done everyone!

Midwinter Music Madness: Celtic Connections Glasgow 2016

January isn’t usually a popular festival month in most European countries, but luckily the guys at Celtic Connections filled this festival-free zone with one of the most amazing music events I’ve ever attended. From 14 – 31 January 2016 Glasgow was yet again the backdrop for 18 midwinter days of excellent folk music, Americana, world music with a Celtic twist, educational programmes, Showcase Scotland and, of course, the ever popular festival club.

I managed to make it to Scotland for a couple of those days, trying to ignore the many tempting concerts which I was sadly missing on each end (Patty Griffin, The Moving Hearts, Jason Isbell, The Lone Bellow, Seckou Keita & Gwyneth Glyn to name just a few). It was my first time in Glasgow and as I stepped off the train at Central Station, I already knew I would like the place. I’m a big fan of discovering a new city through a festival and was positively surprised about the many amazing cultural venues and museums the city has to offer.

Being based at the festival HQ, I spent a couple of hours every day getting artist packs ready, sorting out transport, meal vouchers and anything else the bands needed together with a fun volunteer team of all ages who were all seriously passionate about folk and Americana.

Martha & Lucy CC 16

On Monday night I managed to catch the Wainwright Sisters, Martha Wainwright and Lucy Wainwright Roche (with support by Ethan Johns) at the City Halls who performed songs from their latest shared album ‘Songs in the Dark’ as well as some of their own material. It was just the two singers with their guitars, jokes, stories and two perfectly matching voices. Superb.

The night after I had tickets for a Seirm recording session for BBC Alba at the Hillhead Bookclub, a wonderful venue (which used to be a pre-First World War cinema, the Hillhead Electric Theatre) in the West End. We were treated to a night of Scottish Gaelic, folk, and Americana music including South Uist singer (and Outlander star) Gillbride MacMillan, New Hampshire based singer-songwriter (and also Gaelic speaker) Kyle Carey as well as French chansons courtesy of Anne Carrere of Piaf! The Show plus another set by the Wainwright Sisters, this time so intimate, it felt like a living room concert.

On Wednesday night it was time for Rhiannon Giddens and band on the Old Fruitmarket stage (yet another beautiful historic venue!). Being one of the founding members of the equally amazing Carolina Chocolate Drops, she never fails to impress. Her exquisite voice, clever choice of material (mostly taken from her latest solo album ‘Tomorrow is my Turn’) and incredible stage presence were a winner with the sold out house. On Thursday night Mairi Campbell’s intriguing solo show Pulse at the Tron Theatre was followed by my only chance to enjoy the festival club at the Art School (incl. the Poozies, Nuala Kennedy and Daoiri Farrell & the Four Winds) until the early hours, which was a great finale for my first Celtic Connections visit to Glasgow.

Rhiannon Giddens CC 16

In between all the musical happenings I also managed to explore quite a bit of what the city has to offer in terms of culture, cafes and veggie food. As far as I’m concerned Glasgow is seriously underrated as a weekend trip destination! Here are just a few examples why:

Museums: I loved the Kelvingrove Art Gallery and Museum (great collection and stunning building), the Burrell Collection in Pollok Park complete with Highland cows grazing outside, the Mitchell Library (the largest public reference library in Europe and also host to the lovely Aye Write and Wee Write festivals) and the Lighthouse design museum (great view of the city centre from the top). All of them are free entry (donations welcome).

Cafes, food and neighbourhoods: I ventured both to the West End (great coffee, veggie soup and homemade bread at Kember & Jones) on the third-oldest subway system in the world as well as the South Side (finally managed to visit the Glad Café, fab live music venue plus the most scrumptious veggie haggis burger and sweet potato fries) by bus plus discovered tons of great charity shops. Other places I ate at where Stereo (just like at Mono, fab veggie and vegan food in another cool music and arts venue) as well as Café Source (in the basement of the St Andrews church/venue), The Steamie (see pic below) and the Saramago Café at the CCA. Somehow the best cultural spots also seemed to have the best coffee, veggie and vegan food, way to go!

The very best part of my visit were the Glaswegians though. ‘People Make Glasgow’ might be a marketing slogan, but I really felt immediately at home in this beautiful Scottish city with its humorous locals and lively cultural and festival scene. Can’t wait to be back sometime very soon!

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Music Makes The World Go Round: Shrewsbury Folk Festival 2015

I love discovering new festivals, the excitement of finding music I’ve never heard before and trying out things I would have otherwise never given a go. But as much as I enjoy variety, I also crave known comforts. Shrewsbury Folk Festival takes place on the August bank holiday weekend every year and for me usually marks the end of a long and fun festival summer. It‘s a time to wind down after a busy couple of months and SFF is the perfect event for it.

It was my fourth time in Shrewsbury this year and the festival never disappoints. Personally, I would have liked to see a few more Americana acts, but hey, it‘s a folk festival after all and one of the best ones around. So all those who are into traditional folk music were spoilt for choice with reliable festival favourites Nancy Kerr, Kate Rusby, The Oyster Band, Steve Knightley and Sharon Shannon as well as many younger but equally popular bands, such as Threepenny Bit, the Young’uns and Lucy Ward.

SFF sunset

There was also a well-received five-hour long peace concert, the annual parade in Shrewsbury town centre with many colourful morris sides entertaining the public, Pandemonium with a huge choice of events for the little ones, and tuneworks music workshops for everyone all weekend long.

The absence of many of the usual „band clash issues“ left me free to really relax into the festival happenings and also led me to some music and experiences I would have probably otherwise missed.

One of my favourite sessions was for instance the songwriting workshop with UK singer/songwriter Jack Harris in the cosy extension of the Berwick Pavillion, which took place once a day from Saturday until Monday. Calling it a songslam was slightly misleading as there was nothing competitive about it at all. Festival attendees took turns presenting their own songs, each followed by the group discussing songwriting techniques and themes (experience of war and family history were popular). It was lovely having the space and time to listen to a lone voice with a guitar in a very supportive environment. No meditation session could have had a more positive and calming effect on us.

Equally mesmerising was a mainstage 2 set by Catrin Finch and Seckou Keita on Monday afternoon. Their way of fusing harp and kora sounds was simply beautiful, two cultures talking to each other through the shared language of music.

Catrin Seckou SFF

I also really enjoyed the Ukulele Orchestra of Great Britain. Having first seen them at Cambridge Folk Festival this July, I made a note to catch them again and they didn’t disappoint. While the Australian Spooky Men’s Chorale’s humour left me mainly yawning, the subtler sounds and jokes by this fabulous ukes ensemble fitted perfectly into my meditative theme at this year’s festival.

North Carolina based singer/songwriter Jonathan Byrd and the Sentimentals saved the weekend in terms of Americana sounds for me (here is a taste: You Can’t Outrun The Radio) and I heard some rumours there might be more of an Americana focus again next year, fingers crossed.

My favourite festival discovery this year was quite a traditional band though, the young Canadian trio Ten Strings and a Goat Skin from Prince Edward Island who play Acadian, Irish and French tunes as well as their own compositions. Having very much enjoyed their intimate show at Green Note the Monday before, I ended up seeing all three of their Shrewsbury sets. There are many traditional bands around who play fast-paced and fabulous music. What distinguishes the best from the rest, however, is their ability to really connect with an audience. Brothers Rowen on fiddle and Caleb on percussion (incl. bodhran) as well as Jesse on guitar were the surprise hit of this year’s Shrewsbury Folk Festival and by their third set on Sunday night we were all dancing in front of the stage. What fun!

There are many good reasons why Shrewsbury Folk Festival is such a much-loved event. Mine are mostly that the volunteer crew is dedicated and cheerful (so great to see everyone again this year!), the quality of the performers is always reliably high, food and drink choices are varied and plentiful, Shrewsbury town centre with many lovely cafes and (charity) shops is just a stone’s throw away and, best of all, everyone is just getting on with it and having a brilliant time! To put it in a nutshell, the ideal folkie short break, which leaves you invigorated and ready for more of the same the next year and the one after that and so on.

P.S. Nearly forgot #folkiedog! What a pleasure to meet so many folkie dogs again this year, I even recognised a folkie dog family from the equally dog-friendly Maverick festival in Suffolk (note to self: must start #Americanadog next summer…). Here is a little video featuring some of the SFF folkie dogs.

Rimpee folkiedog SFF

The Best Medicine: Cambridge Folk Festival 2015

Festivals have always been a time for celebration and enjoyment, but to some of us, they are also a great source of inspiration. I, for one, am forever on the look-out for songwriters and songs that really move me and it always puts a smile on my face when I come across something special, like at the recent Cambridge Folk Festival (30 July – 2 August 2015) – 51 years and still going strong.

Sometimes it is the circumstances of how a band came to be in the first place, which are rather extraordinary, such as with The Lone Bellow from Brooklyn, who really blew me away with their positive energy and thoughtful lyrics, for instance “Green eyes and a heart of gold, All our money’s gone and the house is cold, And it’s alright, it’s alright.” It is often life-changing events that make us take stock of what, deep down, is important to us. The song is also a great reminder that money cannot buy health nor happiness and that every day is a gift (which may be an overused phrase, but I really believe it is).

Peggy Seeger performed at the very first Cambridge Folk Festival and returned after 50 years sharing her wisdom gained during a lifetime filled with music. I was lucky to be at both her set on stage 2 as well as her talk on the Club stage. The interview-style event was a rare opportunity to learn about a past I had only read about in books before. And yet, it was a small remark she made early on during her talk, which struck a real chord with me: “Every child is a singer until someone stops them.” This is so very true about music as well as many of the other (hidden) talents all of us have. I used to love drawing until I came across a very critical art teacher (failed artist?) in my early teens. Recovering these early passions can be a life-long but rather enjoyable process as it is never too late to be creative. Peggy said that, despite health setbacks, she still practises playing about 2 hours each day and her 80th birthday wish was to go on tour with her two sons, which she did. How inspiring is that?

Peggy & Joan

Having never seen Joan Baez live before, I had really been looking forward to her performance at CFF. It was a wonderful experience to be at the very front near the stage with thousands of other folkies singing along behind us to all the folk classics. I surprised myself with remembering pretty much all the lyrics of “House of the Rising Sun”, having sung it many times in Catholic (!) school as a young girl. Of course, none of us had any idea at the time, what the song was really all about. It seemed like Joan and many of the other performers were quite impressed with how passionate the audience was about music and singing; a memorable hour for all of us spent in the very best company.

This was also the case for the Passenger set. Mike Rosenberg, aka Passenger, had started out “busking” at the CFF Guinness tent in 2011 and was back this year, this time as one of the headliners on the main stage (plus a “secret gig” at the Guinness tent for old times’ sake). I enjoyed his humorous on-stage banter and how genuinely appreciative he was about playing such a prestigious event. One line that stayed with me afterwards was “You see, all I need’s a whisper in a world that only shouts” (from “Whispers”). And he couldn’t have put this any better, of course: “I hate ignorant folks, who pay money to see gigs, And talk through every f****** song” (from “I Hate”). To prove this point – or rather the opposite – he sang “The Sound of Silence” and thanked the audience for being so attentive; you could have heard a pin drop even though there were thousands of us gathered there while everyone happily joined in on his hit song “Let Her Go”. Paying attention to details and sharing silence(s) can be a beautiful thing indeed.

CFF 1

Sadly, there is not enough space to list all the songwriting gems I came across throughout the weekend. But let me share one last one, which the title of this blog post is based on and which has been the tune I was still humming on my way back from CFF. The Stray Birds from Pennsylvania are one of those bands who seamlessly manage to merge folk tradition with modern sensibilities. Their song “Best Medicine” (inspired by this awesome US record shop) sums up how I feel about music in general: “If the body is a temple, the soul is a bell and that’s why music is the best medicine I sell.” Just repeat this line aloud a few times and you will see why it is so powerful.

I am forever grateful for the never-ending stream of excellent music coming my way day in and day out. If you dig a little deeper and get below the commercial fare blaring from loudspeakers up and down the country, it will open up a whole new world of music to discover. And once you have tumbled down the rabbit hole of my favourite genre, “good music”, there really is no need to go back.

If there was any common thread with all the artists at Cambridge Folk Festival 2015, it was the passion with which they performed their songs and practised their craft. One highlight after another on three main stages (including the above mentioned as well as John Butler Trio, Rhiannon Giddens, Nick Mulvey, Gretchen Peters, The Willows, and new discoveries Fara, Rura and Lynched) plus a fabulous “fringe” programme at the Den (e.g. The Boundless Brothers, Callaghan & Ciaran Lavery) and even a stage on the campsite (!) made it come pretty close to the dream line-up any of us could have wished for if money and conflicting touring schedules were no object.

CFF 2

The one thing I was most impressed by, however, was the folk fest audience. Every day I would have conversations with fellow music lovers of all ages – the littlest festival attendee I met being only a mere month old – over a meal or a pint. Everyone seemed to have a constant smile plastered across their face, and rightly so. Who needs drugs when you can enjoy such amazing music for four days in a row? One particular festival moment, which is permanently etched in my memory, are the short but hilarious bus trips from the festival site to the campground every evening. The nightly singalong on the upper deck of the bus and the local bus drivers becoming folkie accomplices as we went around a single roundabout again and again and again, was the icing on the cake of an already superlative event. Well done, Cambridge Folk Fest, I hope this (for all the right reasons) successful festival will continue for many, many years to come!

Ceilidhs, Fiddles & Fun For All Ages: Folk Weekend Oxford 2015

One of my favourite locations for festivals is right in the heart of a city. Folk Weekend Oxford, which took place from 17-19 April 2015, did not only successfully tick this particular box. It also managed to put on a veritable smorgasbord of folky entertainment for all ages for a whole weekend again. And all this was achieved by more volunteer hours Cat and her hard-working team probably care to remember – well done! Having joined as a weekend steward once more this year, it was again a great experience – and the weather played along nicely too for a change.

Splat the Rat

Even though I had decided I would take more of a chilled approach this time and not squeeze too many sets in too many of the fabulous venues in over the three days, Friday night started out with a pretty busy event. I helped running the ceilidh in the beautiful St. Barnabas church in Jericho, one of my favourite areas in Oxford (including the Illyria pottery shop with resident kitty Lucie Maud). Alas, just around the time we were supposed to have our stewards briefing on Friday afternoon, there was a fire at the iconic Randolph Hotel in the city centre. It not only kept the fire brigade busy for most of the evening, but also meant the first main concert at the (a little ominously named) Old Fire Station sadly had to be cancelled. Our dance event, which was sold out last year too, went ahead though and attracted nearly 200 enthusiastic ceilidh dancers of all ages. We had a wonderful evening with lots of laughs and many of the first-timers excitedly asking when the next dance night was going to be on (as it happened, on the following night).

Oxford Canal

After a hearty breakfast at our B&B I headed back into town along the canal and its parade of lovely narrow boats, caught a short set but great set by Splat the Rat in the OFS gallery space and spent the rest of the morning leisurely browsing the many charity shops and bookshops before having a latte at one of my favourite cafes in town, Zappis Bike Cafe. I returned just in time for Welsh-born but now Oxford-based folk singer Tom Blackburn followed by The August List, a surprising and refreshing Americana addition to the largely trad folk line-up.

The August List

Oh and how could I forget the many Morris sides about town? With their colourful costumes and bells tinkling wherever they went, they added a bit of living folk tradition to the village fete on Gloucester Green and in the centre of Oxford and definitely got many a tourist’s camera clicking.

Morris dancers

I spent the evening at the cosy Wesley Memorial Church listening to the beautiful harmonies of local female duo Wednesdays Wolves, who were already a welcome addition to the festival last year. They were followed by Ninebarrow and Lady Maisery. Although I had intended to „stay awake“ for the always entertaining Hut People (think percussion extravaganza extraordinaire) who were on at the OFS just before 11pm, I ended up calling it a night around 10pm.

Wednesdays Wolves

On Sunday the weather wasn’t quite as sunny any more, which was just as well as I spent the afternoon in the best venue a music-loving literature-crazy festival goer could ask for: a bookshop! Blackwells impressive three-storey literary maze on Broad Street to be precise. It was the first time it was used as a festival venue and all afternoon visitors were pouring into the Norrington Room where, from 11am-4pm, FWO musicians took up residence. First up were Henry Webster and Dave Malkin (two of the folk trio Tandem) followed by trad trio Moore Moss Rutter. Young folk singer Penny Kempson was up next as well as quirky and humorous trio Susanna Starling & Friends.

Kelly Oliver

Up-and-coming folk singer Kelly Oliver also made an appearance, so did Ben Moss & Laurel Swift, whose performance included some solo clog dancing by Laurel on an old table top spontaneously provided by Blackwells staff. Yes, I did miss some of the bigger names, but knowing the UK folk circuit, I am bound to catch them live again one of these days. As far as I’m concerned, I had the most fabulous folk weekend again!

Ben Mross & Laurel Swift

If you need additional reasons for visiting Oxford, have a look at this archived post with tips for live music, charity shops, museums and visiting the “Headington Shark”. And in order to find out how the festival came into being and what makes it tick, check out my interview with Folk Weekend Oxford director Cat Kelly.

Away with the (Folk) Faeries: Shrewsbury Folk Festival 2014

Shrewsbury Folk Festival is one of my favourite festivals on the UK folk circuit as it is consistently excellent. It is one of the most well-organised events I have came across in the past couple of years and this does not only apply to the music and sound quality, but also to how it is run. The volunteer stewards take pride in doing a great job and tend to return year after year. The festival veterans pass on their knowledge to new volunteers who are welcomed and seamlessly integrated. The minute I walked through the gates on Thursday afternoon I saw a few friendly faces who I had also seen the year before and the year before that. Another bonus is its location walking distance to the town of Shrewsbury, which is well worth exploring and has plenty of history, architecture, charity shops and pubs to keep you busy for an afternoon or two.

Festival Faeries
Music-wise there was a Canadian theme to the overseas acts this year, which was more than fine by me. I managed to catch Cara Luft and JD Edwards, JP Hoe, Madison Violet, Blackie & the Rodeo Kings and Matt Gordon & Lenny Podolak, who were all brilliant and are well worth checking out when they are touring over here. Apart from the usual stellar British Isles folk line-up, some acts I particularly enjoyed this year were Philip Henry and Hannah Martin, Sunjay Brayne and Bella Hardy. I was stewarding with the artist reception team again and, like last year, had a really good time. After sometimes long hours of travel, the artists could relax and chill in our cosy catering tent before or after their sets and we made sure they had everything they needed. After a long day of stewarding, hanging out with old and new friends and listening to fabulous live music it was off to the on-site bar every night, the main hub for music workshops during the day and lively singalong sessions into the early hours.
Village Stage 2
If you are planning on attending Shrewsbury Folk Festival next year, make sure you get your hands on tickets quite soon as it sold out pretty early this year. Arriving by public transport is not a problem as the festival site is only a 10-15 minute walk or a short taxi ride from the train station. If you have caught the folk fest bug and fancy volunteering, sign up as early as possible (beginning of each year) as there is usually – and understandably – quite a waiting list. Oh and if there is just one song you might want to learn the lyrics of for next year, make it Cousin Jack, which never fails to be performed by Steve Knightley, this year with a surprise appearance by Show of Hands colleague Phil Beer and other special guests, epic set!
You can watch some videos of this year’s festival on the lifeisafestival youtube channel, enjoy 🙂
Steve Knightley Wake the Union